Sujin Lim

@_sujinlim

Visual Artist Memories in Red @wavehill 2024-2026 @iscp 2025 Anonymous Was A Woman Environmental Art Grants @awaw.award
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Details from Sujin Lim's luscious and surreal botanical landscape "Memories in Red" in the Sunroom Project Space at Wave Hill. Opens Fri, May 1 (thru Sun, Jun 14). #SujinLim #MemoriesInRed #WaveHill #Bronx #NY #RugosaRose #Art #Nature #Culture #Place
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17 days ago
Sujin Lim's Sunroom exhibition "Memories in Red" has been included in Hyperallergic's Spring 2026 New York Art Guide. Thank you @hyperallergic ! "Lim’s takeover of one of Wave Hill’s sun-soaked galleries is a ruddy, dreamy vision that blends the lush gardens outside with the one depicted on the walls, and even one taking shape in your mind. The show’s defining red pigment was extracted from a particular rose whose journey mirrors that of the artist’s family, traveling from the shorelines of Yeongheung Island in South Korea, where her father was born, to the Hudson River, where this work unfolds." #SujinLim #MemoriesInRed #SunroomProjectSpace #2026 #WaveHill #Bronx #Art #Nature #Culture #Place
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2 months ago
Sujin Lim’s site-specific mural, painted in clay sourced from Yeongheungdo Island, connects the textures and architectural memory of Smack Mellon with the island in South Korea where her father grew up, which also features in her film. The film shows Lim painting on canvases staged over the post-industrial ruins of Yeongheungdo, rewilding the landscape with the help of her father's memories. Layered with the wall paintings, Lim’s work traverses between the psychological and ecological residues of post-industrial landscapes. Sujin Lim, Landscape Painting, 2019, HD Single Channel Video (31:40 min.) and wall painting with mud from Young Heung Island, 2025. “Remains to be seen," curated by Pallavi Surana (@pallavisuranaa ), is on view through July 27. Installation image, "Remains to be seen," 2025. Curated by Pallavi Surana. Images courtesy of Smack Mellon. Photos by Etienne Frossard @etienne_fro
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10 months ago
“Remains to be Seen”, curated by Pallavi Surana @pallavisuranaa , will be featured at Smack Mellon on June 14! Hope to see you there! :) ---------------------------- Posted @withregram@smackmellon Announcing “Remains to be seen,” our 2025 emerging artist summer group exhibition guest curated by Pallavi Surana! Opening Sat. June 14, 6-8PM. Featuring artists: Maia Chao & Fred Schmidt-Arenales, Yusuf Demirors, S. Emsaki, Sujin Lim, Jessica Maffia, Lucas Odahara, Yunfei Ren, Julia Standovar and Merry Sun. The exhibition brings together nine artists whose practices probe the afterlives of waste in relation to memory, ecology, consumerism, and identity. Through sound, sculpture, video, and ritual, the artists ask how we might engage waste not only as residue, but as witness. The exhibition unfolds across three thematic zones—absurdity and system failure, material and ecological memory, and ritual materiality—guiding visitors through overlapping constellations of rupture, residue, and renewal. Graphics by @furqanjawed_
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11 months ago
ISCP Spring Open Studios: ______ Join us on April 25 and 26 for Spring Open Studios, an international contemporary art exhibition by the artists and curators in residence from 26 countries 🌍 This year, we are honored to host curator Kate Fowle (@kate.fowle ) as a guest speaker. ISCP offers audiences access to private artists’ and curators’ studios where residents present recent projects, work in progress, site-specific installations and their archives to thousands of professionals and art enthusiasts from New York and beyond. This spring, we invite you to engage in dialogue around contemporary art with arts professionals from across the globe! 📌Opening reception: Friday, April 25, 6–9pm ⏰Open Hours: Saturday, April 26, 1–6pm 📍1040 Metropolitan Avenue, Brooklyn Poster Design by Erika Wentworth ______ #artistinresidency #openstudios #nycartists #nycart
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1 year ago
<Oil Painting> is on view at the Brooklyn Artists Exhibition at the Brooklyn Museum (@brooklynmuseum ) until this weekend. ------------------------------------------ The Brooklyn Artists Exhibition 'Uniting more than 200 artists living in and honing their craft in our beloved borough, this exhibition highlights the remarkable creativity and diversity of Brooklyn. We’re proud to welcome you to this special exhibition that honors the Museum’s tradition of amplifying voices from every corner of our community on the occasion of our 200th anniversary. The Brooklyn Artists Exhibition is on view through January 26, 2025. Plan your visit and learn more about the exhibition through the link in our bio. Sponsored by UOVO (@uovo.art , @uovo.fashion , @uovo.wine )' ------------------------------------------ Photo 01, 02, 03 by Yi Hsuan Lai @flaneurshan.studio #BkM200 #BrooklynMuseum #OilPainting #Landscape
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1 year ago
The exhibition 'The Land, Dark and Muddy' will be on view until February 7th, 2025. I hope to see you at "The Land, Dark and Muddy: Sujin Lim in conversation with Cody Ann Herrmann and Melinda Lang," taking place on Tuesday, January 28th, at 6:30 PM at ISCP, New York. ____________________________________ Join us on Tuesday, January 28 from 6:30–7:30pm for ‘The Land, Dark and Muddy: Sujin Lim in conversation with Cody Ann Herrmann and Melinda Lang' Held in conjuction with our current exhibition ‘The Land, Dark and Muddy,’ artist Sujin Lim (@_sujinlim ) will present her ongoing project exploring the vanishing landscape of the small fishing island of Yeongheung in South Korea, a place transformed by commercial and industrial development and changing tidelines. Lim has invited artist and community organizer Cody Ann Herrmann (@americanbabe ), to speak with her about the impacts of wide-scale development in coastal environments, focusing on parallels between Yeongheung and New York City. They will also discuss some of the current efforts to restore and protect vulnerable ecosystems in urbanized areas today. The conversation will be moderated by exhibition curator and ISCP’s Director of Programs and Exhibitions Melinda Lang. ____________________________________ Photo by Yi Hsuan Lai @flaneurshan.studio @NYCulture @nyscouncilofthearts @thehartfieldfoundation #nycexhibition #nycart #artexhibition #nycartists #landscapepainting #landscape
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1 year ago
ISCP Fall Open Studios will be held on November 15th and 16th: Opening reception: Friday, November 15, 6–9pm (guest speaker: Larry Ossei-Mensah, Curator and Co-Founder of ARTNOIR (@larryosseimensah )) Open Hours: Saturday, November 16, 1–7pm @iscp_nyc 1040 Metropolitan Avenue, Brooklyn ______ #iscpfallopenstudios #artistinresidency #internationalresidency #nycartists #nycart
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1 year ago
Posted @withregram@iscp_nyc “No landscape is ever neutral. Each one has multiple layers of history, interpretation, and importance. ‘The Land, Dark and Muddy’ is about unearthing the social and political contexts embedded in the landscape and reinterpreting them by posing the following questions: Who has the authority to reshape a landscape? Who are the people affected by those changes?” Opening tomorrow, October 22, from 6–8pm at ISCP, ‘The Land, Dark and Muddy’ features an immersive installation by Sujin Lim that reflects on a landscape transformed by industrial and commercial development. Anchored by two large-scale wall murals, the exhibition is part of Lim’s ongoing research into the rapidly changing environment of Yeongheung, a remote fishing island in Incheon, South Korea, where her father grew up. Over the past 30 years, the island has undergone dramatic environmental changes due to development and shifting tidelines, stark signs of climate change. Lim reimagines the lost landscape through two wall paintings created with mud from Yeongheung, stenciled text from a conversation with her father, and a video of her painting performance. In ‘Landscape Painting’ (2019), Lim places a large canvas in front of the scene she portrays, obscuring modern construction and infrastructure to reimagine the island’s original landscape, as recalled by her father and other residents. Alluding to the tradition of landscape painting, Lim’s work poignantly captures a seaside that now only exists in memory. Click the 🔗 in our bio to learn more. On view through February 7, 2025. ___ @NYCulture @nyscouncilofthearts @thehartfieldfoundation #nycexhibition #nycart #artexhibition #nycartistservices
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1 year ago
My solo exhibition, “The Land, Dark and Muddy,” opens next Tuesday, October 22nd, at the ISCP in New York. Please stop by between 6 and 8 p.m. to see my new installation. Posted @withregram@iscp_nyc The International Studio & Curatorial Program (ISCP) is pleased to present ‘Sujin Lim: The Land, Dark and Muddy,’ a solo exhibition by Sujin Lim (@_sujinlim ) that offers a poetic tribute to what has been lost and what still remains. Join us for the Opening Reception on Tuesday, October 22, from 6–8pm. Anchored by two large-scale wall murals, ‘The Land, Dark and Muddy’ extends from the artist’s ongoing research on the rapidly changing environment of the remote fishing island of Yeongheung in Incheon, South Korea, where her father grew up. Over the past 30 years, Yeongheung Island has experienced dramatic environmental changes due to development and shifting tidelines, markers of climate change. A 1994 tide embankment increased water flow, wiping out marine habitats, while a bridge built for a power plant polluted the sea and altered the landscape. Lim reimagines the lost land through two wall paintings made with mud from Yeongheung, stenciled text of a conversation with her father, and a video of her painting performance. In ‘Landscape Painting’ (2019), Lim positions a large canvas in front of the site she depicts, allowing her to obscure the island’s modern construction and infrastructure and superimpose the original scenery, as recollected by her father and other residents. Playfully alluding to the landscape painting tradition, Lim’s compositions poignantly capture a seaside that now only exists in memory. Click the 🔗 in our bio to learn more. On view through February 7, 2025. ___ Image: Sujin Lim, ‘Landscape Painting,’ 2019, HD single channel video, 31:34 min @NYCulture @nyscouncilofthearts @thehartfieldfoundation #nycexhibition #nycart #artexhibition #nycartists
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1 year ago
LANDSCAPE PAINTING Sujin Lim #SujinLim #landscape #landscapepainting #Young-Heungisland #scenery #mudland #visualart #contemporaryart #publicspace #publicart #performance #video #painting
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2 years ago
OIL PAINTING Sujin Lim #SujinLim #landscape #crudeoil #oilpainting #albalad #visualart #publicspace #performance #sitespecificartwork #video #photography
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2 years ago