It’s a real honor to share that one of my photographs has been featured on the Škoda Auto homepage for a while now - something that definitely doesn’t happen every day.
Even more so, it serves as the opener to their EV section.
I was involved in this project from start to finish, which makes it all the more meaningful to see it live in this context. Big thanks to Zaraguza for the opportunity.
Personally, I see the era of ICE vehicles as a fading fog over time. Fully on board with electrification.
Agency: ZARAGUZA @zaraguzacz
Client: ŠKODA AUTO @skodacr@skodagram
Art direction: MARIÁN VAŇO
Production: ALEX SEDLÁČEK / ALEŠ FOFF @alex_sedla
Photography & Post: ALEŠ FOFF
Styling: MICHAELA SEMOTÁNOVÁ @majkanatomes
Mua: KATEŘINA KROBOVÁ @katerinakrobova
It’s a real honor to share that one of my photographs has been featured on the Škoda Auto homepage for a while now - something that definitely doesn’t happen every day.
Even more so, it serves as the opener to their EV section.
I was involved in this project from start to finish, which makes it all the more meaningful to see it live in this context. Big thanks to Zaraguza for the opportunity.
Personally, I see the era of ICE vehicles as a fading fog over time. Fully on board with electrification.
Agency: ZARAGUZA
Client: ŠKODA AUTO
Art direction: MARIÁN VAŇO
Production: ALEX SEDLÁČEK / ALEŠ FOFF
Photography & Post: ALEŠ FOFF
Styling: MICHAELA SEMOTÁNOVÁ
Mua: KATEŘINA KROBOVÁ
It’s a real honor to share that one of my photographs has been featured on the Škoda Auto homepage for a while now - something that definitely doesn’t happen every day.
Even more so, it serves as the opener to their EV section.
I was involved in this project from start to finish, which makes it all the more meaningful to see it live in this context. Big thanks to Zaraguza for the opportunity.
Personally, I see the era of ICE vehicles as a fading fog over time. Fully on board with electrification.
Agency: ZARAGUZA
Client: ŠKODA AUTO
Art direction: MARIÁN VAŇO
Production: ALEX SEDLÁČEK / ALEŠ FOFF
Photography & Post: ALEŠ FOFF
Styling: MICHAELA SEMOTÁNOVÁ
Mua: KATEŘINA KROBOVÁ
Recent work for Škoda Auto. Handled full production on this one - something I don’t do as often these days, but still enjoy.
One of the images (shot about 500 m away) is currently featured on the skoda-auto.cz homepage. More on that soon.
Agency: ZARAGUZA @zaraguzacz
Client: ŠKODA AUTO @skodagram
Art direction: MARIÁN VAŇO
Production: ALEX SEDLÁČEK / ALEŠ FOFF @alex_sedla
Photography & Post: ALEŠ FOFF
Styling: MICHAELA SEMOTÁNOVÁ @majkanatomes
Mua: KATEŘINA KROBOVÁ @katerinakrobova
Let’s take a quick trip back in time - shift into blue scales, lean into the blue notes, play it in a minor key. Or, you could say… a Mall key.
The brief was simple: repaint the main studio at Hexar in Prague completely blue. No questions asked. So that’s exactly what we did (back in 2020).
Then it was just a matter of casting the right talent, adding a seasonal twist, and letting the contrast do the work.
Agency: BRAINZ DISRUPTIVE
Client: MALL PAY
Art direction: JAN PATAWA
Production: JAN ŠÁTAVA / FLUX FILMS
Photography: ALEŠ FOFF
Post Production: ALEŠ FOFF, EMIL NITKULINEC
Let’s take a quick trip back in time - shift into blue scales, lean into the blue notes, play it in a minor key. Or, you could say… a Mall key.
The brief was simple: repaint the main studio at Hexar in Prague completely blue. No questions asked. So that’s exactly what we did.
Then it was just a matter of casting the right talent, adding a seasonal twist, and letting the contrast do the work.
Agency: BRAINZ DISRUPTIVE
Client: MALL PAY
Art direction: JAN PATAWA
Production: JAN ŠÁTAVA / FLUX FILMS
Photography: ALEŠ FOFF
Post Production: ALEŠ FOFF, EMIL NITKULINEC
Let’s take a quick trip back in time - shift into blue scales, lean into the blue notes, play it in a minor key. Or, you could say… a Mall key.
The brief was simple: repaint the main studio at Hexar in Prague completely blue. No questions asked. So that’s exactly what we did.
Then it was just a matter of casting the right talent, adding a seasonal twist, and letting the contrast do the work.
Agency: BRAINZ DISRUPTIVE
Client: MALL PAY
Art direction: JAN PATAWA
Production: JAN ŠÁTAVA / FLUX FILMS
Photography: ALEŠ FOFF
Post Production: ALEŠ FOFF, EMIL NITKULINEC
It’s been a while since this “controversial” campaign for the biggest rock festival in the Czech Republic. We truly enjoyed every part of the process back then. It was a time when a visual like this could spark such a strong reaction that citylight posters had to be taken down from the streets almost the very next day (it really happened). Shoutout brainz disruptive!
Agency: BRAINZ
Client: ROCK FOR PEOPLE
Production: FLUX FILMS
Photography: ALEŠ FOFF, ZUZANA BERIAN
Post production: ALEŠ FOFF
Make up: RENÉ VIDOURKOVÁ
It’s been a while since this “controversial” campaign for the biggest rock festival in the Czech Republic. We truly enjoyed every part of the process back then. It was a time when a visual like this could spark such a strong reaction that citylight posters had to be taken down from the streets almost the very next day (it really happened). Shoutout brainz disruptive!
Agency: BRAINZ
Client: ROCK FOR PEOPLE
Production: FLUX FILMS
Photography: ALEŠ FOFF, ZUZANA BERIAN
Post production: ALEŠ FOFF
Make up: RENÉ VIDOURKOVÁ
It’s been a while since this “controversial” campaign for the biggest rock festival in the Czech Republic. We truly enjoyed every part of the process back then. It was a time when a visual like this could spark such a strong reaction that citylight posters had to be taken down from the streets almost the very next day (it really happened). Shoutout brainz disruptive!
Agency: BRAINZ
Client: ROCK FOR PEOPLE
Production: FLUX FILMS
Photography: ALEŠ FOFF, ZUZANA BERIAN
Post production: ALEŠ FOFF
Make up: RENÉ VIDOURKOVÁ
