NYC photo dump: the best of times with the best people. We did our show in a cool theatre with cool history; fanciest and funnest opening night ever, I celebrated a big birthday, ate lots of food I’d seen on TikTok, read a lot of Jung, saw many shows and much art. Feeling full and proud. Who knew when I left NYC I’d be returning less than ten years later with a show we made in NZ (@occasionaldrawl thank you thank you @karinlindsay ♥️ forever) life is a roller coaster just gotta ride it.
PS these guys run another week so if you’re in NYC and haven’t seen Heartbreak Hotel hop to it!!
So special to perform Heartbreak Hotel this week at @theatreroyalnelson - the oldest working wooden theatre in the Southern Hemisphere! Built in 1878 and restored and reopened in 2010, it’s one of my favourite theatres I’ve worked in. Thank you @nelson_arts_festival !
Also pictured some iconic honeys I feel privileged to work with, love you @karinlindsay@learysimon@parkarstan & Mel Hamilton x
Venezia Grid Post featuring some official red carpet photos! Truly an incredible experience to show our short film GIRL TIME at the 82nd Venice Film Festival as part of a special tribute to A Wave in the Ocean. What a beautiful culmination of a three year filmmaking journey.
Photos 1-3 Andrea Avezzù. Courtesy La Biennale di Venezia
Photo 4 Aleksander Kalka. Courtesy La Biennale di Venezia
Photo 6 Jacopo Salvi. Courtesy La Biennale di Venezia
@labiennale #venezia82 #biennalecinema2025 #janecampion #labiennaledivenezia #biennaleCinema #girltimefilm
★★★★★ 'Heartbreak Hotel is one of the best productions I've seen all year.' (Time Out)
...and we couldn't agree more👏
The high praise for Heartbreak Hotel continues to pour in, and luckily for you, there's still a chance to catch it at ours tomorrow.
Tix in bioooo
GIRL TIME is going to have its World Premiere in Official Selection at the 82nd Venice Film Festival. I am beyond honored to be part of @labiennale and thrilled to be presented alongside the other A WAVE IN THE OCEAN films in a special tribute screening.
Thank you to Jane Campion, Philippa Campbell and @netflix for the opportunity to go to movie school and be in touch with a deep new well of creativity and formal exploration.
A huge thank you and congrats to all our amazing collaborators and everyone who has supported this film.
Cast | Amanda Tito, Camille Lane & Rosa Glennie
Director & Writer | Eleanor Bishop
Producer | Letisha Tate-Dunning
Executive Producers | Jane Campion & Philippa Campbell
Cinematographer | Tammy Williams
Editors | Eleanor Bishop, Gretchen Peterson
Production Designer | Kate Logan
Costume Designer | Sarah Bell
Post-Production Facility | Park Road Post Production
Colourist | Mike Newell
Re-Recording Mixer | Michael Donaldson
Sound Editorial | Simon Riley, Jeremy McLean
Music | Victoria Kelly
Casting Director | Tina Cleary
Child Acting Coach | Tess Jamieson-Karaha
Intimacy Co-ordinator | Bree Peters
Camera equipment | Imagezone
+ so many more amazing crew, of which there are too many to list!
📷 1, 2 & 4 by @tammy_williams_nz & 📷 3 by @rebeccamcmillanphotography
#BiennaleCinema2025 #Wellington #JaneCampion #Venezia82 #LaBiennaleDiVenezia #BiennaleCinema #girltimefilm
For the young hearts, old hearts, and broken hearts - we’re coming to @sohotheatre London for one week only. Ticket link in bio. Can’t wait to see you. 🇬🇧💒
⭐️⭐️⭐️⭐️⭐️ TimeOut Melbourne
⭐️⭐️⭐️⭐️ The Scotsman
⭐️⭐️⭐️⭐️ The Telegraph
I’m in Naarm / Melbourne for the next two weeks here to do this funny and beautiful @ebkmco show at @rising.melbourne . We open Tuesday and are on until 22 June. Feels nice to be back in theatre land xxx tix link in bio but they’re going fast #RISINGMelbourne #RISING2025
Gold pin for Gravity & Grace at the Best Design Awards a few weeks ago 🏅
“The presence of technical creative storytelling on stage is revealed beautifully through the art form with a design approach that is brave, persuasive and visually immersive.” - Judges’ comments
So honoured to work with Meg Rollandi (performance design), Owen McCarthy (video design), and Rob Larsen (lighting design), as well as the rest of the team who shepherded this work into existence. 👽
Girls & Boys
By Dennis Kelly
Performed by Beatriz Romily
Directed by Eleanor Bishop
Set & Costume Design: Tracy Grant Lord
Lighting Design: Filament Eleven 11
Composer: Victoria Kelly
Sound Design: Te Aihe Butler
Mime Direction: Barnie Duncan
Stage Manager: Lucie Everett-Brown
🎟️ Book now at atc.co.nz
🎭 @aucklandtheatreco presents Girls & Boys by Dennis Kelly
📅 Two weeks only! | On until 22 Sep
📍 ASB Waterfront Theatre
Gravity & Grace has been named a finalist in the Designers Institute of New Zealand Best Awards 2024, a rarity for theatre productions. So proud of our whole team, notably the incredible Meg Rollandi (performance designer), Owen McCarthy (video designer), Emi Pogoni (music and sound designer), Rob Larsen (lighting designer), Rachel Neser (video programmer and technician), Melanie Hamilton (producer) and Natasha Thyne (stage manager). Many thanks to Natalie Bishton who assisted Meg in the creation of the Design Awards spread, which can be viewed in full at the link in our bio. Be in touch if you want to know more about future presentations of Gravity & Grace.
Thanks go to @creativenz@aotearoanzfest and @aklfestival for the support in development and presentation of this work. 👽 📸 by @andicrownphotography
