Tomorrow I’ll be performing with my project @aemia__ in a concert that feels especially meaningful to me — a collaboration between @gbgfringe and @konstepidemin.se 🤍
🌿For tomorrow:
We invite you to bring your own blanket, yoga mat, or anything else you need to feel comfortable. There will be no fixed seating arrangement—everyone is free to settle wherever they like and experience the performance in their own way.
Tickets: bio 🩶
Join us on Saturday evening as @aemia__ presents a pop-up event on @konstepidemin.se .
Get your tickets now through the link in our bio.
A contemplative journey through ambient, instrumental, and neoclassical music. Guitar, strings,
voices, loops, and subtle electronics interweave to create a delicate soundscape within a quiet,
atmospheric space. Join us for an evening where the music unfolds slowly, guiding us through
silent rooms and subtle textures.
AEMIA is a music project by Gothenburg-based composer Emiliano Sacripanti. By weaving
together field recordings, acoustic piano, guitar, strings, voices, and contemporary electronics,
AEMIA creates an immersive and atmospheric sound—textured compositions that explore the
boundaries of ambient, instrumental, and neoclassical music.
When: May 2
Time: 19:00
Location: Konstepidemin (Hus 8)
Address: Konstepidemins Väg 6
City: Göteborg
𝗘𝗻 𝗸𝗼𝗻𝘁𝗲𝗺𝗽𝗹𝗮𝘁𝗶𝘃 𝗿𝗲𝘀𝗮 𝗴𝗲𝗻𝗼𝗺 𝗮𝗺𝗯𝗶𝗲𝗻𝘁, 𝗶𝗻𝘀𝘁𝗿𝘂𝗺𝗲𝗻𝘁𝗲𝗹𝗹 𝗼𝗰𝗵 𝗻𝗲𝗼𝗸𝗹𝗮𝘀𝘀𝗶𝘀𝗸 𝗺𝘂𝘀𝗶𝗸 🧘🪐 🎸
🗓️ 𝟮 𝗺𝗮𝗷
⏰ 𝟭𝟵.𝟬𝟬
📍 𝗛𝘂𝘀 𝟴
🎟️ 𝗕𝗶𝗹𝗷𝗲𝘁𝘁𝗲𝗿 𝘃𝗶𝗮 @gbgfringe@aemia__ är ett musikprojekt av Göteborgsbaserade kompositören Emiliano Sacripanti. Genom att väva samman fältinspelningar, akustiskt piano, gitarr, stråkar, röster och samtida elektronik skapar AEMIA ett omslutande och atmosfäriskt ljud – texturerade kompositioner som utforskar gränserna för ambient, instrumentell och neoklassisk musik.
Gitarr, stråkar, röster, loopar och subtil elektronik vävs samman och skapar ett känsligt ljudlandskap i ett stillsamt, atmosfäriskt rum. Följ med på en kväll där musiken utvecklas långsamt och för oss genom tysta rum och subtila texturer.
Together with @konstepidemin.se and @gbgfringe , we are organizing a special event this May.
“Ambient Works” is a collection of sonic postcards — a space to slow down and connect.
A contemplative journey through ambient, instrumental, and neo-classical music — where guitar, strings, voices, loops, and subtle electronics interweave to create a delicate soundscape within a quiet, atmospheric space.
Thank you for being part of this and for helping make this space possible.
Tickets are now available via the link in my profile.
Continuing with the idea of creating different layers of loops, the difficulty of synchronizing pedals also comes into play. When I play the bass (using guitar + fx) and need it to sync with the rhythmic part, that’s when the real challenge appears, since some pedals don’t really perform their sync function the way I would expect.
Regarding the sound of the Polyend, I’m putting together a document to send to the developers with some suggestions for the next firmware update of the drum pedal.
In this ongoing search to improve, I keep studying and experimenting.
At every AEMIA concert, my intention is to cultivate warmth through deep listening and intuitive connection.
From layers of sound and moving images to fabrics, the warmth of tea, a piece of chocolate and the scent of incense, every detail is meant to hold a shared state and awaken the senses.
This is an edit from one of last year’s concerts at @stationen.svg , one of the most special places I’ve had the chance to perform. Not only because the space itself is remarkable in every way, but also because of the people who sustain it with such care and dedication. So much quiet attention in every detail.
I’m deeply grateful for this opportunity, for the gentle care and the respect.
On January 31st I’ll be performing in Uddebo. All the information about that concert is in the link in my bio.
Fragment of an experiment I did with a sampler and two tape recorders. The setup allowed for four simultaneous tracks plus the two tape recorders.
I worked live with different effects inside the sampler, and I really liked being able to quickly capture ideas and process them.
The voices were recorded from the air, using the same sampler and the tape recorders 💎🤍
