ali

@mooquidi performing in front of the sea styling and MUA @issanalien and art by @alidalanzi

Vine a descobrir la nova escena artística emergent a la presentació de @lluerna.fmiro ! A Estudis en escena, 10 artistes molt emergents presenten les seves recerques en procés en un format viu, directe i concentrat: 15 minuts per artista. Performance, instal·lació, lectura performativa, escolta i acció es troben en una jornada pensada per veure de prop allò que encara s’està formant. Lluerna 2026 — Una remor sota terra Dissabte 16 de maig, 18 h Fundació Joan Miró 10 artistes. 15 minuts. Una escena en procés. Entrades i reserves: enllaç a la biografia. #Lluerna #FundacióMiró #ArtEmergent #Barcelona

#comingsoon

roXXXz latex, rock, wax, hair, wool, grommets, spikes, chain, milk, air-dry clay ~ a sculptural installation (2025) by me xx exhibited in espai 2 in the group show ‘ROC’ last November ⋆˙⟡ i held a rock once. [prudently] it held me too, and its tenderness started to blur. [roXXX ur filthy dreams like a w/hole man] photos by @jeanmichelconyedo

I WATCHED THE HORSE’S TAIL DRINK SOUR MILK ON CHANNEL IL0VER0CK&C0CK a sculptural installation (2025) by @alidalanzi and @anushajeanramesh this project explores the fragility of resilience and restraint, challenging how control and release relate to each other. offering a site where tenderness and rupture co-exist, where vulnerability and endurance remain in view to witness how even our resistance, intimacy, and shared labor can be co-opted or read through eurocentric frameworks of desire upheld by those in positions of power ~ we’ve been wanting to share this project for awhile now…we worked on this exactly a year ago!! shoutout @coryjohnscozzari / @c_o_r_d_o_v_a_ for being an icon and making that litasfuck-fire-sickening-baddiebehaviour-beautiful-awesome t-shirt that inspired the name of our piece and lives on in our mind for all time #welovedjestefania love, ali and nushi

Drink my sour milk from your stripper heel- Alida Maria Lanzi @alidalanzi and Anusha Jean Ramesh @anushajeanramesh (200CENT) @___.200cent Performance | Vórtex SWAB9 This performance traces the act of moving together within systems that dictate desirability. Performed by Alida Maria Lanzi and Anusha Jean Ramesh, it stages a negotiation between resistance and emotional obedience, embodied in the figures of the stripper and the exotic dancer. Structured as an improvised choreo-sonic score, the piece begins with each performer wearing a single transparent stripper heel, moving alongside leather sculptures that slowly leak milk. These elements act as totems of gendered and racial hierarchies around desirability, asking: Who has the right to be seen? Who is condemned to obey? How do colonial systems inscribe themselves onto our bodies, even within friendships and so-called “safe” spaces? The performers crawl and stumble under the asymmetry of the single heel, turning sensuality into resistance. The dripping leather vessels evoke both vulnerability and rupture, challenging notions of purity and care while exposing their potential for exploitation. The sound of breath, friction, and movement is recorded and distorted live, creating an unstable sonic landscape, while shifting light manipulates visibility and the gaze. The piece opens a space for tenderness and fracture, for vulnerability and resistance. It does not seek resolution, but insists on making visible how intimacy, complicity, and even resilience remain entangled with Eurocentric frameworks of desire and power. With the support of @club9_performance_art @artefacte_performance_art @cervezaelaguila #SWAB2025 #SWAB9 #CLUB9 #SWABperformance

amores xxx este jueves inauguramos ROC ! en espai 2 a las 19h -21h (come come come)

DRINK MY SOUR MILK FROM YOUR STRIPPER HEEL performed at @swabartfair thank you @club9_performance_art @artefacte_performance_art and @___.200cent for having us. we have a million thank yous and kisses to give. we #livelaughloveU4ever with love, ali and nushi photos by @jeanmichelconyedo

“drink my sour milk from your stripper heel” es una performance coreo-sonora que explora la resistencia y la desobediencia emocional a través de los cuerpos de @alidalanzi y @anushajeanramesh , quienes cuestionan las jerarquías de deseabilidad generizadas y racializadas. Esta pieza visibiliza las tensiones entre vulnerabilidad y resistencia, manteniendo abiertas las preguntas sobre cómo los sistemas coloniales atraviesan nuestros cuerpos, el trabajo y la intimidad, y cómo la visibilidad dentro de esos marcos puede ser desafiada. Domingo 5 d’Octubre a las 18:30h 📍 @swabartfair representado de @___.200cent @artefacte_performance_art @club9_performance_art ⋆˚꩜｡ love, ali n nushi (come come come) xxx ⋆˚꩜｡

seen by @jeanmichelconyedo

We are not done We just started This emerging collective, united in a network of queerness, has woven together a sound performance piece, brb do not perceive me unless ur ready 2 speak in r1ddles and chill with beautiful r0cks xxx, that explores communication phenomena, and specifically the transmission and reception of queer frequencies. Understanding queer communication systems as subversive tools that enable members of our community to be eco-localised and protect each other, the collective uses sound and visual elements to express rhythmic, cryptic and natural cyclic pulsations between the three members. These reverberations bounce off porous bodies, in transmissions devoured by open ears, as vibrational absorptions and other forms of abstract, poetic and non-verbal communication come together to create a dissonant aria in dialogue with the natural world, situating queer existences through communication. feyfeyfey es un colectivo artístico emergente con sede en Barcelona formado por Alida Maria Lanzi, Anusha Jean Ramesh y Bram Dul. Utilizando la performance y el sonido, el colectivo explora los ámbitos de ‘queerness’, y se interesan por la elasticidad del acceso, así como la política de movimiento y el acto de sonar juntes como amigues de diferentes posiciones. Crean espacios que cuestionan cómo nos relacionamos con nosotres mismes, con los demás y con los mundos que habitamos. En ingles ‘fey’ significaba antes ‘destinado a morir, condenado’, un término vulgar para referirse a los homosexuales, otra palabra para referirse a las hadas; ahora se repite tres veces, un ritual sonoro para reivindicar. Peace