Adelaide Cioni

“Five Geometric Songs” al Maxxi Roma, 12 maggio 2026. musica originale Dom Bouffard performer Typhaine Delaup, Valentina Foschi, Giovanfrancesco Giannini, Vera Borghini e Daniela Malusardi concept, direzione, costumi e scene, Adelaide Cioni . . Grazie a tutto lo staff del Maxxi, al pubblico, alla compagnia Chiasma, e un grazie speciale a Francesco Stocchi. video credit @airadaily . @dombouffard @typhaine_delaup @giovanfrancesco @vadolentinaa @veraborghini . @museomaxxi @squaderna33 . @p420gallery @approachgallery

Punto, linea, quadrato, triangolo, cerchio: cinque forme che diventano corpi in movimento, suono nello spazio, linguaggio vivo. . . Point, line, square, triangle, circle: five shapes that become bodies in motion, sound in space, living language. ___ PERFORMANCE Five Geometric Songs di @ad_cio con musiche di @dombouffard martedì 12 maggio ore 18 + 19:30 info e biglietti 👉 link in bio, eventi ___ performer: @veraborghini @typhaine_delaup @vadolentinaa @giovanfrancesco e Daniela Malusardi ___ 📷 1. Tim Smyth - 3. e 5. Francesca Rizzuti - 4. Team99 🎥 estratto dal video di Costanza Fraia Ketoff

dal “Primo discorso sull’infinito” (18 aprile) grazie @guyhrobertson @mahlerlewitt @drjomelvin @cinemasalapegasus @gertrudelmgibbons @barryflanaganestate @palazzocollicola e per la seconda e terza foto @come_achille @melissagiacchi

Bla Bla Bla — a performance by Adelaide Cioni. 18 April, 17:00–17.30, Sala Pegasus, Spoleto, free entry—limited seating. @ad_cio Bla Bla Bla is an exploration of language and visuality: “A performance lecture on infinity or, a bunch of questions with impossible answers, revolving around patterns, translation and the human condition (and yes, thank god there will be pictures).” The performance is part of the public program for ‘Sculpture Speaks Louder Than Words — Barry Flanagan’ @palazzocollicola curated by @drjomelvin and supported by the @barryflanaganestate Sala Pegasus, 17:00–17.30 Adelaide Cioni – Bla Bla Bla Un’esplorazione del linguaggio e delle immagini: “Una conferenza-performance sull’infinito, ovvero un mucchio di domande con risposte impossibili, che ruotano attorno al tema dei pattern, della traduzione e della condizione umana (e sì, grazie a Dio ci saranno le figure).”

f*cking war

Grid for My Friend the Anarchist, Blue 2024 acrylic on muslin on canvas 116x132 cm ph. @lelenthal @approachgallery

my cat my flowers my life

salendo alla cupola di brunelleschi si vedono pietre che sono ancora acqua

“Catalogue of Things I’ve Touched” è il libro d’artista che ho realizzato con l’aiuto dell’unico e meraviglioso Federico Antonini in occasione della mostra “True Colors” al Maxxi L’Aquila. Dentro c’è tanto del mio rapporto con la stoffa. Lo presentiamo oggi 9 dicembre al Maxxi Roma alle 18 nella sala Lonardi Bontempo insieme a Cecilia Canziani e Francesco Stocchi. Special thanks a Flavia de Sanctis Mangelli e Monia Trombetta. Pubblicato da Maxxi editore, il libro è acquistabile nel bookshop e sul sito del Maxxi - link in bio — “Catalogue of Things I’ve Touched” is an artist’s book I’ve made with the help of the wondrous Federico Antonini on the occasion of the show “True Colors” at Maxxi L’Aquila. Inside, there is a lot of my relationship with fabric. We present it today December 9th at 6pm at Maxxi Rome in sala Lonardi Bontempo with Cecilia Canziani and Francesco Stocchi. Special thanks to Flavia de Sanctis Mangelli and Monia Trombetta. Published by Maxxi editore, the book can be purchased on Maxxi’s website - link in bio. . . . @federico_a_antonini @ccanziani @squaderna33 @flavia_dsm @moniatrombetta @maxxilaquila @museomaxxi

#ArtistSpotlight – Adelaide Cioni Adelaide Cioni’s (@ad_cio ) practice stems from drawing, and from there it expands into spatial installations, textiles, and performance. The images Cioni uses are drawn from natural elements and from abstract decorative patterns she has long researched—motifs that recur from prehistory to the present day across the Earth. The materials she works with, mostly textiles, give a strong sense of tactility. Her work is about being human and living together in this world, each of us in our unique, diverse, singular body. It speaks to all kinds of audiences—from children to the general public to more art-oriented viewers. It is a body of work that does not judge but offers images, environments, music, and dance that may gently shift people off their center, allowing them to recognize parts of themselves and imagine other possibilities for coexistence. Video: © P420, Bologna (The Factory PRD) #P420 #P420Gallery #AdelaideCioni #ContemporaryArtist

Black Flower @p420gallery @artissimafair