@annahart_ing

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Weeks posts
Extract from 'Inflection Point(s), 2024 The Valley Room
65 0
1 year ago
'Inflection Point(s)', 2024 A new work for The Valley Room - lingering with a view, a wall, a body. Thank you @rakheejasani @swarvemarve @lucyjoycestudio @air_ing_
71 0
1 year ago
working on 'inflection point(s)' performance at The Valley Room Saturday 13 July between 11am and 1pm @air_ing_ Unit A29 Hastingwood Trading Estate, London N18 3HU
68 3
1 year ago
still from 'Contiguous', 2023 in ELKS in the rear window @air_ing_
58 3
3 years ago
coalesce (line)
41 0
3 years ago
subtracting
57 2
3 years ago
resting in the north @apparent_happenings
70 1
3 years ago
Still from ‘Incidence’, 2021 Filmed in @eastcheapprojects
32 1
4 years ago
still from 'Sound system of thought (after Ebenezer)', 2021 showing in 'Even the lightest footprints' @eastcheapprojects camera @lucyjoycestudio
23 0
4 years ago
'Incidence II' October 2021 'Even the lightest footprints' October 23-31 at @eastcheapprojects
19 0
4 years ago
still from ‘Appropriate adjustments’, 2021 Please come along to ‘Even the lightest footprints' this and next weekend 1-4pm at Eastcheap Project Space, Central Approach, Eastcheap House, Letchworth Garden City SG6 3DL I am very grateful to all at @eastcheapstudios and in particular @chantellestephenson_ and @seanypuss for this generous space and time to make. And a big thank you to @lucyjoycestudio for sensitive camerawork and great encouragement.
39 0
4 years ago
Uninflected Continuity (after Rainer)' by Anna Hart, 2020. Anna Hart’s 'Uninflected Continuity (after Rainer)' was made with nine women walking together virtually in Granary Square London, using Yvonne Rainer’s instructions for lockdown dance in our homes based on her 1963 work 'Terrain'. Anna has been researching publicness in Granary Square for over ten years, testing what publicness is and might be in a place where CGI and embodied being are entwined. The film explores this relationship in a pandemic public space free of commercial exchange. This film is part of ‘Four Films of Solace’, a series of short films created by The Dazzle Club co-founders responding to, and working with, archives of Dazzle Walks from the previous year. The films highlight the interrelation of the body and our city as surveillance journals of women walking in London, transforming distance and depth into a pure surface. The series was comissioned by curator Amy Gowen for the exhibition ‘Rights of Way’ at Onomatopee, Eindhoven in November 2020. In August 2021 we are gathering things and looking back at what The Dazzle Club has made over the last two years. In August 2022 we will publish a conversation revisiting this work and our questions. #thedazzleclub #KingsCross #archiving
29 0
4 years ago