Min installation ‘13 gæster’ skabt til @skovgaardmuseet ‘s udstilling ‘Hot Hands’ er blevet erhvervet til museets samling med støtte fra @nycarlsbergfondet jeg er meget stolt og glad!
Værket består af et bord det er et maleri, et støbt porcelænsstel i 31 dele, et bronze bestik, bronze lysestager og sterinskylpturer - det er inspireret af blandt andet museets keramiske samling som værket nu bliver en del af ✨
‘13 gæster’ installationen kan opleves nu i Alice Folker Gallery’s showroom henover sommeren sammen med et lille udvalg af mine værker.
Tak til @skovgaardmuseet@nycarlsbergfondet og @alicefolkergallery jeg er meget glad og stolt!
Fotos af @elisabeth_julie ✨
Type
Modelleret scannet skulptur i fræset skum, Line-x, epoxy, akryl, blæk, lak. 2023
Jeg har det som min dejlige Type - så lettet og ekstatisk stresset med futuristisk bh slående knuder på mig selv i glæde over åbningen af ‘Wide-eyed, open’ i @politikens_forhal idag 💕udstillingen er blevet til i det bedste samarbejde med kurator @signecnj og vi har arbejdet med en alternativ udstillingstekst som er et læserbrev skrevet af mig, trykt på bagsiden i dagens avis og e-avisen @politiken illustreret af mine bronze relieffer 📰
@felsefelse åbner udstillingen sammen med en lille oplæsning og ferniseringen er fra 17-19 idag 🥂☔️
Smukke fotos er tager af fantastiske @elisabeth_julie
Underdancing
2026
Line etching with black ink on white paper
Format (w/h): 64 cm x 25 cm
I love this new work, its long and lovely, difficult to carry, the title comes from dance (something i used to do a lot with big pleasure and big embarresment) it means either dancing under someone, supporting the lead or the main or it means dancing sloppy, without commitment or with a loose engagement, i always loved this word, the work reminds me of all things early; an earlier hairstyle, my early work and of going to Kitt Johnsons open training early in the morning in my “male ballet suit” to get my butt kicked earlier in this life.
The work is available at shop.annastahn.dk
‘Swimmer, what a winner’
Line etching with red ink on white paper
Format: 27 × 29 cm
Edition of 24
Signed and editioned
Find on my graphic webshop; shop.annastahn.dk
💋
Anna Stahn
Lille rykker, 2025
Handpainted jesmonite and glassfiber
25 x 23,5 x 5,5 cm
Edition of 4 plus 1 artist’s proof
The first attempt at making something together was dressing up and make-believe
Solo exhibition by Anna Stahn
20 March - 17 April 2026
A big letter with small expectations
Anna Stahn’s series of works consisting of letter sculptures, reliefs, and leporellos revolves around exchanges, friendships, and nostalgia.
The letter in the envelope, addressed to a loved one or a friend, is an outdated technology which - even though postal systems in many places are being replaced by digitalized processes - we still recognize as something particularly intimate. Perhaps only for a few more generations, before the icon fades away or transforms into a memory of a slower time.
From the small glimpses of text in the letters, we sense sentences about creation: creating oneself through clothing, style, fan culture, pop and punk culture, and creating and reflecting oneself through friendship. As expressed in the titular work The first attempt at making something together was dressing up and make-believe, the works are a tribute to the urge to create before it was concretized, economized, and systematized.
The works explore the idea of “falling under the spell together” in encounters with music, political movements, counterculture, glamour, and art. About small attempts to express oneself, similar to practicing drawing or learning to navigate the worlds of art and emotions.
Like a youthful drama in a glass of water, or a simple experience that over time is polished, gilded, and magnified into something legendary, the letters are enlarged into something like pop-art icons: a tribute to the nostalgia of friendship and its transformative potential.
Exhibition text by Anna Stahn
The series of works was originally created for the exhibition Venskaber at Sophienholm Kunsthal, 2025–2026.
Opening a small show ‘the first attempt at making something together was dressing up and make-believe” with my huge letter sculptures at @alicefolkergallery along exhibitions by @swestar8 and her mesmerizing poison kissing painting and @ragnhildmay ‘s huge flute
Its this friday for the opening,17-19 and everyone are welcome 💌🥂swing by for a glass and 3 bad ass shows in one
Concered citizen / bekymret borger
Patinated bronze
2025
My Wall installation “Amagerhylde” is currently on display at @alicefolkergallery ‘s groups exhibition ‘Selected works’ among other great works by artist from the gallery
My work is several works in one work; a sculpture that is a lady shelf showing off these little paper and wax models that look a bit like Black and White drawings casted in bronze, a little rough on the edges - this concerned citizen is one of them
The show is up in the Gallery up until the 6th of march 💋
Billedkunstner, illustrator og skribent @annastahn starter dagen med @jonimitchell , går på brunt værtshus, får læst højt af sin mand, mens hun giver deres datter sutteflaske, og tager sin store hvide Prada-pelshat på.
Vi har mødt Anna i Eurowomans januarnummer.
Tekst @mettestorumkrogh / Foto @stormcph , @alamy , Sara Galbiati og Getty Images.
Crying in the kitchen 🏁
2025
Line etching with black ink on white paper
Format:
Paper size; 40 × 34 cm
Print size; 25 x 22 cm
Edition of 20
Signed and editioned
Available on; shop.annastahn.dk
My art world Ins and outs for 2026
Ins;
Girlypops making big sculpture
Calling each other colleagues
Concerts and performances to make openings more like parties
Being paid and paying decently
Conversations with people you don’t agree with
Dressing up at openings and studio visits
Being moved by something
Outs;
Ceramics
Using the job title ‘Cultural worker’ when what you are is a self employed boss in the precariat
Artist talks
‘The organic’ and ‘The natural’
AI
Not saying ‘Hi’
Mammoth like ego
I forgot to mention that all sports is off course still out and reccomending someone you dont know personally but whose work you admire for a project is still very in
I think minimalism was always in
Happy new year
Lille rykker
2025
Jesmonite, pigment, glasfiber, beslag
I dag og imorgen er sidste chance for at se mine skulptur installationer i gruppeudstillingen venSKABER på @sophienholm så her er en lille rykker hvis nogen havde tænkt at tage derop
Godt nytår 💋jeg fejrede det sovende med en baby klistret til kinden ♥️Jeg glæder mig til at vende tilbage til arbejdet med nye udstillinger og værker i 2026!
The first attempt of creating something was dressing up together and make believe
Jesmonite, glasfiber, akryl og jern
63 x 90 x 6 cm
2025
Det er ved at være sidste chance for at se min skulptur serie og resten af den dejlige venskabs udstilling på
@sophienholm som lukker 4 januar
Der her store brev relief er inspireret af venskaber, tøj, punk, glam, fanfiction og nostalgi, også lidt af store Claes Oldenburg lagkager og læbestifter og Ludwig Bemelman’s gulnede romantiske bar tapet
💌
