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ANH VÕ

@anhvo.dp

cinematographer @cubs
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Weeks posts
Chicago Doesn’t Come to Play, We Come to Fight! From growing up in Vietnam watching taped WWE replays, wrestling my brothers and cousins on stacked chairs, tables, and couches, breaking half the furniture trying to hit those moves… to watching CM Punk, a figure who made the impossible feel real… to now actually collaborating with Phil himself on the Cubs’ Fly the W postseason hype film. Somebody pinch me, cuz am I dreaming? If you told 13-year-old Anh back in Hanoi that one day I’d not only meet my hero but also creatively lead and DP a piece with him, and then see it play live at Wrigley Field on video board in front of 41,000 fans for October Baseball, I would’ve said you must be 🤪🧢. This feeling? Impossible to explain. They say don’t meet your heroes, but I’m glad I did. CM Punk carried the exact grit and presence this piece demanded, and it couldn’t have lined up any better. Special thanks to Sarah Peñalver, a true advocate from the start who always had my back to make sure the creative came through. And to Cubs Productions, Cubs Social, and the Cubs org for backing the vision and pulling the team together while a million other things were going on. Forever grateful! 🫶❤️🙏 Credits
 Executive Producers: Jen Martindale, Matt Romito
Directors: Adam Sobel, Anh Vo
Writers: Anh Vo, Adam Sobel
Producer / AD: Andre Lewis
Producer / Talent: Jade Brown
Producer / Social: Sarah Peñalver Talent: CM Punk
Partners: WWE
 CAMERA
DP / Color: Anh Vo
Ronin Op: Andy Cat
1st AC: Doris Pan
2nd AC: Gary Walker II
BTS: Jack Phillips
Social: Jeff Hopkins G&E
Gaffer: Matt Bordman
Key Grip: Henry Fingerman
Swing: Corey Surratt
Ballpark Lights: Ethan Levy SOUND
Mixer: David Rivera ART
Wardrobe: Vichcraft POST
Offline Editor: Andre Lewis
Online Editor / Motion Design: Jack Phillips
VFX Supervision: Shane English ADDITIONAL FOOTAGE
Game & Archival Footage: Cubs Productions
Drone Work: Soaring Badger Productions
129 15
7 months ago
Cruising through the simulation with @whip_pan9408900
34 1
4 days ago
365 days ago, we had too much fun making the Opening Day - Be Here For It spot for @cubs ⚾️ Almost time to take a baddie to the ballgame again @whip_pan9408900 😉
142 4
2 months ago
Pulled up to Mesa dressed like it’s Tết 🔥🐎🌵⚾️
246 37
2 months ago
It’s been more than 2 years since I landed in Chicago, and this was my first hands-on MV project. It was such a fun experience 😆 I’m open for hire btw 🥺🥺🥺 GLASSTENT MV Music by Jayson Moyer Directed by @b.t.hoang Dop @phat_t.n Produced by @professor.vo Production Asst @bathanhu @jyunahu @anthonydiaz_97 PA @doris_pan2046 Editor/VFX @b.t.hoang Dancer @joyycampbell @emma.ogea Special thank to @danielkwons COVESTUDIO Eleven 04
115 18
3 months ago
2025: End of Year Assets Did the work. Cut the noise. Growth showed. Results followed. 2026 loading… ngựa lên 🐎
120 10
4 months ago
6 Emmys for Cubs Prod 🏆 WOW! 🙈 So honored and proud to be part of this amazing team. And for the Japan Series Spot: Two Worlds, One Dream to win Outstanding Achievement for Sports Promo is truly a dream come true. Grateful for the trust, creativity, and support from the org that allow us to tell unique stories with heart and purpose. Blessed for this journey and excited for what’s ahead. 💙
237 26
6 months ago
From the first shots of spring training to the chills of Opening Day, through summer heat waves, fall chills, snow, and rain delays, we had our cameras rolling. From 5 a.m. mornings in the cold to 11 p.m after walk-off wins, let alone covering 80+ home games, we sure captured it all. This is more than just a highlight reel. It’s the late nights editing, the scripts rewritten, the music chosen with care. It’s color grading until it feels just right, it’s hauling gear blocks and blocks to the ballpark, and it’s adapting to the unpredictable rhythm of a baseball season. This project is special to us. Even after 16 versions, it still moves me every time, because somehow everything came together just right. We made this together, with everyone wearing different hats, overcoming obstacles. In our own way, every artist on this team live, train and breathe as the athletes ourselves too. We’re proud of what we’ve built, and even more excited for what the future brings tomorrow. This is just the end of the beginning. October is Why. 
A Cubs Production Original
136 14
7 months ago
Okay last one before this “cinematic” trend gets too old. Our very first elaborate one-take from film school, pretty happy with how it turned out 🤭 Written & Directed by Will Schneider Produced by Joshua Dreymann, Caitlin Presberg, Wesley Orlowski, Will Schneider DP Anh Vo Production Designer Nicole Tsai Edited by Charlie Kessler Starring: Melanie McNulty as Kelsey Julie Roberts as Janet Joshua Dreymann as Josh 1st AD Ting-Yu Chang 2nd AD Rou Wang Script Supervisor Yu-Wei Chang Intimacy Coordinator Caitlin Presberg Production Assistants Cassie Calhoun-Liebnow, Calvic Covaciu, Lulu Pearson, Jimmy Roberts, Briar Rose Rood Camera Dept. 1st AC Jacob Ocker 2nd AC Joe Real Camera Op Yijun Pan Steadicam Op Miles Royal G&E Gaffer Jay Nicholls Key Grip Atlas Zhou Swing Vanessa Arce Swing Laura Berry Swing Ann Chong Art Dept. Art Director Blake Bonaparte Costume Designer Li Cheng Hung Set Decorator Kamiah Mitchell Key Makeup Artist Corrine Ashley Sound Mixer Manny Rodriguez Boom Op Antonio Macias Editor Travis Duffield Re-recording Mixer Travis Duffield Post Dept. Editor/DIT Charlie Kessler Colorist Sam Howells
51 4
7 months ago
One of my favorite sequences from Come Out, Wherever You Are, loved bringing this moment to life 🫶 *Now playing in “glorious” 5120x1080 🤣* PRODUCTION TEAM Director – Caitlin Presberg Writer/Producer – Dan Burns 1st AD | Slate – Micheal Muro Script Supervisor – Abigail Oltrogge Covid Compliance Officer – Shelly Haslbauer PAs – Porter Webb, Mara Flynn, Kassidy Hokanson, Natalie Goodman, Chase Morgan Hulett, Shawna Johnson, Jordyn Rae Still Photographer – Isaac Rowland CAMERA TEAM DP – Anh Vo 1st AC – Izzac Nixon 2nd AC – Jake Ames G&E TEAM Gaffer – Erik Resel Key Grip – Tyler Grutsch Swing – Jaqueline Ratliff ART TEAM Production Designer – Susan Presberg MUA – Casey Stuckey SOUND TEAM Sound Mixer – Ted Robinson POST TEAM Editor – Alina Solvechevska DIT/On-Set Editor – Kai Robertson Sound Design/Re-Recording Mixer – Enhanced Media Music – Paul Bedal with Katie Burns VFX – Tape Slate Production Color – QuickSilver Color CAST Verne – Blake De Pastino Pete – Douglas “Hurricane” Hall Marge – Amber Mason Marion – Marilyn Bass EXTRAS Katie Lane, Susan Presberg, Wayne Hollander, Robb Miller, Eric Nygard, Judy Nygard, Natalie Goodman
57 4
7 months ago
From the archives: a one-take we shelved 5 years ago. Never made the final spot, but IG’s new aspect ratio finally gave it a reason to see daylight the way we intended🥹 Director: Adam Sujic Producer/UPM: Kyle Goldhoff 1st AD: Rou Wang Stills/PA: David Cerda PA: Isabella Murray PA: Kyle Moorhouse Camera DP/Color: 🫶 1st AC: Jacob Ocker 2nd AC: Doris Pan Steadicam: Miles Royal G&E Gaffer: Vincent Prochoroff Key Grip: John Nicholls Art Production Designer: Kaymia Li MUA: Lauren Litwin Art Dept PA: Natasha Dragoi Location Sound Mixer: Cesar Ortega Post DIT/Editor: Charlie Kessler Cast Frank: John Fonseca Aveline: Courtney Fleaka Adem: Adem Sujic
92 10
7 months ago
July flew by, now comes August. Just grateful for the one who stayed, and the quiet moments we got to share.
121 8
9 months ago