𝔜𝔲𝔨𝔞🎾🎱𝔇𝔦𝔰𝔠𝔦𝔭𝔩𝔦𝔫𝔢

Holding a feeling like restless parenting toward my practice. I spent last year touching the pressure inside the deep vacuum tubes within myself, wondered where it comes from and headed. What I dropped along the way to pick up what I now hold, embrace both now integrated beyond form. 📷 by Viraaj

🪼𝓐𝓭𝓻𝓲𝓯𝓽 𝓔𝓬𝓱𝓸💍 𝒜 𝓁𝑜𝓈𝓉 𝓈𝑜𝓊𝓃𝒹 𝒹𝓇𝒾𝒻𝓉𝓈, 𝒻𝑜𝓇𝑔𝑒𝓉𝓉𝒾𝓃𝑔 𝓌𝒽𝑜 𝓂𝒶𝒹𝑒 𝒾𝓉. 𝐼 𝒻𝑜𝓁𝓁𝑜𝓌 𝒾𝓉𝓈 𝒻𝒶𝒾𝓃𝓉 𝓉𝓇𝑒𝓂𝒷𝓁𝒾𝓃𝑔, 𝓊𝓃𝓉𝒾𝓁 𝐼 𝒷𝑒𝒸𝑜𝓂𝑒 𝓉𝒽𝑒 𝓆𝓊𝒾𝑒𝓉 𝒾𝓉 𝓁𝑒𝒶𝓋𝑒𝓈 𝒷𝑒𝒽𝒾𝓃𝒹

🌬️𝓑𝓻𝓮𝓪𝓽𝓱𝓲𝓷𝓰 𝓫𝓵𝓮𝓮𝓭🫁 𝒜 𝒷𝓇𝑒𝒶𝓉𝒽 𝓉𝒽𝒶𝓉 𝓈𝓅𝒾𝓁𝓁𝓈, 𝓁𝒾𝓀𝑒 𝒻𝓇𝒶𝒸𝓉𝓊𝓇𝑒𝒹 𝑔𝓁𝒶𝓈𝓈 𝒾𝓃 𝓉𝒽𝑒 𝓁𝓊𝓃𝑔𝓈. 𝐸𝒶𝒸𝒽 𝒾𝓃𝒽𝒶𝓁𝑒 𝒸𝓊𝓉𝓈 𝓉𝒽𝑒 𝓈𝒾𝓁𝑒𝓃𝒸𝑒, 𝑒𝒶𝒸𝒽 𝑒𝓍𝒽𝒶𝓁𝑒 𝓈𝓉𝒶𝒾𝓃𝓈 𝓉𝒽𝑒 𝒶𝒾𝓇. 𝒯𝒽𝑒 𝒷𝑜𝒹𝓎 𝓇𝑒𝓂𝑒𝓂𝒷𝑒𝓇𝓈 𝓌𝒽𝒶𝓉 𝓉𝒽𝑒 𝓈𝑜𝓊𝓁 𝒸𝒶𝓃𝓃𝑜𝓉 𝒽𝑜𝓁𝒹.

🫗𝓟𝓾𝓵𝓼𝓲𝓷𝓰 𝓓𝓻𝓲𝓹🍷 𝒜 𝓅𝓊𝓁𝓈𝑒 𝓊𝓃𝒹𝑜𝓃𝑒, 𝒻𝒶𝓁𝓁𝒾𝓃𝑔 𝓉𝒽𝓇𝑜𝓊𝑔𝒽 𝓉𝒽𝑒 𝑔𝓁𝒶𝓈𝓈. 𝐸𝒶𝒸𝒽 𝒷𝑒𝒶𝓉 𝒹𝒾𝓈𝓈𝑜𝓁𝓋𝑒𝓈, 𝒷𝑒𝒸𝑜𝓂𝒾𝓃𝑔 𝒶 𝓆𝓊𝒾𝑒𝓉 𝒹𝓇𝑜𝓅 𝓉𝒽𝒶𝓉 𝓃𝑒𝓋𝑒𝓇 𝓇𝑒𝒶𝒸𝒽𝑒𝓈 𝓉𝒽𝑒 𝑔𝓇𝑜𝓊𝓃𝒹. How does an inorganic mind explain the idea of a pulse.

- 🥛Winter Art Market by @notagallery_art 🥀 Final pop-up of the year. All @_est.dscpl_ titles on the table. 6–7 December | 12–7pm 🌹NOTAGALLERY Friedrichstraße 210, 10969 Berlin If you had missed out this year, don’t blow this chance📕 Entrance: 5€ Ticket is in the link in bio.

- @boundartbookfair @whitworthart @_est.dscpl_ 📘🤍

- "Delusive boundary on a bay window swamp" Inspired by the lotus swamp of Izunuma-Uchinuma in Miyagi Prefecture, Japan, this mirrored lotus, reminiscent of the swamp itself, transcends human perceptions of blooming. In the space where the dissolving horizon of a cloudy sky merges with the mud-colored depths of the swamp and all boundaries disappear, the lotus simply exists in silence. Its pale pink petal veins resemble pulsing blood vessels—fragile, yet vital. By encompassing the emulsification of boundaries and the paradox of momentary persistence, the form possesses a quiet dignity and eathereal beauty of nature, a presence at once timeless and impermanent. It transcends what is seen and known, dissolving the very edges of perception and recognition. The piece is positioned within the vertical section of the bay window and at the intersection of the window and bay window, creating a seamless integration with the architectural space. acrylic on canvas print, acrylic mirror boad, wood 60×120×35cm Production by @adamayevilo

- You can find "OBJECT" & "OBJECTION" in stores now 🪨🥛💙 *Both edition available Ireland: @tlp_says * UK: @good_press @burninghousebooks @ayeayebooks @unitomstore @whitechapelgallery_books @kindred_ldn @bookspeckham Belgium: @rile.books Head to @_est.dscpl_ online store for worldwide shipping and E-books at @applebooks 📘🌐 Link in Bio🤍

- Recap from "OBJECT / OBJECTION" Launch Pop-Up @oriberlin 🪨🫂🪞 Still feels surreal fearless, releasing this bunch of archive and their digital extensions after 7y since my last release, during such a chaotic incubation period of life time. Through paint fluid and brush to tip of fingers, I tried to reach out for something common minimal unit, a topic that could connect to a kind of universal physicality, obvious to anyone, anywhere on this planet E. Thank you @madebyceleste for all the helps! Huge love for y'all who came by and took the copy in your hand 📘🤍 Talk to soon in the next issue.

- 🪨OBJECT / OBJECTION - Launch Pop-Up📘 Canvas fabric installation Featuring painting from the book + Drink on the opening🥛🍸 13th Fri. - 15th Sun. of June @oriberlin Friedelstraße 8, 12047 Berlin - 13th Fri 🫖 Opening : 19-23 - 14th Sat & 15th Sun : 12-19 Since the space is limited, recommend to come earlier on the opening🤍 Drop by to grab a copy📘🫂

- 📘New Release Upcoming🤍 Available in two distinct print editions, having a title for each that calls to each other "𝗢𝗕𝗝𝗘𝗖𝗧" and "𝗢𝗕𝗝𝗘𝗖𝗧𝗜𝗢𝗡" with risograph print cover sleeve, launching on the 13th of June🪽 𝗢𝗕𝗝𝗘𝗖𝗧 / 𝗢𝗕𝗝𝗘𝗖𝗧𝗜𝗢𝗡 draws from Yuka Kobayashi’s 2020–2024 painting archive. The title reflects duality: object as form, objection as resistance—positioning painting as both archive and argument. With a minimalist approach and “non-colors,” Kobayashi reveals each work’s structure. “Removing the color information allows us to consider the anonymity and fascination of intention projected onto the canvas through a monochrome mask, and to re-evaluate the relationship between color and the intention behind it in the painting.” Stripped to their “skeletons,” the paintings become records of presence and motion. “Painting can be a recordable medium for transcription of body movement which traces how we exist on this world.” By digitally extending textures, the works transcend flatness, inviting viewers to see painting as a living, shifting form that challenges perception Description by Louise des Places @louisedesplaces Risograph Print Cover Sleeve Printed by Colorama @coloramaprint Publishing by St. DISCIPLINE @_est.dscpl_ Soft cover 117 Pages 148×210 mm Black-and-White Printing Image *Identical content to both edition 📘Pre-order available at - @_est.dscpl_ Online store - E-Book(regular edition) at APPLE BOOKS Delivery starts from the 16th of June 🐦Link in Bio🪽 Slide 3: "OBJECTION" - Limited Edition 25 copies with Risograph Print Cover Sleeve White background for inside page Slide 4: "OBJECT" - Regular Edition light blue background for inside page Slide 10: Where these paintings time traveled from 5y ago, I feel the room still is storing the empty device myself filled up with this aimless transcription somehow.

- What began 13 years ago as a hand-bound zine was merely an outlet to document what was unfolding inside and around me. Over time, I realized that no experience in the living moment could surpass the retrospective process of imagining and filling in the blanks of what I had forgotten, as reflected in my previous title. Even when I stepped away from documentation to explore more "creative" themes, they still felt like compensations for something missing in reality, never sufficient to leave a lasting form. And yet, whether fiction or nonfiction, when something that began as a documentation of my own experience to realize by myself, takes shape and finds its way into someone else's hands. The act of turning the pages creates a moment where personal introspection is quietly shared. In that vacuum tube of that connection, an intimate dialogue with the world begins. That space, that form of dialogue, is perhaps my tradition of feedback practice on this planet, a modality engaging with the world and something my own lore I carry forward to future. In this upcoming release, I personally delve the dynamics of own body as a living vessel and the will that resides within it, reflected on the act of drawing. This is not to mend something fallen from oblivion, nor a way to frame events to set destination. Ultimately, I feel that I have touched upon something universal and enduring, which is never directed toward any specific individuals, as I pursue this journey as a life being on this planet.