Anthony Tidd

The building behind Ravi Coltrane, Mark Christman, and myself is arguably one of the most important historic sites in Philadelphia jazz. Yes, it is known as the first home owned by John Coltrane, but it also represents a much bigger American story — one connected to the Great Migration, the ongoing struggle for Black equity, and the transformation of twentieth-century American art through Black culture. Between 1910 and 1970, millions of African Americans left the South in search of opportunity, equity, and the possibility of a different life, escaping the violence and systematic racial oppression of Jim Crow America. Like many Black families of the post-WWII era, Coltrane, his mother, and aunt relocated to Philadelphia in 1943, when he was just 16 years old. After leaving the Navy, Coltrane used G.I. Bill benefits to help purchase 1511 N. 33rd Street — the row house that would become both a family home and, in many ways, an incubator for one of the most important artistic voices of the twentieth century. Sixteen years later, Coltrane composed Fifth House alongside works such as Giant Steps, Countdown, and Naima, during the extraordinary creative surge now associated with his Giant Steps period. Fifth House can also be heard as a kind of bridge composition, applying the harmonic innovations of Giant Steps and Countdown to the standard “What Is This Thing Called Love/Hot House. Coltrane’s innovations pushed the music forward whilst still remaining deeply rooted in the traditions at its root. Fifth House actually refers to astrology, rather than a literal home. In astrology, the Fifth House is associated with creativity, self-expression, and bringing something new into the world through imagination, passion, and personal vision. In many ways, that idea mirrors the music Coltrane was creating during this period — and the expansive spiritual and artistic language he would continue developing for the rest of his life.

Happy Mother’s Day mum!

Anthony Tidd and Quite Sane charged in to The Jazz Gallery to debut the last album of their trilogy, “To Kill A Child Of Troubled Times” appropriately titled “Epilogue”. If you know Anthony, the title is misleading because he really is all about the next project such as last summer’s Atelier Harlem, his multi-week set of performances in a classic Harlem brownstone featuring the best of the best jazz musicians in NYC, which I was fortunate to enjoy several times. This performance was equally as captivating as last summer’s series featuring Astrid Kralisch and Kokayi on vocals reflecting the deep emotions and strong feelings behind Anthony’s compositions. Steve Lehman provided a level of sophistication to the alto sax rarely heard in these parts. The rhythm section of Miles Okazaki, Micah Thomas and Sean Rickman anchored the evening with class and creativity. Miles is recently back from his triumphant Thelonious Monk marathon at the Big Ears Festival to rave reviews. I am excited to see what this band creates next.

Available Now on All Platforms Quite Sane — To Kill a Child of Troubled Times: Epilogue The final chapter of Anthony Tidd’s long-form trilogy is now streaming everywhere. Featuring: Anthony Tidd Kokayi Lee Mo Laurin Talese Melissa Aldana Miguel Zenón Paul Cornish Miles Okazaki Sean Rickman Get the complete bundle via Bandcamp — including the Limited Edition Double Vinyl and all three chapters of To Kill a Child of Troubled Times. Link in bio. #QuiteSane #CreativeMusic #Vinyl #AnthonyTidd #ABGroove

What an incredible time we had last night playing for a truly attentive and enthusiastic crowd at the Jazz Gallery. This group of world-class musicians really did the material justice, and the whole evening was beautifully captured on Leica by my old friend from London, @cyranonyc . Stay tuned for more Quite Sane dates — coming very soon. See link in bio for info. #QuiteSane #JazzGallery #NYCJazz #CreativeMusic #livemusic

Quite Sane — Epilogue Record Release Performance Join us at The Jazz Gallery for the New York release of Epilogue — the final chapter of To Kill a Child of Troubled Times. Written & produced by Anthony Tidd, Epilogue completes the trilogy — a long-form work blending improvised creative music of the African Diaspora with deep groove, narrative, and spontaneous composition. Epilogue is now available on all digital platforms for streaming and purchase. Featuring: Anthony Tidd — bass Astrid Kralisch — voice Kokayi — voice Steve Lehman — alto sax Micah Thomas — piano Miles Okazaki — guitar Sean Rickman — drums 📍 NYC — The Jazz Gallery 📅 April 23 🕖 7PM & 9PM sets Ticket link in bio. The Limited Edition Double LP (180g audiophile, numbered) — featuring all three chapters — is available now via QuiteSane.com (link in bio) and select record stores. Bandcamp preferred. 📸 @dimicology #QuiteSane #Epilogue #JazzGallery #NYCJazz #VinylCommunity CreativeMusic

Join us tomorrow (4/16) for a special Quite Sane performance presented by Ars Nova Workshop at Solar Myth Anthony Tidd releases the final chapter of his masterwork, To Kill a Child of Troubled Times, now available on all digital platforms Originally available only on vinyl, Epilogue brings the story to a close—blending abstract groove with a thought-provoking narrative, performed by an all-star ensemble including Anthony Tidd, Laurin Talese, Lee Mo, Kokayi, Melissa Aldana, Miguel Zenón, Paul Cornish, Miles Okazaki, Queen Jo, and Sean Rickman Tomorrow’s performance features: Anthony Tidd Astrid Kralisch Laurin Talese Kokayi Mark Shim Miles Okazaki Paul Cornish Sean Rickman Solar Myth 8PM Showtime Ticket link in bio #QuiteSane #Epilogue #ArsNovaWorkshop #CreativeMusic #jazz

Quite Sane — Epilogue The final chapter of Tidd’s masterwork arrives to all streaming and digital platforms on April 17 Written & produced by Anthony Tidd, Epilogue completes the To Kill a Child of Troubled Times trilogy Featuring: Anthony Tidd — Composition/Bass Laurin Talese — Vox Lee Mo — Vox Kokayi — Vox Queen Jo — Vox Melissa Aldana — Tenor Sax Miguel Zenón — Alto Sax Miles Okazaki — Guitar Paul Cornish — Piano Sean Rickman — Drums Limited Edition Double LP 180g audiophile vinyl Numbered copies Includes all three chapters — Prologue, Mythos & Epilogue Available via QuiteSane.com (link in bio) and select record stores Experience it live at the release parties (ticket links in bio) Solar Myth — Philly — April 16 The Jazz Gallery — NYC — April 23 #QuiteSane #VinylCommunity #BandcampPreferred #creativemusic #jazz

Two very special nights hosted by Anthony Tidd. 

THU, APRIL 16 8PM QUITE SANE — Epilogue Record Release Celebration Astrid Kralisch – vocals Kokayi – vocals Mark Shim – saxophone Paul Cornish – piano Miles Okazaki – guitar Anthony Tidd – bass Sean Rickman – drums SAT, JUNE 13 8PM MONO-STEREO Anthony Tidd — bass Damion Reid — drums Steve Lehman — saxophone Mark Shim — saxophone

The music industry has many shortcomings, but chief among them is its failure to recognize the genius required to achieve and embody “deep pocket.” In truth, this approach stands as one of the most revolutionary developments in modern music—defining a break from what came before and shaping what followed. From James Brown to Sly Stone, from Parliament Funkadelic to The Roots, groove and pocket aren’t accessories—they’re the foundation. And more often than not, there’s a drummer at the center, holding that architecture in place. James Gadson was among the very finest to ever do it—shaping and defining countless records that continue to live in the crates and playlists of discerning DJs and music aficionados alike. Rest well, Mr. Gadson #jamesgadson

Quite Sane — Epilogue The final chapter of Tidd’s masterwork arrives on all streaming and digital platforms April 17. Written & produced by Anthony Tidd, Epilogue completes the To Kill a Child of Troubled Times trilogy. Limited Edition Double LP 180g audiophile vinyl Numbered copies Includes all three chapters — Prologue, Mythos & Epilogue Available via QuiteSane.com (link in bio), and select record stores #QuiteSane #VinylCommunity #BandcampPreferred #CreativeMusic #jazz

The Quite Sane Limited Edition Double LP has begun landing in record shops. If you’re in NYC, you can now find copies at: • Academy Records & CDs • Jazz Record Center • Downtown Music Gallery • Generation Records …and many more to come. To Kill a Child of Troubled Times Limited Edition • Numbered • 180g Audiophile Double LP Written & Produced by Anthony Tidd Label: Atelier Harlem Support your local record store and experience the trilogy the way it was meant to be heard — on vinyl. #QuiteSane #AnthonyTidd #VinylCommunity #JazzVinyl #nowspinning