⏰️ Featured Exhibition Closing Soon
Visit 'Into the Wosk Collection: Discovery & Wonder' at the Audain Art Museum (
@audainartmuseum ) for the exhibition's last week on view.
🗓️ On view until April 27
'Into the Wosk Collection: Discovery and Wonder' presents selections from the extensive collection of Yosef Wosk, a passionate collector whose interests span from books, manuscripts, photographs, prints, paintings, sculptures, furniture to a variety of cultural objects.
Co-curated by artist Adad Hannah (
@adadhannah ) and Audain Art Museum’s Gail & Stephen A. Jarislowsky Chief Curator, Kiriko Watanabe (
@kiwa.bc ), the exhibition draws from Dr. Wosk’s wide-ranging collection of photographs and works on paper. With support from collection advisor and art historian Spencer W. Stuart, the curators reviewed a substantial number of works, with a particular focus on photographs and etchings.
Highlights include portraits by internationally renowned photographers Naomi Savage, Diane Arbus, Walker Evans, Robert Frank, and Anne Brigman. Portraiture is a notable strength in the collection, as exemplified by Henri Cartier-Bresson’s photograph of Henri Matisse with doves, Diego Rivera’s photograph of Frida Kahlo and Emmy Lou Packard, Alexander Liberman’s image of Marcel Duchamp’s hands playing chess, and Man Ray’s close portrait of Ernest Hemingway. Still life images by Edward Weston and Walker Evans, Brassai’s Chartres in Winter, Berenice Abbott’s New York at Night, Ansel Adams’s Half Dome and Moon, and Fred Herzog’s black-and-white photographs further illustrate the breadth and depth of Dr. Wosk’s photographic holdings.
Images: Installation view of 'Into the Wosk Collection: Discovery and Wonder' at the Audain Art Museum, Whistler. Photos by: Oisin McHugh (
@oisinmchugh ).
![[English follows] Coup d'oeil sur les oeuvres de l'exposition «Échos narratif», en cours jusqu'au 20 décembre.James Lee Chiahan : De «Home Alone» à «Kung Fu Hustle», @buttmcbutt se réapproprie des scènes de certains de ses films préférés afin de créer une série de dyptiques intimes et énigmatiques.John Latour : Dans ces oeuvres récentes, @johnlatourart poursuit son travail avec des photographies trouvées du début du vingtième siècle. En appliquant des mouchetures de peinture blanche sur ces figures anonymes, leurs traits deviennent flous et mis en évidence - existant à la fois dans le passé et le présent, dans un état de présence et d’absence.Adad Hannah : Pour ce nouveau projet, @adadhannah s'est intéressé à «L’Absinthe» d’Edgar Degas dont il a reconstruit la scène dans son atelier. Il en résulte une série de vidéos et de photographies qui retracent un lent délitement. : @labelleprovenance3. James Lee Chiahan, «Hunters in the snow (After Bruegel)», 20255. John Latour, «Mother and father sitting under a tree with their son holding a bunch of flowers», 20246. Adad Hannah, «The Absinthe Drinker (after Degas)», 2025___A glimpse at the works in the exhibition "Échos narratifs", on view until December 20.James Lee Chiahan: From "Home Alone" to "Kung Fu Hustle", James Lee Chiahan reappropriates scenes from some of his favorite films to create a series of intimate and enigmatic diptychs.John Latour: In these recent works, John Latour continues his exploration with found photographs from the early twentieth century. By applying flecks of white paint to these anonymous figures, their features become blurred and highlighted – existing both in the past and the present, in a state of presence and absence.Adad Hannah: For this new project, Adad Hannah turned his attention on Edgar Degas’ "L’Absinthe", reconstructing the scene in his studio. The result is a series of videos and photographs that chart a slow unravelling.](https://sp1.picnob.com/p/pt_6758675313185968507221_0_689d4ea217b09fc9db2bf6045a4a3506.jpg?o=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&h=8489ab857ce4f359d3b6cbbf06d03bba)
![JAMES LEE CHIAHAN, ADAD HANNAH, JOHN LATOUR : ÉCHOS NARRATIFS8 novembre – 20 décembre / November 8 – December 20[English follows] Pierre-François Ouellette art contemporain a le plaisir de présenter «Échos narratifs», une exposition regroupant des œuvres récentes de James Lee Chiahan ( @buttmcbutt ), @adadhannah et @johnlatourart . À travers divers médiums, les œuvres de cette exposition explorent la relation qu’entretiennent image peinte et photographique afin de faire émerger une pluralité de récits et de temporalités. :1. Adad Hannah «The Absinthe Drinker (after Degas)» (détail), 20252. James Lee Chiahan «Hunters in the snow (After Bruegel)» (détail), 20253. John Latour, «Wide-eyed girl with dress and sash leaning against a podium» (détail), 2025____Pierre-François Ouellette art contemporain is pleased to present «Échos narratifs», an exhibition featuring recent works by James Lee Chiahan, Adad Hannah, and John Latour. Through a variety of media, the works in this exhibition explore the relationship between painted and photographic images, allowing a plurality of narratives and temporalities to emerge.](https://sp1.picnob.com/p/pt_6720597256385516716067_0_171e63fa4db82a6e3bfa1992cd012cef.jpg?o=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&h=0ccb448e84f81db2cb5c9e5a5fad3c14)
