We are honored to send Beverly Buchanan’s 𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥 (𝘚𝘱𝘪𝘳𝘪𝘵 𝘑𝘢𝘳) from our collection in Austin, Texas, to Venice, Italy, for inclusion in the 61st International Art Exhibition “In Minor Keys,” curated by Koyo Kouoh.
On display together with works by 110 artists, this sculpture made of bottle caps, a Georgia license plate, ball bubble hair ties, shells, and other found materials glued onto a rusted tin can connects the lived-in landscapes of the U.S. South with art audiences from around the world.
Beverly Buchanan (1940-2015) was born in Fuquay, North Carolina. She explored history, memory, and place, particularly within the context of Black experiences. Influenced by memory jugs, which were left on unmarked African American graves — often with a watch or a piece of fabric from a person who passed away, Buchanan’s “spirit jars” burst with various things that she discovered in thrift stores. 𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥 (𝘚𝘱𝘪𝘳𝘪𝘵 𝘑𝘢𝘳), c. 2000, references long-term, evolving issues such as the Georgia-based company Coca-Cola’s historic relationship to both the Confederacy and desegregation.
On campus at UT Austin, AGBS stewards a growing permanent collection of 1300+ works of art and presents original, scholarship-backed exhibitions in multiple gallery spaces each year. Reaching new audiences with existing artworks is a central tenet of what we do.
Says Kaila Schedeen, exhibitions and collections manager, “AGBS’s mission is focused on highlighting the many interwoven realms of African Diasporic experiences for students, faculty, staff, and the public, who recognize our collections for a high caliber of intellectual inquiry, visual appreciation, and cultural care. Buchanan’s 𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥 (𝘚𝘱𝘪𝘳𝘪𝘵 𝘑𝘢𝘳), c. 2000, is an evocative example of a rigorous conceptual work that explores history through a modern/contemporary artistic lens, which is reflected throughout our holdings. Her work’s inclusion in La Biennale highlights the international scope of human experience represented across our collections.”
Biennale Arte 2026 is open to the public May 9 – Nov. 22, 2026.
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With thanks to
@andrewedlingallery