Anything is Possible

Technical production and installation of ‘Eerbetoon Gastarbeiders’ by @aimeezitolema Installed at the Majellapark in Utrecht Image 1, 2, 13, 14 by @gertjanvanrooij #art #publicart #artproduction #aimeezitolema

This month five years ago we started production of the work ‘Obovaal’, a public artwork by @marlou.rutten , made for Museum Flehite. It is a memorial to the painter Caspar van Wittel, who used the camera obscura during the production of his paintings. Image 1, 7 and 8 by @passiansmit #art #artproduction #publicart #marlourutten #cameraobscura #flehitemuseum

'Windows' by @lynneleegte returns for edition 14 of the Amsterdam Light Festival from November 27 2025. Anything is Possible produced and installed 'Windows' for the sixth edition in 2017. #art #artproduction #installation #amsterdamlightfestival #alf #lynneleegte

20 years ago today marked the last weekend of the iconic presentation of the film “Mandarin Ducks” in the Dutch pavilion at the 51st Venice Biennale.   Jeroen de Rijke and Willem de Rooij represented the Netherlands at this edition; we were asked to sculpt the space with them. Curated by Martijn van Nieuwenhuyzen.   In remembrance of Jeroen (1970-2006) #art #artproduction #exhibition #installation #venice #biennale

Last May, we covered the church windows of the Oude Kerk with 43000 sheets of custom-made diffraction foil for the exhibition ’To Breathe - Mokum’ by @studiokimsooja The artwork can be seen for two more weeks in the @oudekerkamsterdam First image by @aadhoogendoorn Last image by @nataschalibbert #art #artproduction #exhibition #installation #oudekerk #amsterdam

Technical production and installation of the work ‘Schattige babyvoetjes’ by @lilyvanderstokker Installed at @ndsm First and last image by @gertjanvanrooij #art #publicart #artproduction #lilyvanderstokker #ndsm #amsterdam

Installation of ‘The Residents’, a work by @lynneleegte . Two weeks ago, @uva_amsterdam officially opened their new library, for which Lynne Leegte made this artwork. The Residents is located in the stairwell of the old Binnengasthuis. Film by Christiaan Kanis #art #installation #lynneleegte #uva

NEW ARTWORK! The Hague has gained a monumental new artwork! ✨ Be longing by artist Michael Rakowitz was unveiled this weekend in Molenvlietpark by Mayor Jan van Zanen. A powerful work about migration, archaeology and finding a sense of home; created with ceramic shards and personal stories from residents of The Hague, Rijswijk and Voorburg. Are you going to check out the artwork? Practical information Address: ‘s-Gravenmade, 2495 BD The Hague Location: Molenvlietpark [NL] NIEUW KUNSTWERK! Den Haag is een monumentaal kunstwerk rijker! ✨ In het Molenvlietpark is dit weekend Be longing van kunstenaar Michael Rakowitz onthuld door burgemeester Jan van Zanen. Een bijzonder kunstwerk over migratie, archeologie en thuis voelen; gemaakt met scherven en verhalen van bewoners uit Den Haag, Rijswijk en Voorburg. Ga jij het kunstwerk bekijken? Praktische informatie Adres: ‘s-Gravenmade, 2495 BD Den Haag Locatie: Molenvlietpark #StroomDenHaag #BeLonging #MichaelRakowitz #KunstinDeOpenbareRuimte #Migratie #Archeologie #Rotterdamsebaan #DenHaag #ParticipatieKeuken

Technical development, production and installation of 'Be longing'. Artist: Michael Rakowitz. The festive unveiling will take place on Saterday 5 July #stroom_den_haag #michaelrakowitz #participatiekeuken #molenvlietpark #artinpublicplaces @gemeentedenhaag

Throwback Thursday. The wildest work of art that I’ve made to date: The Glass Ceiling, part of Panorama 2000, from the summer of 1999. “In a certain sense the work Glass Ceiling (1999) by Otto Berchem is just that: a glass ceiling. In another way it is a lot more. A show-box of every-day life. A real-world peep-show. Glass Ceiling was Berchem’s contribution to Panorama 2000, a blockbuster exhibition organized in the city of Utrecht in the spring of 1999. Arguably, his show took the extramural hype set by exhibitions such as Chambres d’Amis (Gent, 1986) to new heights – at least in a literal sense. Panorama 2000 was set up around the principle that all the large-scale artworks, which were spread over the city, could be seen from one central point: the top of the 112-meter high cathedral (Dom) tower. Berchem fully used the potential of this unorthodox vantage point by simply replacing a roof of a penthouse apartment by a glass ceiling, thus opening the dwelling to the prying eyes of the spectator. As if penetrating the roof with X-ray vision, the visitors of Panorama could catch residents Rob and Dorien Timmerman in their own home, busy with their daily routine. It is obvious how Berchem’s work taps into issues such as transparency, privacy, and surveillance. Indeed, as one critic established, his intervention turned the dwelling into a prison, with an architecture that is legible in each of its parts, designed for maximum observation. The unusual perspective confirms this interpretation. The city is reduced to a single optic field, observed from one central tower – Panopticon anyone? The God perspective is, of course, a strong architectural articulation of an extremely lopsided power relation. The spectator is in the dominant position. He or she is the Eye, whose gaze penetrates deep into the private lives of residents. (continues)

No matter try again fail again fail better

Technical development, production and installation of To Breathe - Leiden by Kimsooja @kimsooja @lucasvanleydenfonds @museumdelakenhal @axelvervoordt_co @bernardo_zavattini #publicart #art #leiden