In 2022 image-generating AI was still primitive. I created these cables and circuits then, fascinated by how the technology struggled: imperfect, flawed, yet honest in its limitations. I saved these images as a document of when machines were more openly imperfect, waiting to release them when the technology evolved.
The original AI image has been modified by me with my limited editing skills, so just like the record, it’s an imperfect machine meeting an imperfect human.
Nel 2022 le AI generative erano ancora primitive. Ho creato questi cavi e circuiti in quel periodo, affascinato dal modo in cui la tecnologia arrancava: imperfetta, difettosa, eppure sincera nei suoi limiti. Ho salvato queste immagini come testimonianza di quando le macchine mostravano più apertamente la loro imperfezione, in attesa di pubblicarle una volta che la tecnologia fosse migliorata.
L’immagine AI originale è stata poi modificata con le mie limitatissime capacità di editing: così come il disco, è l’incontro tra una macchina imperfetta e un umano imperfetto.
✨ 2025 Year in Review — Chapter 3
Another glimpse of AI’M @labiennale
This year, we spent two and a half months in Venice, immersed in the process of creating, questioning our practice, and allowing the work to evolve day after day.
AI’M was not only shaped in the studio, but through a deep questioning of the realities we exist and evolve within — both virtual and material — and how we locate ourselves, as individuals, within this constantly shifting landscape.
Choreography: @tamara.fernando & @matthewknef
Dancers: @pann_to@malakuzka@alicedelfrate@00_person@alonso26nu@simoneorlandi_@matt.mateee@gerardjoveer
Music: @antcafasso
Costumes: @isabardot_fashion_stylist@charlesmargaux_
Lighting design: Antonio Molinaro
Production: @labiennale
#2025 #AIM #BiennaleCollegeDanza #DanceCreation #ImmersivePiece
