***Archive Sale No 1***
These Forest drawings are from 2008-2010
Ink on Paper
1. Two Clearings (2010) 70x50cm : £150 unframed
2. One Clearing (2010) 70x50cm : £150 unframed
3. Two Paths (2010) 70x50cm : £150 unframed
4. Two Forests (2010) 70x50cm : £150 unframed
5. Two Forests, One Clearing (2010) 70x50cm : £150 unframed.
6. Big Forest (2008) 145x115cm : £400 framed
Unframed drawings can be sent rolled in a tube. Price includes P&P
Large framed drawing- collection or specialist courier.
DM me for interest
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#archivesale
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#artworkclearout
***Archive Sale No 2***
These Field drawings are from 2012-2016
Made with archival ink marker pens on thick printmaking paper.
1. Field XV (2016) 138x102cm: £350 unframed
2. Field VI (2012) 138x102cm: £350 unframed
3. Field VIII (2015) 138x102cm: £350 unframed
4. Field XI (2015) 138x102cm: £350 unframed
5. Field XII (2015) 138x102cm: £350 unframed
6. Field X (2015) 138x102cm: £350 unframed
7. Field IX (2015) 138x102cm: £350 unframed
8. Field XIV (2015) 138x102cm: £350 unframed
Unframed drawings can be sent rolled in a tube. Price includes P&P
DM me for interest
#studiosale
#archivesale
#contemporarydrawing
#artworkforsalebyartist
#artworkforsale
#artworkclearout
Work in progress…
I’ve been making these small oil paintings on ply panel in batches of 6 at a time. Each batch starts with the same motif from an ‘index’ of about 200 different forms. They’re made with a limited colour palette on panels primed with varied warm or cool grounds. I use a medium that thins the paint a bit and allows a slightly transparent scumbled mark. I work across all the paintings in a studio session and in the first go everything is very changeable and mobile. The paint dries in about a week so when I revisit the paintings I can paint over mostly dry paint or rub back to the ground. Some of the paintings resolve quite quickly, some don’t. I think I try to hit a sweet spot between a crudeness that makes me smile and an attention to particularities that stops the painting being offhand and thoughtless. There isn’t much of a formula for how this happens. I move the paint around, change the tone, colour and mark until I feel the painting starts to describe an object, place or a thing that I have seen, imagined or felt. Sometimes this is more obviously a representational thing, sometimes not. I’m not sure what they’re ‘about’. They’re poetic things in the sense that poetry can allude to more than one thing at once.
#wip
#contemporarybritishpainting
#smallpaintings
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