The Greatest Lover of The 21st Century
Performance at Theatreship @theatreship
A morning that repeats itself, a room that does not have a way out, a lover's struggle against analytic philosophy, fetishization, and the inability to scream.
Photo courtesy of @neelanchalhere@rca_contemporaryartpractice
Co-curating and installing Working Title [insert here] a exhibition of printed matters, moving images and performances.
*Working Title [insert here]* is a collaborative project between RCA CAP and Chelsea MAFA exploring art and labour.
@rca_contemporaryartpractice@chelseamafa
What do artists do when they work, and is making art different from a day-job? What is the relationship between material and immaterial labour — is thinking, chatting, socialising, or performing a type of work? When do you stop working? Are leisure activities the opposite of labour? What kind of activities or actions can we consider 'labour'? What is the relationship between value and work — which activities are attached to monetary or cultural value, and which are not? How is labour organised and co-ordinated: who does what? What would it mean to abolish work?
.. Super thanks to @pg_kollectiv for facilitating this opportunity and the support from everyone at the Chelsea College of Arts
Day 1 of install done
Pv is on wednesday 13 may
Symposium on friday 15 may
Come
Flipping my accordion book
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notes from the upper deck (a score and a durational performance documentation)
Entry 001-250
First edition of 6 copies
Written, performed, designed, manufactured by me
Video courtesy of @consciouscreationsfx <33
Made at @rca_contemporaryartpractice
Printed by @rca_printlabs
Sometimes i make some designs on indesign and i riso print them and frame them
Maybe i dont make books every single day 👐🏼
She will be in the Indra Gallery @indragallery_london on the 24th of April, part of the group show L'Inferno
Love is other people
Hell is other people
A new contraption in service of The Notes from The Upper Deck: an action score and a durational performance documentation.
And two videos of me using it to fold my ridiculous 5.5-metre red label (thank you so much technicians at @rca_printlabs )
Featuring:
THE DEVICE MADE BY LUKE AT THE WOOD WORKSHOP @rcabatterseawood : -- THE ACCORD MAKER -- -- 1.0 --
And a plastic knife!
At the studio of @rca_contemporaryartpractice featuring @manisha_puri07 in the background and @consciouscreationsfx