Åplus

Benjamin Slinger - I, The Shill 1. Nicolas Ghesquière Leather bag, Desert Storm/Iraq War patches, Desert Storm T-shirt, wooden beads, custom beadwork F-15 fighter jet 2. Jane Birkin Leather bag, Gulf War/Iraq War/Afghanistan War-era trinkets 3. Installation view: Wassily Kandinsky, 2026 - Distressed 1970s Marcel Breuer ‘Wassily’ chairs, Desert Storm bomber jacket, hook, Lehman Brothers cap, goat hide rug / 280 x 280 x 200 cm / 110 1/4 x 110 1/4 x 78 3/4 in 4. Detail: “I, The Shill”, Åplus Berlin, 2026 5. Jean Prouvé, 2026 Jean Prouvé ‘Standard’ chairs, Financial Times mug, Spitting Image character mug, coiled cable, Conceptual Art by Tony Godfrey stolen from Leeds College of Art, Issue 0, 2 Frieze, Issues 3, 43, 51, Texte Zur Kunst, speaker stand, pine 6. Detail: “I, The Shill”, Åplus Berlin, 2026 7. Anonymous, 2026 - Desert Storm T-shirt, vinyl, stretcher / 70 x 60 cm / 27 1/2 x 23 5/8 in 8. George Bush, 2026 - 1992 George H. W. Bush election T-shirt, vinyl, stretcher /70 x 60 cm / 27 1/2 x 23 5/8 in 9. Awe I–XV, 2024–2026 - Desert Storm/Desert Storm Pro Set trading cards, Defence Intelligence Agency playing cards, beech dowel, nylon fletching cord, ABS nock, stain, vinyl, transfer scale model decals / 80 x 180 x 93 cm / 31 1/2 x 70 7/8 x 36 5/8 in @benjaminedwinslinger #benjaminslinger #åplus #contemporaryart #berlin #london

Hands Down 2025 Nicl Barbro - Lauren Keeley - Hannes Mussner - Merlin Reichart - Benjamin Slinger - Manuel Stehli - Anna Stüdeli 1. Installation view: „Hands Down“, Åplus Berlin, 2025 2. Hannes Mussner - Twain - 2025, Limewood, acrylic paint and beeswax, installation: 23 x 51 x 21,5 cm / female: 20 x 11 x 20,5 cm / male: 23 x 12 x 21,5 cm 3. Nicl Barbro - Tokyo Hand - 2024, Lime wood, aluminum, chalk emulsion, combustion, 63 x 29,5 x 6,5 cm 4. Installation view: „Hands Down“, Åplus Berlin, 2025 5. Manuel Stehli - untitled (pair of hands, 1/6/25) - 2025, Oil on wood panel, 40 x 50 cm 6. Lauren Keeley - Next Stop - 2019, Linen, leather, aluminium, screenprint on board, 65 x 48 cm 7. Benjamin Slinger - C Enchanted, Well Lit, Aspirational Dungeon - FT - 2023, ‘Financial Times’ mug, polymer, shirt, cufflink, acrylic paint, varnish, flame shaped LED bulb 8. Anna Stüdeli - Yogi - 2024, Latex prints on blueback paper, aluminium, 91 x 131 x 2 cm 9. Installation view: „Hands Down“, Åplus Berlin, 2025 10. Merlin Reichart - Trace Fossil (AR-08272432-AMS45) - 2024 Xyrarock plaster, chalk varnish, medium-density fibreboard, anodized aluminium, acrylic glass, 27 x 37 x 6 cm #aplus #contemporaryart #berlin #hamburg #london @niclbarbro @lauren__keeley @hannesmussner @____nillle3000 @benjaminedwinslinger @manuel.stehli @anna_stuedeli @jens.soneryd

Eduard Kiesmann, Simon Modersohn, Niko Princen Hand & Screen 07. March – 11. April 2026 COPYRIGHTberlin Schwedenstr. 16 13357 Berlin @simon_modersohn @kiesmann_eduard_atelier @nikoprincen @copyrightberlin #simonmodersohn #eduardkiesmann #nikoprincen #copyrightberlin #åplusberlin

On View: Niko Princen 24. January – 21. February 2026 Åplus Berlin Stromstr. 38 10551 Berlin Niko Princen Result May Vary #10 (HR/W3), 2025 UV-print & primer on canvas 168 x 120 cm @nikoprincen #nikoprincen #aplusberlin #contemporaryart #berlin

Kara Chin, Andi Fischer, Kyle Fitzpatrick, Axel Geis, Gregor Hildebrandt, Hiroko Kameda, Zinu Kim, Eduard Kiesmann, Martin Meiser, Simon Modersohn, Andrew T. Perry, Patric Sandri, Robert Schwark, Ernie Wang AIRTIME 29. Nov. 2025 – 10. Jan. 2026 opening: 29. Nov. 5-8pm Åplus Stromstraße 38 10551 Berlin ❤️ @jens.soneryd @karachin @andi___fischer @kylefitzpatrickstudio @axelgeis @grzegorzkiproduction @_hiroko_kameda @zinu__kim @kiesmann_eduard_atelier @martin_meiser @simon_modersohn @patricsandri @ern_wang

Kara Chin, Simone Mine Koza, Ernie Wang In Aviaries 1. Installation view: "In Aviaries", Åplus Berlin, 2024 2. Installation view: "In Aviaries", Åplus Berlin, 2024 3. Ernie Wang - Untiteld (Roofed Mirror), 2024 - Glazed ceramics 72 x 40 x 22 cm / 28 3/8 x 15 3/4 x 8 5/8 in 4. Kara Chin - The Park is gone, 2022 - Glazed ceramics, wood 80 x 128 cm / 31 1/2 x 50 3/8 in Kara Chin - Leafy green Protein Rich, 2022 - Timber, cornflour, PVA glue, pigment, acrylic paint, 266 x 26 x 7 cm / 104 3/4 x 10 1/4 x 2 3/4 in 5.Ernie Wang - Castle 1 (Mineral Garden), 2023 - Glazed ceramics, 65 x 39 x 36 cm / 25 5/8 x 15 3/8 x 14 1/8 in 6. Ernie Wang - Castle 5 (Caged Bean), 2024 - Glazed ceramics, ca. 70 x 40 x 37 cm / ca. 27 1/2 x 15 3/4 x 14 5/8 in 7. Simone Mine Koza - Smart City, 2022 - 3D Animation, Vertical format video installation, 5’30’’, Link: /697848557 8. Kara Chin - Vogelkop in Hasenheide, 2024 - Glazed ceramics, 21 x 16 cm / 8 1/4 x 6 1/4 in 9. Kara Chin - Vogel Kopf in Atami, 2024 - Glazed ceramics, 21 x 15 cm / 8 1/4 x 5 7/8 in @karachin @kentakozamine @ern_wang #karachin #simoneminekoza #erniewang #aplus #contemporaryart #berlin

Flickering Chambers. Opening today. Åplus, Berlin. Here is my letter (about dwelling) to Eduard, Esther, Hagen, Kyle, and Simon. @simon_modersohn @kylefitzpatrickstudio @eduardkiesmann @esther_zahel @aplus.berlin

Today is the last day to see my show Kataster at @aplus.berlin Thank you so much to everyone who has already visited and for all the support!

2020: Holly Hendry, Lauren Keeley & Lulu MacDonald - If you See Me, Weep   1. Installation view: „If You See Me, Weep“, Åplus, Berlin, 2020 2. Lulu MacDonald, A Rhubarb Pickle of a Jam, 2020, Breeze Blocks, tadelakt, Yew tree branch, 200 x 60 x 20 cm 3. Lulu MacDonald, Two People made of Vegetables eating a Flower in the Summer they didn‘t spend together, 2020, Stuccolustro, mahagony, plaster board, Palm leaves, 200 x 160 cm 4. Installation view: „If You See Me, Weep“, Åplus, Berlin, 2020 5. Holly Hendry, Shallow Sob, 2020, Plaster, pigment, steel, silicone and mini conveyor, 58 x 28 x 28 cm 6. Lauren Keeley, Against troubled skies, 2020, Woodcut print on paper, cast aluminium in stained walnut frame, 132 x 104 cm 7. Lauren Keeley, Towards a fairer weather, 2020, Woodcut print on paper, cast aluminium in stained walnut frame, 132 x 104 cm 8. Installation view: „If You See Me, Weep“, Åplus, Berlin, 2020 9. Lauren Keeley, Next Stop, 2019, Linen, leather, aluminium, screenprint on board, 65 x 48 cm 10. Lulu MacDonald, Whispers snatched from under the Soil, 2020, Lagurus grass hand dyed with St Johns wort, forget me nots and food colouring, tadelakt, 90 x 70 cm @lulu_macdonald @lauren__keeley @h.ollyh.endry #2020 #contemporaryart #berlin

- Simon Modersohn - 1. Installation view: „Jetzt!“, Deichtorhallen Hamburg, 2020 2. Round Up, 2018, Oil on canvas, 190 x 180 cm 3. Sprenger, 2020, Oil on canvas, 160 x 200 cm 4. Installation view: „Paket beim Nachbarn“, Kunstverein Bremerhaven, 2020 5. Generation Trockner, 2018, Oil on canvas, 110 x 160 cm 6. Totalausfall, 2019, Oil on canvas, 145 x 120 cm 7. Installation view: „Jetzt!“, Museum Wiesbaden, 2019 8. Ansitz, 2019, Oil on canvas, 95 x 160 cm 9. Brückentag, 2020, Oil on canvas, 190x180 cm 10. Installation view: „Jetzt!“, Kunstmuseum Bonn, 2019 #simonmodersohn #åplus #contemporaryart #berlin

Eduard Kiesmann - Vacation Forever Flowers exist in different botanical speeds. There are the ephemerals, annuals, biennials and perennials. The inevitability of slow / quick / or recurring life and death go hand in hand. Kiesmann’s new works oil and ink paintings seep through fly screen and canvas. It is not an unusual language to use the image of flowers to talk about mortality. Since the still lives of flowers hung on the interiors of Egyptian tombs, florals have managed to conjure layers of the between. The gesture of freezing a flicker of life through flowers is perhaps their ability to exist deeply in the ground as well as high above it. They manage to exist within, upon and apart from the ground. Perhaps that is why flowers so often exist as symbols of combining both life and death - it seems only natural and intrinsically human to experience flowers as teetering between layers of living and dying. The word human comes from the word Humando (to bury) which stems from the word Humus (earth, soil). The question remains, are the flowers planted or are they buried? Or perhaps the life of a flower is the afterlife of the soil. Text: Lulu MacDonald 1. Installation view: Vacation Forever, Åplus Berlin 2. Vacation, 2022, Oil on flyscreen, 182 x 139 cm / 71 5/8 x 54 3/4 in 3. Expedition Crimson, 2014-2021, Oil and ink on canvas, 135 x 107 cm / 53 1/8 x 42 1/8 in 4. Expedition Nr 4, 2014-2021, Oil and ink on canvas, 135 x 107 cm / 53 1/8 x 42 1/8 in 6. Installation view: Vacation Forever, Åplus Berlin 7. Neoregelia Tiger, 2022, Oil on flyscreen, 68 x 57 cm / 26 3/4 x 22 1/2 in 8. Nochmal Flora, 2022, Oil on flyscreen, 60 x 71 cm / 16 1/2 x 25 1/4 in 9. Installation view: Vacation Forever, Åplus Berlin 10. shōgun dreams series, 2022, Oil & pencil on wood 11. Night Fight, 2022, Oil on flyscreen, 136 x 109 cm, 53 1/2 x 42 7/8 in #eduardkiesmann #åplus #contemporaryart #berlin #🚀🚀🚀

Audrey Hope & Nick Kopenhagen - Any Kind Of Raven 1. Installation view: „Any Kind Of Raven“, Åplus Berlin, 2023 2. Audrey Hope „Souvenir of the Mosaic Curtain for the National Theatre of Mexico“, 2022 - Stained glass, apoxie sculpt, onyx fast, microbeads, altar server robe - 40 x 36 x 5 cm / 15 3/4 x 14 1/8 x 2 in 3. Audrey Hope „Parking Stop“, 2022 - Bronze, pigment print on cotton, onyx fast, various found materials - 25 x 34 x 12 cm / 9 7/8 x 13 3/8 x 4 3/4 in 4. Installation view: „Any Kind Of Raven“, Åplus Berlin, 2023 5. Installation view: „Any Kind Of Raven“, Åplus Berlin, 2023 6. Nick Koppenhagen „The Drift“, 2023 - Force-directed graph; marble; resin bases, acrylic paint; iron; 64 black core board paper cards, 280gsm from “Horizontal Twilight Spells – Set 2: Xi” - 240 x 240 cm / 94 1/2 x 94 1/2 in 7. Detail: Nick Koppenhagen „The Drift“, 2023 8. Installation view: „Any Kind Of Raven“, Åplus Berlin, 2023 9. Nick Koppenhagen - „Horizontal Twilight Spells – Set 1: Nu, Print Sheets“, 2020 - Print sheets of 165 black core board paper cards, 280gsm - 74 x 153 cm, 29 1/8 x 60 1/4 in 10. Audrey Hope „Phillip Standing in His Boots on His Mother’s Zebra Skin Rug“, 2022 - Bronze, canvas, altar server robe, hand wound rope, snail shells, acrylic, foam, microbeads, fur, onyx fast, zip ties, pigment print on canvas - 14 x 18 x 35 cm / 5 1/2 x 7 1/8 x 13 3/4 in #audreyhope #nickkopenhagen #anykindofraven #åplus #contemporaryart #berlin #❤️❤️❤️