interrogating the relationship between african fashion, global recognition, and local accessibility & the growing question of who truly benefits from its expansion.
link in bio for full story. đź”—
there’s a different kind of responsibility that comes with writing about someone’s work when it’s this personal. this piece on Jessica Ajuyah’s (@euqinhcet.wk ) 'The Shape of Memory' was more than just a review—it was a process of listening, understanding, and translating something deeply personal into language. over a series of conversations, we spoke about memory as something fluid, “mumbled,” and constantly reshaped by experience. what stood out most wasn’t just the work itself, but the intention behind it; the care, the clarity, and the quiet confidence in how she approaches her practice. grateful she trusted me to engage with her work in this way and to tell this story with the depth it deserves. would love for you to read it.
the piece is now live on Africanah.org or link in bio đź”—
Released at the tail end of summer, @dannysinqh ’s latest album, MAN OF THE YEAR, is a project that further tests how far Punk&B—the sound he coined—can stretch. But Singh’s artistry has never been about chasing trends. Whether pulling from his Guyanese roots or his Queens neighborhood, his sound is as intentional as it is experimental.
MAN OF THE YEAR is Singh betting on himself and inviting listeners to witness the leap with a sharpened Punk&B blueprint into something more expansive and immediate.
Photography by @ryderlee
Read the full interview at the link in our bio and 1202magazine.com!
