🎟️ Tickets are now on sale! Link in bio! 🎟️
Please join us for a screening of Jonathan Demme’s 1991 Academy Award-winning film The Silence of the Lambs in 35mm, followed by a discussion with Craig McKay, ACE, and several of his longtime collaborators.
Craig McKay, ACE has edited more than 40 films, including an extensive collaboration with Demme – from Melvin and Howard through Philadelphia and The Manchurian Candidate. McKay earned Oscar nominations for Reds and The Silence of the Lambs, won an Emmy for Holocaust and received the ACE Career Achievement Award in 2019. Known for his generosity as a mentor, he also served as a creative advisor at the Sundance Institute’s Directing Lab.
Moderated by Patrick McMahon, ACE, our panel also includes Colleen Sharp, ACE, Naomi Geraghty, Tom Fleischman, and Joseph DeBeasi.
As usual, we’ll be gathering after the screening in the @metrograph lobby for further conversation and community building.
We hope to see you!
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From our @acepresents_@metrograph screening of @timemovie , editor Gabriel Rhodes discusses pacing, moderated by Alex Keipper, ACE.
Watch the full Q&A at link in bio!
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🔗 Link in bio for the full Q&A!
From our @acepresents_@metrograph screening of Metropolitan, Christopher Tellefsen, ACE (@christophertellefsen ) discusses working with writer/director Whit Stillman. Moderated by Bobbie O’Steen (@bobbieloveseditors ).
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‼️ Tickets Now on Sale ‼️ Link in Bio ‼️
Not technically Adam Sandler’s debut as a leading man—that would, of course, be 1989’s Going Overboard—but the film in which the Sandman’s manchild screen persona emerged fully formed, Davis’s nonpareil masterpiece follows beer-swilling layabout scion of obscene wealth Billy Madison (Sandler) as he endeavors to prove himself capable of running the Madison Hotel chain by graduating grades 1 through 12 in a marathon sprint. Joining us for the screening will be editor Jeffrey Wolf, ACE, whose deft handling of the academic decathlon sequence would, in a just world, be as closely studied as Battleship Potemkin’s “Odessa Steps.”
Join us at the lobby bar afterwards for drinks and community-building! We hope to see you there!
‼️ Link to the full Q&A in bio ‼️
From our @acepresents_@metrograph screening of A Nightmare on Elm Street, Rick Shaine, ACE and Patrick McMahon, ACE discuss the art of crafting the perfect scare.
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‼️ Tickets on sale now ‼️ Link 🔗 in bio ‼️
For the fourth time in four years, Bobbie O’Steen (@bobbieloveseditors ) and Molly O’Steen (@osteenwiththemosteen ) are returning to Metrograph in NYC to discuss the editing work of the late Sam O’Steen. Our latest @acepresents_@metrograph is Cool Hand Luke.
Cool Hand Luke is a 1967 American prison drama directed by Stuart Rosenberg, starring Paul Newman in the title role. The cast also features George Kennedy, Strother Martin and Jo Van Fleet. The film is about a nonconformist convict in an early 1950s Florida prison camp who refuses to submit to the system. Sam O’Steen was the film’s editor.
Bobbie O’Steen is a New York-based writer and film historian, dedicated to sharing the editor’s invisible art. She is an Emmy®-nominated editor and the author of three acclaimed books. Cut to the Chase is based on interviews with her late husband and colleague, Sam O’Steen, filled with stories from the cutting room and behind the scenes on such landmark films as The Graduate and Chinatown.
Sam’s daughter Molly O’Steen is an accomplished New York City-based film and theater historian and educator who brings an entrepreneurial approach to the arts. She specializes in event curation and moderation, providing insightful historical context for films at venues like The Metrograph, in collaboration with the ACE. Molly serves on the Uptown Film Center's Leadership Committee as a Film Education Consultant, developing and implementing film education curricula. She has also written for CinemaEditor Magazine.
As usual, we’ll be gathering after the screening in the Metrograph lobby for further conversation and community building. We hope to see you!
From our latest screening of @acepresents@metrograph , editor Sabine Krayenbühl discusses My Architect, moderated by Joshua Handler of @theqandagency .
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From our latest screening of @acepresents_@vidiots , editor Frank J. Urioste, ACE discusses working with director Paul Verhoeven. Moderated by @joshethier , ACE.
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“A Citizen Kane-like meditation on whether anyone is truly knowable… [Kahn] shows off his dad’s buildings’ epic grandeur as well as their spiritual intimacy.” —New York Magazine
Estonian-born American architect Louis Kahn, whose life’s work includes a disproportionate number of masterpieces (Yale University Art Gallery, the Kimbell Art Museum, the First Unitarian Church in Rochester), is the subject of this penetrating Academy Award-nominated documentary by his son, edited with aplomb by Sabine Krayenbühl, later to become an accomplished nonfiction filmmaker in her own right.
@acefilmeditors present a screening of MY ARCHITECT on Friday, February 6th at 7:30pm, followed by a Q&A with editor Sabine Krayenbühl moderated by film educator Joshua Handler.