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πνμ¬μ μ γThe Journeyγ ν΄λ―Έκ΅μ μ±μ§(μμ€) γμ¦κΈ° μμ μ¬λκ³Ό λ―Ώμμ ν₯γ spazio milesi, Milan, Italy
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μ μ κΈ°λ‘π λ―μ€ μλ μλ μ£Όμ λ₯Ό μ μΎνκ² μ°Έμ¬ν΄μ£Όμκ³ κ΄λν΄μ£Όμ λͺ¨λ λΆλ€κ» μ¬λμπ
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μ μ κΈ°λ‘π λ―μ€ μλ μλ μ£Όμ λ₯Ό μ μΎνκ² μ°Έμ¬ν΄μ£Όμκ³ κ΄λν΄μ£Όμ λͺ¨λ λΆλ€κ» μ¬λμπ
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μ μ κΈ°λ‘π λ―μ€ μλ μλ μ£Όμ λ₯Ό μ μΎνκ² μ°Έμ¬ν΄μ£Όμκ³ κ΄λν΄μ£Όμ λͺ¨λ λΆλ€κ» μ¬λμπ
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μ¦κΈ° μμ μ¬λκ³Ό λ―Ώμμ ν₯ The Scent of Love and Faith in the Steam μ μ γμ΄μμ΄μ λκΉ¨λΉ λμ μγμ΄ μλ‘ λ€λ₯Έ λͺ©μ리λ€μ΄ λ§λλ μ²κ°μ μ‘°μ¨μ ν΅ν΄ 곡λ체μ κ°λ₯μ±μ λͺ¨μνλ€λ©΄, μ΄λ² μ μλ λΉκ°μμ μΈ κ°κ°μ μΉ¨ν¬λ₯Ό ν΅ν 곡λ체μ μ€μ‘΄μ 쑰건μ νꡬνλ€. κ·Έ νꡬμ μ€μ¬μλ βμꡬ(ι£ε£)βλΌλ κ°λ μ΄ λμ¬ μλ€. βν¨κ» λ¨Ήλ μ βμ λ»νλ μ΄ λ¨μ΄λ 곡λμ²΄κ° κ΄λ μ μΈ κ²°ν© μ΄μ μ, κ°μ 곡κ°μμ κ°μ λκΈ°λ₯Ό νΈν‘νλ©° μμ‘΄μ 쑰건μ 곡μ νλ 물리μ λ¨μμμ μμ¬νλ€. λμμ μ¨κΈ°λ ννλ₯Ό μ§λμ§ μμΌλ 곡κ°μ λΉνμμ΄ μ μ νλ©°, κ·Έ κ³΅κ° μμ 머무λ μ¬λλ€μ νΈν‘κ³Ό νΌλΆμ μΉ¨ν¬νλ€. λ³Έ μ μλ λ°₯λμμ μ΄λμλΌλ λ μΆμ ν΅ν΄, κ°μ 곡기λ₯Ό λ§μκ³ μλ‘μ 체μ¨μ κ°κ°νλ νμκ° μ΄λ»κ² κ°λ³ μ‘΄μ¬λ€μ νλμ λ²μ£Όλ‘ λ¬Άμ΄λ΄λμ§λ₯Ό 보μ¬μ€λ€. μ΄μμ μΈ κ³΅λ체μ λν μ€νμ κ±°μ°½ν ꡬνΈκ° μλ, λ§€ μκ°μ νΈν‘κ³Ό νΌλΆμ λΆλλμ΄λΌλ λ³Έμ§μ μΈ μ¬μ€ μμμ λΉλ‘μ ꡬ체νλλ€. If the previous exhibition Dokkaebi DJing in Utopian Viliage explored the possibility of community through the auditory tuning of different voices, this exhibition investigates the existential conditions of community through the invisible infiltration of the senses. At the center of this inquiry lies the Korean concept of μꡬ(ι£ε£, sikgu β a communal body formed through the shared act of eating and breathing together). More than simply referring to people who share meals together, sikgu describes a communal relationship formed through sharing food, air, and the conditions of survival. It suggests that community is not first an ideological union, but a physical unit that breathes the same atmosphere and inhabits the same conditions of existence. Smell and warmth possess no fixed form, yet they permeate space completely, entering the breath and skin of those who remain within it.
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μ¦κΈ° μμ μ¬λκ³Ό λ―Ώμμ ν₯ The Scent of Love and Faith in the Steam μ μ γμ΄μμ΄μ λκΉ¨λΉ λμ μγμ΄ μλ‘ λ€λ₯Έ λͺ©μ리λ€μ΄ λ§λλ μ²κ°μ μ‘°μ¨μ ν΅ν΄ 곡λ체μ κ°λ₯μ±μ λͺ¨μνλ€λ©΄, μ΄λ² μ μλ λΉκ°μμ μΈ κ°κ°μ μΉ¨ν¬λ₯Ό ν΅ν 곡λ체μ μ€μ‘΄μ 쑰건μ νꡬνλ€. κ·Έ νꡬμ μ€μ¬μλ βμꡬ(ι£ε£)βλΌλ κ°λ μ΄ λμ¬ μλ€. βν¨κ» λ¨Ήλ μ βμ λ»νλ μ΄ λ¨μ΄λ 곡λμ²΄κ° κ΄λ μ μΈ κ²°ν© μ΄μ μ, κ°μ 곡κ°μμ κ°μ λκΈ°λ₯Ό νΈν‘νλ©° μμ‘΄μ 쑰건μ 곡μ νλ 물리μ λ¨μμμ μμ¬νλ€. λμμ μ¨κΈ°λ ννλ₯Ό μ§λμ§ μμΌλ 곡κ°μ λΉνμμ΄ μ μ νλ©°, κ·Έ κ³΅κ° μμ 머무λ μ¬λλ€μ νΈν‘κ³Ό νΌλΆμ μΉ¨ν¬νλ€. λ³Έ μ μλ λ°₯λμμ μ΄λμλΌλ λ μΆμ ν΅ν΄, κ°μ 곡기λ₯Ό λ§μκ³ μλ‘μ 체μ¨μ κ°κ°νλ νμκ° μ΄λ»κ² κ°λ³ μ‘΄μ¬λ€μ νλμ λ²μ£Όλ‘ λ¬Άμ΄λ΄λμ§λ₯Ό 보μ¬μ€λ€. μ΄μμ μΈ κ³΅λ체μ λν μ€νμ κ±°μ°½ν ꡬνΈκ° μλ, λ§€ μκ°μ νΈν‘κ³Ό νΌλΆμ λΆλλμ΄λΌλ λ³Έμ§μ μΈ μ¬μ€ μμμ λΉλ‘μ ꡬ체νλλ€. If the previous exhibition Dokkaebi DJing in Utopian Viliage explored the possibility of community through the auditory tuning of different voices, this exhibition investigates the existential conditions of community through the invisible infiltration of the senses. At the center of this inquiry lies the Korean concept of μꡬ(ι£ε£, sikgu β a communal body formed through the shared act of eating and breathing together). More than simply referring to people who share meals together, sikgu describes a communal relationship formed through sharing food, air, and the conditions of survival. It suggests that community is not first an ideological union, but a physical unit that breathes the same atmosphere and inhabits the same conditions of existence. Smell and warmth possess no fixed form, yet they permeate space completely, entering the breath and skin of those who remain within it.
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μ¦κΈ° μμ μ¬λκ³Ό λ―Ώμμ ν₯ The Scent of Love and Faith in the Steam μ μ γμ΄μμ΄μ λκΉ¨λΉ λμ μγμ΄ μλ‘ λ€λ₯Έ λͺ©μ리λ€μ΄ λ§λλ μ²κ°μ μ‘°μ¨μ ν΅ν΄ 곡λ체μ κ°λ₯μ±μ λͺ¨μνλ€λ©΄, μ΄λ² μ μλ λΉκ°μμ μΈ κ°κ°μ μΉ¨ν¬λ₯Ό ν΅ν 곡λ체μ μ€μ‘΄μ 쑰건μ νꡬνλ€. κ·Έ νꡬμ μ€μ¬μλ βμꡬ(ι£ε£)βλΌλ κ°λ μ΄ λμ¬ μλ€. βν¨κ» λ¨Ήλ μ βμ λ»νλ μ΄ λ¨μ΄λ 곡λμ²΄κ° κ΄λ μ μΈ κ²°ν© μ΄μ μ, κ°μ 곡κ°μμ κ°μ λκΈ°λ₯Ό νΈν‘νλ©° μμ‘΄μ 쑰건μ 곡μ νλ 물리μ λ¨μμμ μμ¬νλ€. λμμ μ¨κΈ°λ ννλ₯Ό μ§λμ§ μμΌλ 곡κ°μ λΉνμμ΄ μ μ νλ©°, κ·Έ κ³΅κ° μμ 머무λ μ¬λλ€μ νΈν‘κ³Ό νΌλΆμ μΉ¨ν¬νλ€. λ³Έ μ μλ λ°₯λμμ μ΄λμλΌλ λ μΆμ ν΅ν΄, κ°μ 곡기λ₯Ό λ§μκ³ μλ‘μ 체μ¨μ κ°κ°νλ νμκ° μ΄λ»κ² κ°λ³ μ‘΄μ¬λ€μ νλμ λ²μ£Όλ‘ λ¬Άμ΄λ΄λμ§λ₯Ό 보μ¬μ€λ€. μ΄μμ μΈ κ³΅λ체μ λν μ€νμ κ±°μ°½ν ꡬνΈκ° μλ, λ§€ μκ°μ νΈν‘κ³Ό νΌλΆμ λΆλλμ΄λΌλ λ³Έμ§μ μΈ μ¬μ€ μμμ λΉλ‘μ ꡬ체νλλ€. If the previous exhibition Dokkaebi DJing in Utopian Viliage explored the possibility of community through the auditory tuning of different voices, this exhibition investigates the existential conditions of community through the invisible infiltration of the senses. At the center of this inquiry lies the Korean concept of μꡬ(ι£ε£, sikgu β a communal body formed through the shared act of eating and breathing together). More than simply referring to people who share meals together, sikgu describes a communal relationship formed through sharing food, air, and the conditions of survival. It suggests that community is not first an ideological union, but a physical unit that breathes the same atmosphere and inhabits the same conditions of existence. Smell and warmth possess no fixed form, yet they permeate space completely, entering the breath and skin of those who remain within it.
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πD-1π
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πD-1π πͺ‘π§΅π
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πD-1π π
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πD-4π γThe Scent of Love and Faith in the steamγ
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7 days ago
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πD-4π γThe Scent of Love and Faith in the steamγ
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7 days ago
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