Cursed Returns:
Explore the experimental corner of Drum and Bass in Berlin on 10/04, back in our secret location (telegram link in bio)
@karakapybara co-founded and runs
@hng.picnics.brln Picnics, and is also involved with
@angel.audio.soundsystem , a sound system project working to grow sound system culture in the city.
Whether it’s jungle and breakbeat hardcore or ghetto house and juke, her sets revolve around unapologetic, booty shaking dancefloor joy.
Rooted in the lineage of Chicago club music, her selections connect ghetto house, juke and footwork with UK traditions like garage and jungle, bringing a playful, high-energy approach that keeps things loose and fun.
Join
@rabbigrn in his hunt for the most powerful, spiritually resonating sub frequencies. His obsession with powerful basslines translates into experimental, mind altering and high energy performances blending ambient music with drum and bass and other adjacent genres.
Badman Bohm is a Berlin DJ and producer who is deeply rooted in the bass music scene of the capital. If you had to describe his style, it would be a journey into the dark and atmospheric abysses of electronic music. He is a veteran of the Berlin bass underground, who perfectly embodies the vibe of dark basements and powerful sound systems. He is more of the "connoisseur" type for people who like it deep, dark and authentic.
@mronline007 showcases low end driven dance music that breaks the barrier between club standards and experimental noise. A journey through the 140-180 bpm range will shift between overwhelming power and blitzing speed.
Twisting breaks & breaking basslines
@______syrup will be throwing down some tracks that explore the bass spectrum. expect some thick sweetness on the dancefloor.
@chudysyn SCRAG. - start a DJ since 2018, run a club, still looking for own style and he can play anything and with anyone. It surprises with unconventional solutions while playing, to listen, you usually have to come in person because the recordings disappear in the depths of the afterparty.