For the Win the Weekend Season 4 trailer, we wanted viewers to experience A pitstop like never before.
So we employed 120 FPS, A fog machine, ultrawide and Anamorphic lenses, and black-and-white cinematography to create images that are poetic and surreal.
Client: @imsa_racing and @michelinmotorsport
Crew: @jfmusial@frazer_spowart@_williambarber_
Editor: @_williambarber_
Post Production Supervisor: @sbombleitning
#wintheweekend #cinematography #autofilm #blackandwhitephoto #pitstop
For the Win the Weekend Season 4 trailer, we wanted viewers to experience A pitstop like never before.
So we employed 120 FPS, A fog machine, ultrawide and Anamorphic lenses, and black-and-white cinematography to create images that are poetic and surreal.
Client: @imsa_racing and @michelinmotorsport
Crew: @jfmusial@frazer_spowart@_williambarber_
Editor: @_williambarber_
Post Production Supervisor: @sbombleitning
#wintheweekend #cinematography #autofilm #blackandwhitephoto #pitstop
For the Win the Weekend Season 4 trailer, we wanted viewers to experience A pitstop like never before.
So we employed 120 FPS, A fog machine, ultrawide and Anamorphic lenses, and black-and-white cinematography to create images that are poetic and surreal.
Client: @imsa_racing and @michelinmotorsport
Crew: @jfmusial@frazer_spowart@_williambarber_
Editor: @_williambarber_
Post Production Supervisor: @sbombleitning
#wintheweekend #cinematography #autofilm #blackandwhitephoto #pitstop