Name a more Infectious Vocal…
🙌 A powerhouse of Acid Techno and a crossover track that has defied all the odds of a non English speaking release. A world music hit that Hardfloor cemented into the vaults of Dance music royalty.
A unique electronic monster . The “Hardfloor Mix” of Mory Kanté’s “Yé Ké Yé Ké” is a legendary 1994 acid techno remix that revitalized the 1987 hit for a new generation of clubbers. Created by the German duo Hardfloor (Oliver Bondzio and Ramon Zenker), it is widely considered as one of the most iconic acid tracks of all time
A regular on Freaks on Friday on FM104.
Tune in this Friday for more.
🎧SHOW ANNOUNCEMENT🎧
ROGER SANCHEZ – SOUTH 25th Anniversary Show
On Bank Holiday Sunday 2nd June, 2002, Roger Sanchez stepped into the South DJ booth to play to a sell-out crowd of 2,200 South East clubbers. In 2026 the S-Man is still one of the most talked about and in-demand artists on the house music scene.
You will have “Another Chance” (80 million streams) to see the legendary Roger Sanchez at The Haven on Saturday, 10 October⚠
On support duty are Al Gibbs (“Freaks” – FM104), who played many a set at South back in the day and WLRFM’s Ray C, who still has his signed set of CD players that Roger used back on that night in 2002
Sign-up for presale access here: /iqUrz6
(keep an eye on your inbox tomorrow)
🔺Tickets on sale at 9am this Friday 27 March🔺
🔥 Prodigy - Fire starter 🕷️
Before “Firestarter,” dance music was often perceived as purely escapist or “faceless” club music. The track’s aggressive breakbeats and distorted synths proved that electronic music could carry the raw intensity of punk and still top the pop charts.
A massive crossover track was as welcome in Punk Clubs as it was Techno sets.
It transformed The Prodigy from a DJ-led production act into a charismatic live band. Keith Flint’s confrontational performance in the music video gave electronic music a “face,” attracting rock and metal fans who had previously ignored the rave scene.
Hear its raw power on Freaks on Friday with Al Gibbs .
🔥 Is there a sweeter track….
👀 Last Rhythm” is a seminal 1990 Italian house music track produced by Leandro Papa and Luca Belladonna. It is renowned as a blissful, emotive anthem of the era, known for its simple, mesmerizing synth melody rather than typical early 90s piano house, making it a classic in melodic house and balearic sets.
Released in 1990/1991, the track is considered a staple of the “dream house” or progressive house sound, often associated with the end of a golden era of clubbing.
It was heavily played by influential DJs like Sasha and is praised for its ability to convey both joy and nostalgia simultaneously.
The track featured various mixes, including the Original Club Mix and Afro Dub, with later remixes appearing in 1992 (Sure is Pure) and 1996 (Way Out West)
The track is often celebrated for its simplicity, with a synth effect that runs throughout,
BOOKA SHADE - SUPPORT ANNOUNCED! The brilliant AL GIBBS @algibbsdj will be opening for Booka Shade’s Final Dublin show this July @buttonfactorydub
Tickets On Sale Now (Link in Bio)
❤️ ❤️ “Your Love” is a breakbeat Piano monster by the British electronic band The Prodigy, originally released in 1991 as a B-side to their single “Charly” and later featured on their debut album, Experience.
Written and produced by Liam Howlett, the track is known for its breakbeat hardcore style and sampling, appearing in both original and remixed forms on various releases
The piano riff in The Prodigy’s “Your Love” is actually not a sample from another song; it was composed and played by Liam Howlett himself using a Korg M1 synthesizer. Specifically, the sound is often attributed to the “PianoBrite” preset on the Korg M1, a staple of early 90s rave and house music.
An anthem and a game changer
🌞 Weekend Sunshine ☀️ and
Freaks on Friday and Saturday
Friday 7-10
Sat 9-11
@dublinsfm104@corks_96fm@live95limerick
Tune in on the radio across Ireland, on theOnic App or live online www.fm104.ie
🔥 🔥 Want Love - is a classic house track by Hysteric Ego (the alias of British producer Robert White), released in 1996.
It became a major club anthem, reaching No. 6 on the UK Singles Chart and topping the UK Dance Chart that same year.
The track is known for its hypnotic loop, sharp percussion, and a high-energy vocal hook.
The central vocal refrain—“I want love, I want your love”—is a heavily manipulated sample that became iconic in 90s dance music.
It is often cited as a definitive “peak-time” energy track that perfectly captured the mid-90s house music vibe.
The track has been extensively remixed over the decades by artists such as Crazibiza, Jerome Robins, and The Timewriter.
For me it’s a track tha played in Dublins Pod nightclub and sounded perfectly tuned on the old Turbo Soundsystem. What a tune…
🙌 🙌 This tune has a special place in my heart and it brought Jon Fitz one half of Herd and Fitz into my life through our mutual friend Ronan O back in the 00s. Jon traveled to Dublin to play my Freaks event at Redbox and it was a night of Heavy snowfall in Dublin during the gig, we couldn’t get home, so all went to Dandelion and partied away till the wee hours. A magical impromptu night.
Jon and I have stayed in touch over the years and he is great craic a one of a kind. He is a true Gent and a Djs Dj so this post is a tribute to him and Abagail and to their massive tune. Abagail sang at the Ibiza Orchestral gig last year and is an immense talent.
This is a floor filler even now, the girls love to belt out this vocal and we love to play it. A modern club classic and a special tune for me .
Herd & Fitz “just can’t get enough” is their iconic 2005 house track. I Just Can’t Get Enough”(featuring Abigail Bailey). The Herd and Fitz duo had specialized in high-energy funky house for over 20 years, with the original reaching the Top 20 in 16 countries. Signed to Erick Morillo Subliminal records it crossed boundaries and borders as a sold house track with massive vocal.
The original 2005 track, often known as “H & F’s 2Risque Vox,” is considered a classic funky house record.
The track has seen numerous, well-regarded versions, including the popular Freemasons Remix and most recently Hannah wants brought it up to date.
Give it a like and follow for more
@jonfitzmusic@officialabigailbailey
🔥 Ya boy has been nominated by Hot press as Dj/Electronic act of the year. 🔥 mad…
Huge names in the group but delighted to be there. If u think I deserve it, give iz the vote on Hotpress.ie or click link in Bio.
And sure I’ll throw a party for everybody who voted… 🗳️ why not
🔥 A game changer : Sugar Is Sweeter (Armand Van Helden’s Drum ‘n’ Bass Mix)”
This is a landmark electronic track released in September 1996.
Although titled a “Drum ‘n’ Bass Mix,” it is widely recognized as a foundational track for the Speed Garage and Uk Garage genres due to its heavy, warped bassline and 128 BPM house tempo.
The original track is by Belgian producer CJ Bolland, with the remix handled by American DJ Armand Van Helden.
The track reached No. 1 on the US BillboardHot Dance Club Play chart and No. 11 on the UK Singles Chart.
Despite the name, the mix is not traditional drum and bass. Its “chunky,” bass-heavy sound is credited with bridging the gap between house and garage DJs
The remix famously samples the instrumental version of “Psyko Funk” by the Boo-Yaa T.R.I.B.E. (specifically the 1991 remix). In turn, this mix was later sampled in the speed garage classic “RipGroove” by Double 99.
The remix appeared on several formats via labels like FFRR and Internal Records.
The Original Remix Typically runs around 8 minutes long.
The track is often cited alongside Van Helden’s remixes of Sneaker Pimps’ “Spin Spin Sugar” and Tori Amos’s “Professional Widow” as one of his most influential works from the mid-90s.
