Animoon

@animoonstudio

Animoon is an animation producing company creating short, series and feature films. 🚀
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Weeks posts
We are happy to share the official poster for “Fanatic”, created by Mareusz Jarmulski, and to announce that the film will be screening at the @krakowfilmfestival ! Looking forward to seeing the film on the big screen in Karakow and hearing your reactions! @mateusz_jarmulski 👏🏼 Co-financed by Polish Film Institute @pisf
79 2
3 days ago
🐋 Pełna przygód saga książek o rodzeństwie odkrywającym tajemnice niezwykłej wyspy, inspirowana filmem animowanym „Chłopiec na Krańcach Świata”. Co się stanie, gdy świat nagle ucichnie i tylko dwoje dzieci odważy się odkryć dlaczego? 🌊 Pewnego dnia na wyspie Krimo zniknęły wszystkie ptaki, ustał wiatr, a ocean znieruchomiał. Omul i jego siostra Kimi wyruszają w fascynującą podróż, by ocalić swoich bliskich i cały archipelag. W podróży towarzyszą im magiczne zwierzęta, a ich droga prowadzi do miejsca, którego nie ma na żadnej mapie… Tam, gdzie mieszka duch archipelagu. Wsłuchaj się w naturę. Ona czeka, aż usłyszysz jej głos! Zamów Tom 1 w przedsprzedaży w wyjątkowym pakiecie z amuletem i naklejkami. www.chlopiecfilm.pl ⭐ FILM W KINACH OD 26 CZERWCA 🐳 🎵 @bovska
361 22
12 days ago
Thank you to Busan Short Film Festival @busanshortfilmfest 🇰🇷 for inviting my film “Fanatic” to the competition 🎬 It was an incredible experience to see it on such a big screen and to take part in an inspiring Q&A with the audience. Also, a big thank you to PISF for co-financing the trip 🙏 Fot. @lofi_alien.movies
102 8
16 days ago
🎬Project 42 - Ready, Steady... Slow 🐌 (APD Talent Project) Each year, in a quiet corner of England, one snail becomes the hero of the World Snail Racing Championships. The film opens with animation, building tension as competitors set off. Pause. Through an interview with the Snail Master, we learn the event’s history and meet the caretakers and their snails. Play. The winner is revealed, celebrating triumph with a bucket of lettuce, a reminder that even the smallest can be heroes. @animoonstudio is a production company from Poland. They are currently concepting this 2D animated Short Film for families and (pre-school/bridge) children (5-9 year olds) https://animoon.pl/en/ #animation #animationproductiondays #APD2026 #ITFS #FMX #creativeeuropemedia and #creativeeurope Supported by @media.filme
36 0
27 days ago
🎞️ We’re sharing the teaser of our upcoming feature animation project “EJO”. In the midst of the Rwandan genocide, two children struggle to survive in a world that has suddenly lost all its rules. This is a story about loss, choice, and what it means to remain human when everything around you tries to take that away. Director: Jacek Rokosz Writers: Kas Zawadowicz, Marie Clementine Dusabejambo Based on an idea by Dominika Krysiewicz Animation: Yellow Tapir Films Music: Łukasz L.U.C. Rostkowski Sound:Michał Fojcik Sound Mind Co-produced by: Basement Animation, Special Touch Studios, EC1 Łódź, Łódź Film Commissions, FixaFilm, Iyugi Financed by Polish Film Institute
189 5
1 month ago
Już 20 marca do kin w całej Polsce trafi „Fleak. Futrzak i ja” - pełna przygód, energii i humoru animacja familijna, która zabiera widzów w spektakularną podróż do innego wymiaru! Kiedy jedenastoletni Tomek spotyka Fleaka - przybysza z innego wymiaru - jego świat staje na głowie. Wraz z nowym przyjacielem wyrusza w niezwykłą przygodę, w której odkrywa moc wyobraźni, odwagi i... własnego cienia. Film koprodukcji fińsko-polsko-malezyjsko-francuskiej @animavitae @godo_films @animoonstudio w reżyserii Jensa Møllera
46 1
2 months ago
✨ We’re back from a few intense and inspiring days in Bordeaux at Cartoon Movie. A huge thank you to @cartoon_media.eu for selecting our project “EJO” and giving us the opportunity to present it to such an incredible international audience. The response to the project was truly wonderful – thank you for all the warm words, conversations and support. We are coming back with even more energy to continue working on this story. “EJO” is not an easy film. It tells a story about the aftermath of the Rwandan genocide, seen through the eyes of children. Sharing this story with the international animation community and feeling such openness and engagement meant a lot to us. Cartoon Movie is one of the most important events in the European animation industry – a co-production forum where producers present feature animated film projects to investors, distributors and partners from all over the world. Many international collaborations start right here. The trip was also a great opportunity to finally meet our co-production partners in person. In Bordeaux we spent time with “EJO” co-producers: Sébastien Onomo from Special Touch Studios 🇫🇷, Dida Nibagwire who flew in directly from Rwanda 🇷🇼, and Mbuotidem Johnson from Basement Animation 🇳🇬. Since we usually work remotely and across different time zones, meeting face-to-face was especially meaningful. Special thanks also to Polish Film Finstitute @pisf_pl for supporting our trip to Bordeaux. ❤️
91 2
2 months ago
✨“EJO,” written by Kas Zawadowicz and directed by Jacek Rokosz, has been nominated for Eurimages 2026 during Cartoon Movie in Bordeaux. Our project is among a select few chosen to compete for the Best Development award as part of the Eurimages Co-production Development Award – an initiative supporting international co-productions from the very early stages. Today marks the final stretch – the final pitch in the competition that will determine the winner. Each year, around 50–100 feature-length animated films are produced in Europe, which makes it even more exciting that the development of “EJO” has been recognized in such a prestigious context. We are incredibly proud and grateful to the entire team. Keep your fingers crossed for “EJO”! Co-produced by Special Touch Studios, Basement Animation, Iyugi, EC1 Łódź - Miasto Kultury, FixaFilm Film financed by Polish Film Institute
120 1
2 months ago
🎬 Dzielimy się trailerem filmu „Fanatyk” w reż. Mateusza Jarmulskiego! Jasnowłosy rycerz, spragniony kolejnego zwycięstwa, zagłębia się w tajemniczy labirynt. Im dalej wędruje, tym bardziej odkrywa bezsensowność swojej misji. W głębi bohater wikła się w absurdalną walkę, tracąc z oczu prawdziwe zagrożenie. Aby zwyciężyć, będzie musiał wyzbyć się wszystkiego, co dotąd go definiowało. Scenariusz i reżyseria: Mateusz Jarmulski Producenci: Maks Piłasiewicz, Piotr Szczepanowicz, Grzegorz Wacławek Producent nadzorujący: Maks Piłasiewicz Kierownik produkcji: Anna Głowińska Konsultacje developmentowe: Karolina Barciszewska, Zosia Ścisłowska, Maks Piłasiewicz Animacja: Mateusz Jarmulski, Zofia Snarska Compositing: Mateusz Jarmulski, Katsiaryna Kaliada Montaż: Mateusz Jarmulski, Aleksandra Rosset-Żak Color grading: Magdalena Kulak Muzyka: Karolina Rec Sound design & re-recording mix: Michał Fojcik MPSE Sound effects editor: Barbara Kapica Foley artist: Wojciech Iskierka Foley mixer: Jan Rey Foley editor: Krzysztof Cholewa Napisy końcowe: Anastazja Naumenko Dystrybucja i promocja: KFF Sales & Promotion / Marta Świątek Film współfinansowany przez: Polski Instytut Sztuki Filmowej Już wkrótce podzielimy się informacjami o pierwszych selekcjach i festiwalach. Zachęcamy do śledzenia filmu – to dopiero początek jego drogi! ✨
102 2
2 months ago
🎬 It’s our pleasure to introduce the people behind the magic of RO! Here are the masterminds on the set: director Magda Osińska @magdalena_osinska and animation director Piotr Ficner @piotr.ficner - probably the best duo all over the world! They are holding our puppets, Teo and Mia, who are slowly coming to life on the screen.
226 6
3 months ago
To był rok pełen ruchu, ryzyka i radości z robienia animacji razem. Dziękujemy, że jesteście z nami. Do zobaczenia w kolejnych historiach, 2026 ✨ #animoonwrapped @panananananama @ola.gajdosz @majamariamarysia @cieplymkrajem @yestem.yestem @gregor_waclawek @piotr_szczepanowicz @do.krysiewicz @malwa.kostrzewa
58 1
4 months ago
✨ What a year! „Can you hear me?” directed by Anastazja Naumenko absolutely crushed it! The journey began with the world premiere at the Glasgow Short Film Festival, followed by its Polish premiere at Millennium Docs Against Gravity, and from that moment on, everything took off. One festival led to another, awards followed, and the wave just kept growing. In 2025, „Can You Hear Me?” traveled to 4️⃣0️⃣ festivals around the world, had 2 special screenings, and brought home 8️⃣ awards. An incredible run we’re immensely proud of! This film proved that an intimate, honest story can resonate far beyond borders, with audiences, juries, and programmers alike. What a ride. What a year. What a film. 💛
73 11
4 months ago