POV: you’re tired of networking events that feel like group projects with no instructions 👀
So we fixed it.
@tryteraapp x @getfostr w/ @techweeka16z
Haus of 5.
Real interaction.
A little competition.
A lot less awkward.
Common Thread: The Haus Games on June 3rd.
This is the one you actually go to.
Link in bio.
Part 3 of 3.
Dying to Fit In.
Where traditional camp finds humor in a seriousness that fails, this final act finds something else entirely.
Tragedy.
The satin ribbons. The corsetry. The balletic poses. These are not just aesthetic choices. They are the cherished signifiers of idealized femininity recontextualized as instruments of beautiful, agonizing torture.
She is not rebelling against the ideal. She is devoted to it. Completely. Painfully. To the point of collapse.
The aesthetic is so theatrically feminine, so deliberately exaggerated, that it collapses under its own weight, exposing the painful labor required to achieve what the world calls effortless.
This is the part nobody talks about. The exhaustion behind the elegance. The sacrifice behind the softness. The woman who gave everything to become the thing she was told to be and succeeded so completely that the success itself became the wound.
It is the profound sorrow of a performance that was always doomed to succeed only as a beautiful failure.
This is Eve Maxing. The ritual of performing your own objectification to expose its construction.
Thank you for following this series from beginning to end. It started as an idea I could not name. It became a word I invented. It became a world we built together.
CREDITS
Creative Director, Stylist, and Producer: Moi
Photographer: @euphoricflow_
Featured Model: @log_gina
Makeup Artist: @zoeconstantinidis
Dress: @avav3nue
Published in @selin.magazine and @imiragemagazine
Part 2 of 3
Welcome to The Body Shop.
We live in a world that has always treated women’s bodies as commodities. Something to be bought, upgraded, and consumed. The Body Shop does not protest that reality.
Meet the Woman of The Body Shop.
She walks straight into it, picks up a basket, and starts shopping for more.
She is what happens when the object decides to look back.
She does not flinch. She does not hide. She seizes control of the gaze by radically embracing her role as the object.
She is no passive victim. She is a willing agent in her own objectification. And in doing so, she subverts the power dynamic entirely.
Donned in silicon enhancements while shopping for more, she performs the most extreme version of her own commodification. But her unflinching stare from within the packaging transforms the viewer from a passive spectator into a confronted accomplice.
Her defiance is a provocation.
You want to consume me? Then confront the reality of your consumption.
Kim Kardashian, Meghan Thee Stallion, Cardi B, and Lily Philips. The women who took the worlds obsession with their bodies and turned it into an Empire. They did not resist the gaze. They turned their assets into returns.
This is Eve Maxing. The ritual of performing your own objectification to expose its construction.
Part 3 coming soon.
CREDITS
Creative Director, Stylist, and Producer: Moi
Photographer: @euphoricflow_
Featured Model: @ashleyrosenicholas
Makeup Artist: @zoeconstantinidis
Bullet Bra Bag: @avav3nue
Published in @selin.magazine magazine and @imiragemagazine
This International Women’s Day my work is sitting in 2 international publications.
I self funded it. I creative directed it. I coined the term behind it. And it took three months of submissions before anyone said yes.
Eve Maxing: the ritual of performing your own objectification to expose its construction.
The word did not exist before I created it. I needed language for something I had been feeling but could not name. The experience of watching women perform the very thing that diminishes them, not out of weakness, but as an act of subversion.
It does not say no to the forces that reduce women to roles and ideals. It says an emphatic, grotesque yes. Until the performance collapses under its own weight and something true is revealed.
What does it cost a woman to become what the world wants her to be?
This is Part 1 of 3.
Meet The Moulin Mill Maid.
She transcends simple femininity. She embodies a historical caricature of it. Her poses are not arbitrary, they are a conscious citation of a constructed social role. She is not merely playing a part. She is performing the act. And in that deliberate hysterical exaggeration, she exposes the inherent artificiality and underlying sorrow of the construct.
A broken down reimagining of the 50s housewife, filtered through the tragic grandeur of the Moulin Rouge.
Parts 2 and 3 coming soon.
To every woman making things on her own terms today and every other day. This one is for you.
🖤
CREDITS
Creative Director, Stylist, and Producer: Moi
Photographer: @euphoricflow_
Featured Model: @raqcea
Makeup Artist: @zoeconstantinidis
Published in @selin.magazine and @imiragemagazine
2025: The year I stopped waiting and started doing.
This was my year of radical trust, in myself, in timing, in the process.
The philosophy that guided it all? Tawakkul. Trust in God's plan while taking action. Tie your camel, then surrender the outcome.
Here's how I tied mine:
✦ Moved to NYC on an intuitive feeling.
✦ Creative directed, produced & styled my first editorial–now on its way to being published.
✦ Started building my tech start-up & found a co-founder.
✦ Traveled to 6 countries((UK, Malaysia, Indonesia, South Korea, Singapore, Qatar), building my global network and creative lens.
✦ Became a fashion stylist, creative director, and founder all at once.
2025 taught me:
→ Intuition is data.
→ Your job title isn't your identity.
→ Diverse backgrounds aren't scattered–they're strategic.
→ Building takes courage, but waiting takes longer.
2026, let's go. ✨
