@sahyande_theatre THANK YOU for hosting «Skindom» at your beautiful theatre in the wild of Attapadi. With all the cruel happenings in this world, creating art and spaces to share feels even more urgent. And thank you dear friends for this ride-Miss it all,.❤️ «Coolness creeps along our feet. Bitter, sweet, and sharp scents filter through our nostrils. Our familiar world disappears, and we move entirely under their control.the «magic of touch” created by those Norwegian artists was, in many ways, a rewriting of all my theatre experiences so far.
….What did this Norwegian group do to me? They thanked us for trusting them. I thanked them for gifting us a new continent of experience» //// from a text written by the audience participants Civic Mash, Anitha Chechi, Dr. Baburaj, and Maqsood were part of the group from Kozhikode.
@treevellers_katte@nami__sattva@millaworks@livkristinholmberg@hannabarfod@ditte_ke@andreasoxenvad #mariannestranger#hudriket #performance #skindom #theatreinthewild photokredits @millaworks@ditte_ke@satoandcom and me thanks @jumanji_tripadvisor_attappadi for travel adventures also!
Curry leaves,fresh cashew, red dust.
Chaos, cows and colours.
First time in South India, blown away with the beautiful culture people food surroundings. Every face we met was so open, curious, accepting, smiling.Learned alot on many levels, experiencing how we are all so connected to eachother and the choices we make, sharing this world. Feels like a journey that will never end. And oh my how they can cook food and use colours and spice up their lives over here! Heading to @sahyande_theatre after exploring #kochibiennale , for our performance «Skindom»/«Hudriket» more about this another post😘(photos by me and Ditteke)#kerala #cochin #hudriket #mariannestranger @ditte_ke@hannabarfod@livkristinholmberg@millaworks@andreasoxenvad
How do you remember touch?
I find it a little difficult to identify, but I think I mostly remember touch as bouquets, clusters, a climbing vine, or a rainfall — something that consists of more than a single, defined moment.
Occasionally, however, a single touch can say more than a thousand words, settle within you, be formative, leave a deep imprint, or something similar — in many / all, ways. Unfortunately, my thoughts drift here to the contrast to Hudriket, and the violence and war that also surround us.
That purgatory heaven, dream, dimension, imagining, that Hudriket is can feel so starkly contrasting to step out of —
Thank you for creating meaning in the meaningless.
@livkristinholmberg@hannabarfod@millaworks@mariannestranger@ditte_ke@nami__sattva@charumathisupraja@satoandcom@sahyande_theatre #sankarvenkateswaran #hudriket #skindom #hapticart #kerala #rockbalancing #cashewnut #fresh
🔥🔥🔥
If one were to live,
unceasingly chanting the sacred names of the Divine,
would not the mountains of sorrow,
gathered through countless lives,
dissolve like mist in the morning light?
Surely, it must be so.
And yet,
turning away from that truth,
bewitched by fleeting things—
wealth, material life, relations, friends—
we waste this precious time,
chasing shadows,
gathering sorrow. #poetry #ancient #theatre #text @sahyande_theatre #sankarvenkateswaran #hudriket #skindom #rockbalancing #kerala #tamilnadu 🙏🏽💚❤️🙌🏽 @livkristinholmberg@hannabarfod@ditte_ke@mariannestranger@satoandcom@charumathisupraja@nami__sattva #skin
#Hudriket @sahyande_theatre 🙏🏽🙌🏽💚 The Pacinian corpuscle is a low-threshold mechanoreceptor responsive to vibration or pressure, found in the skin and other internal organs. As phasic receptors they respond quickly but briefly to a stimulus with the response diminishing even when the stimulus is maintained. They primarily respond to vibration, and deep pressure. They are especially sensitive to high-frequency vibrations. Groups of corpuscles sense pressure changes (such as on grasping or releasing an object). They are additionally crucially involved in proprioception.The vibrational role may be used for detecting surface texture, such as rough and smooth.
Thank you @satoandcom@livkristinholmberg #SankarVenkateswaran @hannabarfod@mariannestranger@millaworks@ditte_ke #skinrealm and some #rockbalancing to arrive/ground/be ⛰️⛰️⛰️
De sten som normalt findes i Danmark er typisk mellem 50 millioner til 2 milliarder år gamle, hvor rav høre til unge sten, og granit høre til de ældste.
Flint er en almindelig sten på Danske strande og er dannet for 50-65 millioner år siden og har ikke flyttet sig særlig meget på overfladen, hvor i mode granitten som findes på stranden kan have været blevet flytte mange hundred af kilometer fra Norske og Svenske bjerge af glecher under istiden.
Flint fra Danmark er dannet i ikke særlig stor dybde, hvor varme og tryk ikke har været afgørende for dannelsen, men sket via en ren kemisk proces hvor kisel (siliciumdioxid) er udfældet fra kridt eller kalk og har samlet sig omkring nogle kim, og flinten derved har dannet knolde typisk i nogle horisonter. #rockbalancing #stonestacking #gedser
MAPS - Listening as Public Encounter
Opening: Thursday 15 January, 17:00
Works presented:
Kl 17.00 – SPIKER DRAGON 16.000 (2026) by Nicolai Risbjerg
Kl 17.05 – Hvem ler høyest? (2026) by Reidun Solvik
Kl 17.10 – Ice skating is a way to cope (2026), by Maja Bakken, Olle&Malla
Kl 17.15 – Marichiweu (2026) by Flexi Aukan
Kl 17.25 -HISTORISK SUS (2026) by Bjørn-Kowalski Hansen
____
Spikersuppalydgalleri
Exhibition period: 15 February – 3 March 2026
In the fall semester 2025, as part of the seminar Production in the Master’s Programme in Art and Public Space, students developed site-specific sound works for public presentation at Spikersuppa.
The seminar was structured as an open call, inviting students to conceive, produce, and present sound works grounded in a specific site and responding to its historical, environmental, social, political, and acoustic conditions. The works take the form of pre-recorded sound compositions played through speakers, foregrounding listening as an embodied and collective experience in public space.
Opening on Thursday 15 January at 17:00, the exhibition approaches sound not only as artistic material, but as a mode of public encounter. Through the translation of conceptual research into technically realised works, the students explore how sound can activate public space, challenge habitual modes of listening, and generate new relations between place, audience, and everyday life.
The works invite passersby to pause, tune in, and experience how sound can subtly transform public space, opening it to reflection and imagination. Together, they explore sound as a relational medium that reshapes how we move through, inhabit, and share our surroundings.
The exhibition can be listened to from 15 February to 3 March 2026 at Spikersuppa Lyd Galleri, located at the Spikersuppa ice skating rink.
Master’s Programme in Art and Public Space at Oslo National Academy of the Arts is lead by Merete Røstad
@khio_artandpublicspace@nicolai_risbjerg@reidunsolvik@flexi_aukan@bjorn_kowalski_hansen@maja_bakken #artinpublicplaces #artinpublicspaces #soundart
Eklektisk
Atmosfærisk
Leken
Mystisk
Pulserende
Bevegelig
Ofte fremstilles kunstverdenens som en fødekæde – en hierarkisk model, hvor mindre, kunstnerdrevne steder nærer de store institutioner og en “winner-takes-all”-mentalitet hvor akademier og prestigefyldte programmer forsøger at opdage og dyrke en snæver elite. Forenklet sat op, og okay med en elite, men problematisk med en udvindingsbaseret model, hvor værdi i form af talent, idéer og autenticitet hentes fra de mindre lag uden nødvendigvis at blive geninvesteret i de miljøer, de udspringer fra.
Kunstverdenen er dog blot et eksempel på en dynamik, der findes i samfundet generelt.
Da projektet startede var der et rigt landskab af kunstnerdrevne udstillingssteder, projekter og kollektiver i Oslo, der fungerede som modsvar til den hierarkiske model.
Da Spikersuppa startede var ideen at flytte nogle af alle de ting der skete i dette landskab ud i det offentlige rum, institerer på eksistensen og værdien af disse, med et par deciliter omsorg, lyst og mod (til også at være en sten i skoen), er der opstået mange møder med kunst, klang, eksperimenterende musik og opførsel.
Vi søger et mere komplekst og gensidigt afhængigt økosystem, der man opererer ud fra ikke-herakiske, alternative/eksperimenterende modeller/retningslinjer.
Tekst kopiret fra / godt inspireret af @kristofferorum #artinpublicplaces #artinpublicspaces @spikersuppalydgalleri #oslove #slide #iceicebaby #icerink
