6/10 ⭕️ Bond 22, 2016
And thank you @bnw.minimalism for featuring my image today!
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B&W Minimalism Magazine.
Photo: @anna.reivila
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Finnish artist Anna Reivilä’s (@anna.reivila ) photography practice is fundamentally concerned with the relationship between man and nature. She began the ongoing series, ’Bond’, in 2014, the title both an indication of this theme in her work as well as of the art of bondage. Photographing rocks, trees, or large lumps of ice, clad in heavy ropes, she draws on Japanese traditions in which ropes would symbolise the relationship between man and God.
Her practice is research-led, with the artist investigating the sites that she will work on in the lead up to a shoot. While she will map out the terrain, hiking for a few days to get to a specific location, the process is also driven by intuition, and she will seize upon stones or trees that she feels particularly drawn to, before beginning to tie up the entity. The procedure is a drawn-out, meditative one, which the artist compares to sketching or life drawing. It is a process during which the artist too becomes highly aware of her own physicality in proportion or relation to the nature that surrounds her. According to Anna Reivilä, the Japanese art of bondage ‘ties together both the big and the small things: life and death, shame and power, love and hate.’
See link in bio for the full article.
Photographer: Anna Reivilä
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My book Nomad is featured in the exhibition Inventory of Nature at the Diecixdieci Festival in Gonzaga, from November 16–24, 2024 🧡
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Handle with Care exhibition at Turku Art Museum is open until 10th of November 👁 Handle with Care explores Turku Art Museum’s contemporary art collection from the perspective of care and caring.
@turkuartmuseum
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Wanderlust exhibition is still open until tomorrow at Le Petit Hanko festival in Hanko FI! ✨ Last change to visit!
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My works from Bond series are part of the Northern light exhibition at Museum de Fundatie in Netherlands ✨
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