angelique

repost from @thekitchen_nyc w @crystallmess 💌 — The Kitchen’s Video Viewing Room series takes new form ✨On Screen✨– you can experience our renovated streaming space with Christelle Oyiri’s (@crystallmess ) film triptych “OBLIMEMBER” alongside a text written by Angelique Rosales Salgado (@ang.pdf ) 🖥 Christelle Oyiri is an interdisciplinary artist and performer born in the Paris region, who is also known as DJ and music producer CRYSTALMESS. Combining film, sound, performance and sculpture, Oyiri’s research-based practice focuses on the temporalities, tonalities, and textures and visual vernaculars of music, art, and popular and youth cultures within and outside the African diaspora. Launching the On Screen platform, the latest iteration of the VVR series presents Oyiri’s films titled “HYPERFATE” (2022), “GROTESQUE: They make beautiful things about ugly people” (2023), and “Collective Amnesia: In memory of Logobi” (2018–2022),— three works that engage the collective memory of forgotten mythologies—both ancient or ultra-contemporary. “Developing her own methodologies of archiving,” Rosales Salgado writes, “the artist disrupts the spinning pinwheel of nostalgia. Each of the films within Oyiri’s “OBLIMEMBER” hold a vivid, corporeal tension between the edge of remembrance and the dissonant eroticism of oblivion.” 📌The films are now On Screen until the following dates: 🎥 “Collective Amnesia: In memory of Logobi” (2018–2022) through the end of 2023 🎥 “GROTESQUE: They make beautiful things about ugly people” (2023) through July 31, 2023 🎥 “HYPERFATE” (2022) through May 11, 2023 Explore On Screen and our newly renovated website through our link in bio ↗️ – Credits: 1) Video excerpt, Christelle Oyiri, “Collective Amnesia: In memory of Logobi,” 2018-22. HD single-channel film, color, sound, 14:42 minutes. Courtesy of the artist. 2) Video excerpt, Christelle Oyiri, HYPERFATE, 2022. HD single-channel film, color, sound, 13:13 minutes. Courtesy of the artist. 3) Christelle Oyiri, GROTESQUE: They make beautiful things about ugly people, 2023. HD single-channel film, color, sound, 3:48 minutes. Courtesy of the artist.

Swerve Fatigue continues... ⭑.ᐟ “The swerve is something that begins as a minor adjustment and accumulates into a collective condition...” 🌀❤️‍🔥⁠On the occasion of Jonathan González’s multi-week residency (March 23–April 9) and public presentation of Swerve Fatigue at The Kitchen on April 10–11, 2026, Assistant Curator and organizer of Swerve Fatigue Angelique Rosales Salgado speaks with González about queer nightlife, archival throughlines in The Kitchen’s programmatic history, black femme voices at the center of popular music, desire, and enduring tensions in life that offer no immediate resolve, plus much more. Responding to questions around notions of intimacy and embodiment in their practice as a choreographer and writer, and in Swerve Fatigue, González shares: “… intimacy, then, is not about securing closeness but about remaining available to that instability when our touch meets. embodiment here becomes a site of return without resolution, where touch, sound, light, and haze can be encountered again, differently, without being fully known...” Read the full conversation in our online magazine On Mind, originally published within the performance program, alongside documentation by photographer Elvin Tavarez and filmmaker Rudy Gerson. Performers are Ananda Naima González, India Lena González, Marguerite Hemmings, Kingsley Ibeneche, AJ Wilmore, and Wayne Arthur. Sound design by Alexis De La Rosa and GENG PTP. Production by David Riley, Production & Exhibitions Manager, Tassja Walker, Production Supervisor, The Kitchen, Greta Hartenstein, Producer, and Nora Chellew, Stage Manager. 🔗 Head to the link in bio for more __________ Image credits: 1, 6, 7, 11–13, 17, 18) Photos by Elvin Tavarez @estudioelvin . 2) Beverly Buchanan, standing in Marsh Ruins, concrete and tabby, 1981. © Beverly Buchanan. Photograph courtesy the artist and Jane Bridges. 3–5) Swerve Fatigue Performance Program. 8–10, 14–16, 19) 16mm stills by Rudy Gerson @_ruudbwoy .

bay area oracle

recent thot spiral 👛 on @savecoumba ’s new work 👛 my exhibition text for % for Art: Regulating Civic Space in Zurich Coumba Samba: The National Expo at gta exhibitions @gtaverlag , on view in zurich until 28 november 2025 🌬️ essay , continued in full . 🌬️ at link in bio 🌬️ photos nelly rodriguez

WE ARE BACKKK ‼️ Curator and writer Angelique Rosales Salgado leads a BIPOC CV and Resume Workshop that considers artist Sondra Perry’s “spectral bio” (2:26–10:20), created for the alternative experimental program Dark Study (developed by artists Caitlin Cherry and Nicole Won Hee Maloof), where Perry was a student advisor in 2022. Through this poetic pursuit as a departure point, the workshop explores strategies and resources for shaping a compelling CV / resume document in the arts. “ How do you name your multiplicity? “ (Kameelah Janan Rasheed) Together we will engage a series of questions, prompts, and exercises that guide how to narrativize your creative experiences, and conclude with individualized feedback on your CV, resume, or cover letter. 📝This in-person workshop is open to everyone across ages, industries, and professional experience (artists, designers, administrators, technicians, art workers, curators). Please note that the program prioritizes participants aged 17-30 and those who identify as QTBIPOC. Please be mindful of the limited capacity. Angelique Rosales Salgado (Ciudad de México, México) is a curator and writer based in New York City. Their curatorial, research, and creative practice is grounded in queer study, and focuses on performance, experimental dance, collective work, and time-based media. Currently they are Assistant Curator at The Kitchen, and have held curatorial positions at Pioneer Works, The Museum of Modern Art, and the Studio Museum in Harlem. ⌛️ Ticket Link in Bio | Organized by Sarai Frazier

closing day today @mocadetroit & almost one entire year of Code Switch: Distributing Blackness, Reprogramming Internet Art Code Switch is a multi-sited exhibition that redefines the history of “Black data,” and explores the relationship between Black cultural production and the legacy of computation as a mode of machinic engagement and creative inspiration. a decade+ scheme / journey by @ellerustle carried into full scale only the way @thekitchen_nyc could gratitude to form part of it, shape it on & off for five or so years @ellerustle @jovalynne_ @v.m0iist who hold that held that . realest 🖤 what more to say than historic . . . UNRAVELING, CONGREGATING like no other, find me forever in the cut of it all * domain 3 Museum of Contemporary Art Detroit (May 2–August 10, 2025) @mocadetroit American Artist, manuel arturo abreu, Minne Atairu, Xenobia Bailey, Neta Bomani, Danielle Brathwaite-Shirley, chukwumaa, Tony Cokes, Shawanda Corbett, Sofía Córdova, Taína Cruz, A.M. Darke, Stephanie Dinkins, Charles Gaines, L. Franklin Gilliam, Cameron A. Granger, fields harrington, Auriea Harvey, Juliana Huxtable, E. Jane, Devin Kenny, Kalup Linzy, Pope.L, Nandi Loaf, Pastiche Lumumba, Julie Mehretu, Nonstikelelo Mutiti, Marilyn Nance, Mendi + Keith Obadike, Ayodamola Okunseinde, Sondra Perry, Howardena Pindell, Venusloc (Vanessa Reynolds), Tabita Rezaire, Cameron Rowland, Kahlil Robert Irving, RaFia Santana, Bogosi Sekhukhuni, Martine Syms, Wes Taylor, -{ john-henry }-[ thompson ], Muriel Tramis, Fatimah Tuggar, Jack Whitten * domains 1-2 Schomburg Center for Research in Blck Culture (October 15–December 19, 2024) @schomburgcenter W.E.B DuBois, Evelyn Boyd Granville, Dorothy Vaughan, Creola Katherine Johnson, Mary Jackson, Annie Easley, Gladys West, Clarence “Skip” Ellis, Tom Lloyd, David Drake (“Dave the Potter”), Benjamin Patterson, Howardena Pindell, Candis Mosely Pettway, Mattie Ross, Ulysses Jenkins, Milford Graves, Faith Ringgold, Blondell Cummings, Lorraine O’Grady, Jack Whitten, George Lewis, Samuel R. Delany, Octavia E. Butler, Marion Stokes exhibition identity by the only @pacific_pacific @elizabethkarpevans @adam.turnbull

☆ now ON SCREEN @thekitchen_nyc Olukemi Lijadu: Two Hundred Years Together ☆ The Kitchen’s Video Viewing Room series presents an excerpt of Lijadu’s forthcoming film Sister, Sister (2025), an impressionistic portrait of Yéyé Taiwo and Kehinde Lijadu, the legendary music duo @thelijadusisters . The film is paired with Lijadu’s recent sound composition Mind Baby (2024), a sound work comprising three pieces of reimaginings of the lullaby / folk song “Brown Skin Girl” sung to Lijadu by her Jamaican grandmother, created as part of Alvaro Barrington’s Tate Britain commission Grace, alongside my essay ♡ @kemkemlij ♡ special @speciwomen  @at.magnet  @99canal.nyc link in bio 🌐 Credits: 1-2) Video excerpt, Olukemi Lijadu, Sister, Sister, 2025. Single-channel film, color, sound. Courtesy of the artist. 3) Film still, Olukemi Lijadu, Sister, Sister, 2025. Single-channel film, color, sound. Image courtesy of the artist.

CALLEPEROELEGANTE

profile on Harmony Holiday now live on @jupiter.magazine read 🗣️ more 🔗 online 💢

“Alternative Education” 📝 a resource-sharing initiative designed to uplift and empower artists, technicians, curators, and art workers at various stages of their careers. Our first program as part of this initiative is a CV & Resume Workshop tailored specifically for arts workers seeking to enhance their professional presence. This workshop is led by Angelique Rosales Salgado. RSVP in bio or scan the QR on the flyer. Space is limited. Angelique Rosales Salgado @ang.pdf (Ciudad de México, México) is a curator and writer based in New York City. Their curatorial, research, and creative practice is grounded in queer study, and focuses on performance, experimental dance, collective work, and time-based media. They have curated, co-organized, produced, and supported numerous exhibitions, commissions, live works, online programs, and artistic projects. Currently they are the curatorial assistant at The Kitchen, and have held curatorial positions at Pioneer Works, The Museum of Modern Art, and the Studio Museum in Harlem. This workshop is Organized by Performance Space New York’s Production Manager, Sarai Frazier and Keith Haring Curatorial Fellow, X Arriaga Cuellar. Sarai Frazier @s.arai__ is Bessie nominated lighting designer, technical producer, and artist born and raised in New York City. Her work spans performance art exploring the presence of black, disappearing, and isolated bodies through light. She is currently curating a series of workshops at PSNY for technicians that emphasizes community, collaboration, and professional development, with a particular focus on supporting QTBIPOC folks. X Arriaga Cuellar @algritaralviento is an archivist, and curator based in Harlem, NY. Their curatorial work is shaped by Central American life, contemporary performance and visual art. Cuellar is the co-curator and founder of “Cinco Estrellas,” an archive dedicated to the collection and preservation of Honduran cultural memory. Alternative Education📚 serves as a reminder that artistic practice is non-linear and challenges the institutional gatekeeping of knowledge and resources. Sign up!🛠️

mi essay “ ordinary devotion ” for ¡Cuidado! by Adán Vallecillo @adan_vallecillo at @performance.space.new.york , curated and co-produced by X Arriaga Cuellar @agritaralviento ¡Cuidado! the culmination of the inaugural Keith Haring Curatorial Fellowship and marks Vallecillo’s debut performance in New York guttural, profundamente para @culebramundial @adan_vallecillo Mabel Vallecillo ¡Cuidado! at Performance Space New York, The Neilma Sidney Theatre, November 8-24 | 12-6p closes today 🩵 scoop the printed text at PSNY & available online soon image 5 courtesy of Adán Vallecillo; image 6 courtesy of @honduranarchive

two or so months ago @ptp.vision family affair / blissful anchor, infinite range . . . performances & collaborations by CENTENNY GZZZ (@genggrizzly + @drmcrshr ) @dawuna.world @yatta.sound with @latasha.diggs & site-specific installation by @brndnkng @la_vaina_es PROTECT THE PEACE: we, INSURGENT at @thekitchen_nyc / @thedavidriley @tassboogie @windy.500 @groovycaleb forthcoming 2025 physical release 4CD edition of PTP compilation RESIST COLONIAL POWER BY ANY MEANS NECESSARY — sonically re-optimized in multi-disc boxset designed by GENG PTP @genggrizzly featuring booklet by Xena Brar @bedfullofdirt of Battle Jester / Secret Riso Club 🧱 pre-order now on Bandcamp 100% sales will be distributed 50/50 split to organizations supporting Palestinian and Sudanese liberation PTP (Purple Tape Pedigree aka Power Thru People aka Protect The Peace) is an artist collective existing as “counter-industrial purveyors of weaponized media and information.” Founded in 2009 by New York born and based artist, sound practitioner, archivist, organizer, and educator Geng (stylized GENG PTP), the collective and label stands to disrupt binary convention and subvert status quo. For over a decade, PTP has cultivated a storied and unrelenting energy of experimentalism within sound and performance-releasing work by artists ciphering between hip-hop, other electronic music, poetry, noise, and hardcore, like Dreamcrusher, YATTA, Dis Fig, Devin KKenny, amani, Rena Anakwe, Kepla & DeForrest Brown Jr., Swaya, and more. PTP forges narratives both sonic and visual. Its vision takes physical form as cassettes, CDs, vinyl records, paper ephemera, artist books, and garments, considering how design can be entangled with liveness as much as with research, memory / recall / sampling, language, and a political dialogue. The group’s principles of peer support and legacy-building extend to PTP Archival-an alliance of media makers committed to counter industrial history-telling by producing programming and materials in service of conscientious cultural preservation. + visionaries @auniqueting (2, 6, 8, 10, 13) @aishamoney (1, 3) @twobeadsattheend (4, 5, 7, 9, 11, 12, 14) behind the lens