As part of our current show, Breadcrumbs, we sat down with artist Zixuan Huang to talk about repetition, introversion, and containers of the soul.
Breadcrumbs, and Huang’s piece “La Chemise Est Notre Cocoon” will be on view through May 8th, by appointment only.
As part of our current show, Breadcrumbs, we sat down with artist Zixuan Huang to talk about repetition, introversion, and containers of the soul.
Breadcrumbs, and Huang’s piece “La Chemise Est Notre Cocoon” will be on view through May 8th, by appointment only.
A wasp entered the apartment and traced the same lines around the window, over and over. Mofei followed it and embedded the wasp’s patterned path in the rice paper.
What does it mean to be a visitor in a space, and what trace do you leave behind?
‘Domestic Visitor’ sits at the heart of what Breadcrumbs asks: that the most ordinary encounter with a wasp, a window, a repeated movement can become a record of presence. The work illustrates the story, holding it in light and wax, the way a house holds the memory of everyone who passes through it.
In the second image, Mofei’s work sits alongside Zixuan Huang’s ‘La Chemise Est Notre Cocoon,’ a shirt that holds the shape of a body no longer there. Two objects, two absences. The apartment as a site where things linger. 1. Domestic Visitor, 2026 - Mofei Wei
Stone, bamboo, printed rice paper with plant based wax 2. Installation view - Zixuan Huang & Mofei Wei
Breadcrumbs at apt49c, on view until May 8, Genève
Julie Richard’s practice moves through cinematic and archival imagery. From film stills to scenes suspended mid-memory.
‘Fantômas’ is a figure from early 20th century French crime fiction: a criminal genius known only by what he leaves behind. The mask outlives the man beneath it.
In ‘Breadcrumbs,’ Julie’s work speaks to this tension, what the mask repels, and what it invites. What is it to wear a mask, if not to make yourself a ghost?
On view through May 8th. Dm us for a visit.
Breadcrumbs
installation view, Genève
on view until May 8, dm to visit
Crying Boys, 2025 - @pavomar
with Eli Bougeard, Zixuan Huang, Julie Richard, Pavo Marinović, Divine, Mofei Wei
curated by @haoyong.zou & @qinyu_lyu
Alina Fortuna Riethmuller works in the space between art and research. Her practice moves fluidly between art-based research and research-based art, shaped by landscapes, more-than-human relationships, and the quiet resilience of materials.
She treats materials not as resources, but as companions. Her works carry traces of geological and biological histories, marked by use, extraction, and circulation.
Through subtle gestures, silences, and careful reconfigurations, her practice reflects on how knowledge and memory persist through care, adaptation, and transmission.
Her work also speaks to forms of resistance embedded in territories, their histories, and systems of education.
Currently studying in the Work.master program at HEAD – Genève.
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Participating artist alongside Arvin Jairus Perez
Exhibition dates: 30.01–31.01.26
Location: Unternehmen Mitte, Langer Saal
The exhibition is structured as a conversation between the two artists’ practices, shaping an environment defined by proximity, pathways, and embodied encounter.
The space emphasizes navigation and experience rather than passive viewing.
Photos from @jhoshrodriguez
#emergingartist #art #artistsupportartists #contemporaryart #filipinoart
For Qinyu Lyu, her etchings live between plants and bodies, science and prayer.
In 'Banyan Tree', forms fold inward.
'Fishing Net' lets structure fall away.
'Me' turns inward and bleeds red.
'Three Goddesses' transforms roots into figures.
She works slowly, letting materials and time guide the process. Fragility is not weakness, it’s the way the work comes alive. 🤍
#emergingartist #art #artistsupportartists #asianart
LaBella’s mixed-media work incorporates ephemera and items from her late father’s art studio. Using objects that were important to him—such as old belts, currency, and stamps—she creates portraits that transcend the personal. The work invites viewers to engage with their own memories, transforming familial fragments into universal reflections on identity and belonging.
Linda LaBella
DayBook, 2020-25
Mixed media
0.8 x 16 in
