Running a design studio should feel different than this.
The projects are there. The talent is there. But pricing feels like a guess, cash flow feels unpredictable, and somehow a full roster still doesn't add up the way it should.
I spent 15 years inside some of the most awarded design practices in the world — rising to VP and Design Director — learning exactly how profitable studios are built. Then I took everything I learned and built my own.
Now I work with interior design studio owners who are done running their business on instinct alone.
Pricing. Profit. Cash flow. Client management. Workflows. Everything it takes to run a practice that's as strong on the inside as the work you put out.
That's what Design & Practice is here for.
If this is the account you didn't know you needed — follow along. Everything is in the bio when you're ready.
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My clients say some version of this all the time:
“My studio is booked… so why does profit still feel inconsistent?”
They’re not lazy. They’re not bad at business. And they don’t need more hustle.
What they usually need is what profitable firms already run on: clear targets, clean scope control, and cash timing that protects the work.
Because booked just means you sold the work.
Profit means you actually keep money at the end of it.
Here are the three places I see profit quietly disappear in small interior design studios:
If you’re an interior design studio owner and any of that hit, save this Reel. It’s the kind of reminder you want before your next proposal, presentation, or change request.
I teach the structure behind profitable, calm design studios, the same operating principles used inside high-performing firms. If you want to find your biggest leak fast, DM me PROFIT and I’ll send the 8-minute audit. #interiordesignbusiness #interiordesignstudio #interiordesignerbusiness
Most designers think the answer is more clients.
It isn’t.
If your fee structure doesn’t start from a profit target, more projects just means more of the same problem at higher volume.
Profitable studios are not built by staying busy. They’re built by knowing exactly what a project needs to earn before it starts, and building the fee to match.
That’s not a mindset shift. It’s a structural one.
When fee architecture is right, the math works on the first project. Not after you’ve taken on six and hope something averages out.
Save this as a reminder: revenue and profit are not the same thing. One measures what came in. The other measures what the structure was designed to hold.
If you want to see where your studio’s fee structure is losing ground, the Profit Leak Audit in my bio will show you. Free, focused, and built specifically for interior design studios.
Drop “structure” in the comments if this reframe landed for you.
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#designstudiomanagement
A few weeks ago I shared a case study from a 4-person studio.
Full month. Four projects. Happy clients. Calendar packed.
And still — 68 hours that never got billed. $11,900, gone.
The hardest part? Nothing dramatic happened. A few extra revisions. A tile swap after the PO. A site visit that wasn't quite in the contract. A coordinator question the principal answered at 9pm.
Each one felt small. Together they ate 37% of the month's revenue.
Part 2 is the fix.
Not "raise your rates." Not "set better boundaries." Just four small structural moves — written into the scope, the policy, the fee structure, and one studio standard — that close each leak for good.
The fees weren't too low. The structure was too loose. Once the structure tightens, the design gets to lead again.
If you've ever finished a busy month and felt the math didn't quite add up — comment 🔍 below. You're not alone, and it's not a "you" problem. It's a structure problem. And structure is fixable.
Want this diagnostic for your own studio? DM PROFIT and I'll send the Profit Leak Audit.
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Pricing from a feeling is not a pricing strategy.
Most designers were never taught how to build a fee. So they price from what feels reasonable. From what the client might accept. From hope the project won’t run long.
A fee is built from three things. Your studio’s owner pay. Your overhead. Your profit.
Built in from the start. Not hoped for at the end.
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The moment most designers start feeling underpaid isn’t during concept.
It’s after the client says, “Yes.”
That’s when the real work starts.
Inbox threads. Vendor follow-ups. Approvals. Order checks. Timeline shifts. Fixing the thing that arrived wrong. Solving the surprise that showed up on site. Keeping the project moving when everyone else is waiting on someone else.
And for a lot of interior design business owners, none of that work is priced.
Not because you don’t work hard.
Because “coordination” and “project management” often live in the gray space. It’s not quite design, so it gets folded in and quietly absorbed.
But it’s still labor.
It’s execution work.
It protects the outcome. And it should protect your profit.
If your proposal only prices “design,” you end up being the buffer for everything, for free.
Save this before your next proposal and add a clear coordination or PM fee line, even if you keep it simple. One line can change how profitable the whole project feels.
#interiordesignbusiness #interiordesigner #designstudio#interiordesignbusinessmentor
Install day chaos usually starts before anyone carries a box inside.
It’s the gap between what the client expects and what install actually is.
They think “reveal.”
You’re still placing, adjusting, troubleshooting, coordinating.
And if they walk in mid-install, the energy shifts fast. Everyone performs. Decisions get made live. Scope starts moving.
That’s why I set one expectation before install day, in writing.
“Install day is a working day. Your reveal is tomorrow at 10am.”
It calms the room.
It protects the client experience.
And it keeps install from turning into a day of unpaid revisions.
This is Install Day Standards, Part 1: client expectations.
Save this for your next install week.
Comment PROTOCOL if you want the full install-day email outline I send clients.
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I used to think being “responsive” was part of good client experience.
So I replied fast. Nights, weekends, between meetings.
And you know what happened?
Clients started expecting it.
Not because they were difficult.
Because I accidentally trained them.
If you’re an interior design studio owner, this is one of the easiest ways to lose your time and your focus, without noticing until you’re fried.
What changed everything for me was making response time a studio standard, not a mood.
If your phone has been running your studio lately, save this. You’ll want it before your next onboarding email.
If you’re building a calmer, more premium interior design business, follow along. This is what we do here: simple systems, strong boundaries, smooth delivery.
#interiordesignbusinesscoach #interiordesignbusiness #interiordesignstudio
Most interior designers think a profitable studio is about working harder, charging more, or holding firmer boundaries.
It isn’t.
Profitability is structural. And when the structure is off, no amount of hustle, rate hikes, or willpower will fix it.
Here are the three myths quietly keeping your studio from the margins it should be running:
→ Booked doesn’t mean paid. A full calendar hides a broken fee structure.
→ Your design fee isn’t the issue. The profit leaks live in the unpaid work: revisions, emails, follow-ups, scope creep.
→ Boundaries aren’t a personality trait. Standards hold the line. Not willpower.
The studios running healthy margins aren’t tougher, busier, or more expensive. They’re built differently.
If any of this landed, your next step is the Profit Leak Audit, a free diagnostic that shows you exactly where your margins are disappearing and what to tighten first. DM ‘PROFIT’.
#interiordesignbusiness #interiordesignstudio #interiordesignmentor
The week opens up when decisions stop routing through you.
Not because you're doing less, but because the studio finally knows who owns what. Four lanes, clear edges, written down. That's the difference between a team that waits and a team that moves.
Swipe for the map.
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The reason hiring didn’t buy you the time you expected.
Capacity isn’t a headcount problem. It’s a decision rights problem. Until the rules are written down, every approval still routes back to you, and the team you hired to create room ends up waiting on yours.
Save this for the next team meeting.
#interiordesignbusinessmentor #designstudioowner #interiordesignbusiness
When I ran my own studio, there was a moment I still remember.
A client sent “one tiny tweak” at 9:14 p.m.
I told myself I’d handle it fast so we could keep momentum.
Except it wasn’t one tweak.
It was a new layout idea.
Then a new finish direction.
Then a “while we’re here” change to lighting.
And suddenly I was back in the same place a lot of owner-led studios end up: busy, behind, and doing unpaid work to keep the peace.
For a long time, I thought the problem was the client.
It wasn’t.
It was that my contract didn’t protect the work.
If revisions are stretching your timeline and squeezing your margin, here’s the shift:
You don’t need to get tougher. You need revision controls.
In today’s carousel I’m sharing 3 revision controls I use to help interior design studio owners:
reduce scope creep without drama
keep client communication clear
protect profit in design phases and procurement
run a calmer, more sustainable studio
If you’ve been thinking, “I’m booked, but the profit isn’t there,” start here.
Save this if you want to copy the clauses and scripts later.
And comment “REVISIONS” and tell me where it breaks down most for you: concept, selections, or after approval?
If you want support installing these controls into your studio operating system (contract language, boundaries, client experience, the whole thing), send me a DM.
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