Lost In Theatre Land wrote of our characters ‘ Quite without realising it, they have come to form a makeshift family’. This is what (In) Good Spirits is about, creating family and love despite identity, despite mortality or permanence or history. Our characters find this when they are faced with the very worse case scenario, for our cast and crew, we found this through the wonderful process of making theatre.
We are still reeling from our run at vault and can’t wait to perform one more time this Sunday at Greenwich Theatre. Please do come along, if you can, and see our production. (In) Good Spirits’ future may seem uncertain but if we can learn anything from Joanne, Ted, Mara and Alex it is that there is always the chance of the future you always wanted, just around the corner.
#InGoodSpiritsPlay #VaultFestival #GreenwichTheatre
- 2 DAYS TO GO! 🥳👻
Everyone’s getting emotional and celebrating each other’s talents and qualities (follow @ktmiles and @gretarilletti for wholesomely soppy content). We want to grab this chance to say how unbelievably proud we are of this team. It takes so much effort, creativity, and love to bring something to the stage, and we are so grateful and PROUD of our creatives and cast! 💜
We hope you’ll come and join us this weekend, we’ve had such a great time and would love to see as many of your faces as we can! Come join the haunting! 🏚️✨
#InGoodSpiritsPlay #VAULTFestival @vaultfestival
🥳 WE’VE JUST REACHED 100 FOLLOWERS! 🥳
We’re so grateful for the support we’ve been receiving in the past few weeks. As a thank you for being a part of our journey, here’s a fun peek behind the scenes which captures the love and light-heartedness we’ve been adopting in everything we do. We recommend to watch the reel with sound on for extra good vibes 🔊
Enjoy, and don’t forget to grab your tickets for the haunting if you haven’t done so yet! Link in bio.💜🏚️
@gretarilletti@ktmiles@anasmoleanu #InGoodSpiritsPlay #VAULTFestival @vaultfestival
Our brilliant core team (@ktmiles , @gretarilletti , @anasmoleanu ) talk about what excites them about going to @vaultfestival ! 🥳
@_in_goodspirits will be at #VAULTFestival 18th & 19th February! Visit our profile for tickets and more 🎟️ #InGoodSpiritsPlay
Hey! We’re @_in_goodspirits ! 🏚💜
We’re taking over Awkward Productions today to tell you about our celebration of queer joy, found family, and the gothic coming to @vaultfestival this February!
Join the haunting as we ask: what happens to ghosts when the haunted house comes down? 👻
Written by Bruntwood Prize Longlister ‘22 @ktmiles , designed by Ana Smoleanu and directed by Greta Rilletti Zaltieri, (in) Good Spirits is sure to leave you feeling lifted!
📍The Cage
📅 18-19 Feb
🕛 4:40pm
vaultfestival.com/events/in-good-spirits
Making theatre is expensive and we need your help!
By donating to our crowdfund, you are helping us make (In) Good Spirits the most successful and accessible version of the show it can be!
Your pledge secures:
🧏 BSL Interpretation of a performance
💬 Captions/Subtitling for a performance
📹 Livestreaming/Video of the production
🎨 Realising our Set and Costume Design
🚗 Securing transport for accessibility and design purposes
💡 Hiring technical support as part of VAULT Festival
& The future of the show!!
We are also hoping to put up some pledge rewards, so keep your eyes peeled! 👀
Wanna know more? Check out our @greenlitfund page 🚨 LINK IN BIO 🚨
Thank you endlessly! 🏚💜
#VAULTFestival #ingoodspirits #ingoodspiritsplay #greenlit
Rehearsals are underway! A huge thank you to @theatrepeckham for providing our rehearsal space. Our cast are getting to know each other and workshopping how to become our ghosts for our show in February! Meanwhile our designer is hard at work designing beautiful costume and set pieces for us. #InGoodSpiritsPlay #VAULTFestival
Our incredible scenographer @anasmoleanu has been working on different design concepts for this year’s play. We wanted to share some Ana’s models and thoughts with you as they have really inspired us ❇
"The visual concept that I used as a starting point was of a reflective window film that would reflect whichever side was lit the brightest. This would create two distinct spaces on stage for the two narratives, that could both be visible to the audience at different times or even simultaneously." (Pics 1&2)
"I then took the same reflective film and created a small, claustrophobic space that would serve as Antigone's holding cell. If the stage space around it was lit instead, then that could function as the space for Oedipus' narrative, and Antigone would be less visible but still on stage and an audience member herself." (Pic 3)
We love these so much and will share a few more with you over the next week!
#greektragedy #greekplay #kcl
