Showreel 2025 – A snapshot of the work I’m most proud of from the past year. From concept to execution, each project tells its own story and represents a step forward.
#showreel #videography #berlin
High-End Videos fĂĽr Konzerte, KĂĽnstler:innen, Ensembles, Festivals und Kulturprojekte.
Von atmosphärischen Live-Mitschnitten bis zu cinematic Social Content entsteht Videomaterial, das Bühne, Klang, Raum und Emotion sichtbar macht.
Für Auftritte, Releases, Konzertreihen und kulturelle Projekte mit Anspruch an Bild, Wirkung und Atmosphäre.
Following five episodes with leading female voices from the global classical and art music field, we knew the finale of season 1 had to be special. How can we best follow up the voices of Victoria Dietrich, @jessicaphillipsclarinet , @aubreybergauer , Deborah Rutter and @alexdariescu ?
By doing it live with the entire Classical:NEXT community, on-site in Budapest at the thirteenth edition.
Instead of the regular deep dive, we wanted to hear from people about the hot topics, ideas and statements from this year’s conference. So, David Taylor made this episode into more of a show, with four amazing guests and live voting from the Classical:NEXT audience. The panel featured:
Chris Lloyd, Classical Music Journalist & Pianist
Jamie Njoku-Goodwin OBE, Founder of JNG Advisory
Nathaly Ossa Alzate, Social Impact and Cultural Manager
Susanne Szambelan, Cellist and C:N 2026 Showcase Artist
Listen to it now: https://lnkd.in/dY_rupEh
#ClassicalNEXT2026 #Podcast #Live #ClassicalMusic #ArtMusic Budapest
Filmed by @421.creative
A look at our Into The Open 2025 interview setup. We used Nanlite Pavotubes to add color and depth to the background.
đź“· @wetzlington_photo
#behindthescenes #videographer #interviewsetup #lightingsetup #nanlitepavotube #tubelight
Mount Teide is the kind of place that reminds you why you picked up a camera in the first place. On Tenerife the landscape shifts from raw volcanic textures to endless Atlantic horizons.
#travelvideography
Timeline breakdown. Fast cuts. Pure tension.
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This edit lives from rhythm. Every cut follows the sound, every silence hits harder. The concert becomes texture, not memory.
Sound design is the main character here.
Built frame by frame in Adobe Premiere – no templates, no presets.
🎧 Headphones recommended
đź“Ś Save if sound drives your edits
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Audio layers built from @ocular.sounds
reworked for pacing and impact.
