Alex Stroming

The last time I got some shots taken was 7 years ago. Even on the days I wake up tired and fighting a nasty cold (like today), I have to take a step back and remember that I am living the life that 21-year-old me was dreaming of. Nothing is permanent. This path is winding, rocky, and unpredictable. AND. I’m grateful for every bump if it means doing what I love🩵 Thank you @t.d.d.studio for these much-needed updates! Tutu was wonderful to work with, highly recommend! 💫 Swipe to the end for silly goofiness😋

WE ARE T. REGINA THEATRE COMPANY! (formerly known as sceneswithgirlstheplay) Congratulations 🎉 You are now following T. Regina Theatre Company! We recently put on ‘Scenes with girls’ directed by founder of T. Regina, Alex Stroming @alexstroming . Now that we’ve formally introduced ourselves, stick around to find out we are up to next. ➡️

Opening night is TOMORROW! We are so excited to share this beautiful, challenging, uplifting story with y’all. Have you nabbed your tickets yet? 👀 Wednesday, April 29: Over half-way sold Thursday, April 30: Over half-way sold Friday, May 1: Good availability Saturday, May 2: Only a few seats left! Sunday, May 3: Over half-way sold 🔗🎟️ in bio Don’t miss SOMETHING CLEAN, an intimate, messy, and moving drama by Tony-award nominated playwright Selina Fillinger. 🗓 April 29-May 3, 2026 📍Lion and Unicorn Theatre CW: Themes of SA @landutheatre #somethingclean #londonfringe #offwestend #londontheatre #selinafillinger

Come see the show! Opening this week! Wed - Sun April 29 - May 3rd Lion & Unicorn Theatre Something Clean by Selina Fillinger Tony-Award nominated playwright Selina Fillinger soars in this intimate drama following one woman struggling to make sense of her own grief, love, and culpability. Charlotte has been a mother for nineteen years, a wife for three decades, and a respectable community member her entire life. But when her only child is incarcerated for sexual assault, her once-immaculate world is forever tainted. Produced by T. Regina Theatre Co. (Scenes with girls, My Name is Rachel Corrie, Late A Cowboy Song). Raising awareness for The Survivor’s Trust, (supporting specialist rape and sexual abuse services) Cast - Katherine Oliver - Charlotte Lawrence Carmichael - Doug Felipe Chavez - Joey Production Team - Director Alex Stroming, Assistant Director/Stage Manager Jessica Potts Co-Designers Emily Nelson and Agathe Williamson Movement Director Tutu Ching Lighting Designer Phil Hamilton Intimacy Director Liz Kent Voice & Dialect Coach Meighread Dandeneau Follow us on social media: /t.reginatheatreco/ Tickets: /event/something-cle At The Lion and Unicorn Theatre 42-44 Gaisford St, Kentish Town, London NW5 2ED, United Kingdom Run Time: approx. 90 minutes

A glimpse into the rehearsal room… Don't miss SOMETHING CLEAN, an intimate, messy, and moving drama by Tony-award nominated playwright Selina Fillinger. Link for tickets in bio!🔗🎟️ 🗓 April 29-May 3, 2026 📍Lion and Unicorn Theatre CW: Description of SA @landutheatre #somethingclean #londonfringe #offwestend #londontheatre #selinafillinger

🌟NEW PRODUCTION ANNOUNCEMENT🌟 TW // SA Charlotte has been a mother for nineteen years, a wife for three decades, and a respectable community member her entire life. But when her only child is incarcerated for sexual assault, her once-immaculate world is forever tainted.  Tony-Award nominated playwright Selina Fillinger (POTUS: Or, Behind Every Great Dumbass are Seven Women Trying to Keep Him Alive, 2022) soars in this intimate drama following one woman struggling to make sense of her own grief, love, and culpability.  We are thrilled to bring this unforgettable play to London! Something Clean by Selina Fillinger 🗓️Wednesday, APRIL 29 - Sunday, MAY 3, 2026 ⏱️7:30pm 📍Lion & Unicorn Theatre, Kentish Town @landutheatre Cast & Creatives COMING SOON! Poster Design by @meighflower Ticket link in bio! 🎟️🔗 #londontheatre #offwestend #londonfringe #somethingclean #selinafillinger

📣 MEET THE CREATIVES: Alex Stroming as Director Alex Stroming (she/her) is a London-based theatre director, intimacy director, and teacher. She loves telling adventurous stories that amplify the experiences of women and queer folx. After her secret mission to incorporate a dinosaur into all of her productions was discovered by the authorities (rawr), she doubled down and founded T. Regina Theatre Co. She holds an MFA in Directing from East 15, where she is currently an acting tutor. Alex is excited to explore the vulnerability and complexity of Gruesome Playground Injuries, with particular interest in how we reconcile with our inner children– or what happens if we don’t. T. Regina Theatre Co.: Late, A Cowboy Song (Hen and Chickens Theatre, Director), My Name is Rachel Corrie (Etcetera Theatre, Director), Scenes with girls (Golden Goose Theatre, Director) . Other Recent Credits: Merchant of Venice 1936 (West End, Assistant Director on placement), No End (Baron’s Court Theatre, Director), Lost the Plot (The Cockpit/Archetypicals, Devising Facilitator). When not doing theatre, you can find her buying too many books, eating an entire jar of dill pickles, or locating the nearest cat to snuggle with. Free Palestine. Gruesome Playground Injuries | 24-28 February 2026 | 7:30 | Golden Goose Theatre

“I’m not someone else. I’m you.” We’re thrilled to announce our first production: Gruesome Playground Injuries. Over the course of 30 years, Kayleen and Doug’s lives intersect one bizarre physical calamity at a time, leaving scars that chronicle two childhood friends’ endurance through pain and recovery. Gruesome Playground Injuries snapshots the wounds that bind soulmates, drawing them together through brokenness and repair as the red thread of fate connects them across distance and time. 📍 Golden Goose Theatre 📅 24–28 February 2026

We open tonight, partner ❤️🤠 Late, A Cowboy Song. At the @henandchicks_n1 🌾 This week and this week only xx

Director's Note for Late, A Cowboy Song by Sarah Ruhl 🌇🧡🌄⏰🖼️🐎🌾 When I first read Sarah Ruhl’s play anthology as a teenager curled up on my family’s sofa during a school holiday in rural Washington state, I did not know what to make of the second play in the book. I didn’t understand how someone could “overhear” a metaphor written in a journal or how a painting, horse and child could be “invisible.” I didn’t realize it was a love story until far too late, and then I was appropriately scandalized (as I was taught to be) by the idea of a woman leaving her husband for another…someone. I also didn’t really like cowboys, just in general. Time is mysterious, and Time is what I needed to understand the play when I revisited it earlier this year. A few years ago, I was lucky enough to attend a workshop led by Sarah Ruhl, titled “Making the Invisible Visible” — no doubt a reference to her famously “impossible-to-stage” stage directions. With my eyes a decade older, my heart a decade wiser, and more than a few self-discoveries along the way, the “invisible” had become visible. Late, A Cowboy Song has aged remarkably well since it was first performed in 2003 largely due to its unwillingness to assign labels to the experiences of the characters. Sarah Ruhl seems most interested in the characters’ Souls, regardless of what their bodies look like or who they are drawn to love. If you ride outside the city limits of convention, this play is for you. If you feel the pull between what is and what could be, this play is for you. And if you, like me, found beautiful, colorful pieces of yourself–pieces you didn’t know could exist without scandal–a little bit Late, this play is for you. Thank you to everyone who has helped bring this production to life, I am forever in your debt, and thank YOU for sharing your Time with us. Love, Alex 🎟️ Opening tonight! 📍@thehenandchickenstheatre ⏰ 9-13 December 2025 at 7:30pm

‘New Year’s Resolutions: One: Write in Journal Every Day. Two: Read books about how to be a good mother and improve your sex life. Three: Learn to ride a horse.’ 🐎 Mary, always late and always married, meets Red, a lady cowboy strumming songs outside Pittsburgh city limits. With Red, Mary tastes a freedom she’s never had, and begins a search for the recipe. Meanwhile, her husband, Crick, buys abstract paintings with borrowed money.  Tony Award and two-time Pulitzer Prize-nominated author Sarah Ruhl’s ‘Late, a Cowboy Song,’ straddles themes of nonconformity, self-realisation, and daring to chase happiness. ‘Late, a Cowboy Song,’ is for all who ride outside the city limits of convention. 📍@thehenandchickenstheatre ⏰ 9-13 December 2025 at 7:30pm Cast announcement this week! ⭐ TICKETS NOW ON SALE!

NO END by James Robertson October 7, 2025 Old Red Lion Theatre Prelude to Flywheel Theatre’s production of Doctor Faustus CAST Andrew Hawkins as Peter Hannah Renar as Natalie featuring the voice talents of Grace Bown as Sylvie Alec Osbourne as Jonathan Directed by Alex Stroming Ticket link in bio🔗 Please note: This short play is playing ONLY on Tuesday, Oct. 7 as a prelude to Flywheel Theatre Company’s Production of Doctor Faustus. In order to see the play, you must but a ticket to the Tuesday, Oct. 7 performance of Doctor Faustus. /doctor-faustus.html