33

RESET THE FEELINGS 1/1 🔐3️⃣3️⃣🔐 STRANGERS is a collection of unique 1/1 works on Ethereum. Shaped through scanned hand-painted materials and generative processes, the series unfolds across visual, textual, and conceptual dimensions. The project also extends beyond the screen as part of its broader structure. What first appears strange gradually reveals itself as something intimate and familiar. This contract brings together all works released as part of STRANGERS in 2026. @skygolpe #skygolpe #strangers #art

COMING SOON 🔑 #33 #art

Hand drawn 33 𝖋𝖆𝖈𝖊 w customized audio 2022 Artist: @2manyhits #latch #2manyhits #art #33day

We are not prepared for the future @beeple_crap Regular Animals Welcome Zuck 1/2 to the 3️⃣3️⃣ collection 🙏 Let’s see where we go next 🦾🦾 This project reinterprets the legacy of pop portraiture, sculpture and generative art through the lens of technology. Each robotic humanoid is not simply a static object but a fluid digital canvas who’s eyes and ethos we see the world through—its memories captured, reimagined and preserved on the blockchain adding the ever expanding global data set that future AI will be trained on. While today we command and control these mechanical companions, our collectively evolving digital/physical identities combined with advances in robotics and AI hint at a future where the roles may reverse, suggesting a paradigm in which these entities develop their own agency, perhaps over us. This work probes the tension between control and autonomy, permanence and transformation, inviting us to reconsider the boundaries of art, identity, and the very nature of our relationship with technology. #beeple #art #artbasel #miami #regularanimals

Quine #4 @larva_labs @artblocks_io Chrome: RS Code: Subliminal Engine: Glyph Space: Non Euclidean Quinity: 3 Quine Quine is Larva Labs’ contribution to the final Art Blocks Curated series, a project that underscores that all the works on the Art Blocks platform are generated directly from code with no artist supervision. Drawing from the computer science concept of a quine (a computer program that produces a copy of its own source code as its output), the work incorporates its own code into the visuals it creates. Rather than hiding the generative process, Quine makes code alive as both medium and subject, creating a strange loop where the artwork contains the instructions for its own existence. This is closely analogous to how biological life reproduces itself: the DNA in the living cell is a type of “program” that can produce all the mechanisms of life, one of which is making a reproduction of itself upon cell reproduction. Each Quine functions simultaneously as executable code (the DNA) and typographic composition (the cell). While some are “Perfect-Quines” that reproduce themselves exactly, others cycle through multiple generations – its “quintity”– before returning to its origin state. As opposed to creating the artwork directly, the main generator constructs a much smaller, specialized program that produces the visual output, including a layout of its own source code into the work, as well as the mechanism to reproduce itself. In this way, Quines are both program listings and artworks. #quine #larvalabs #artblocks #art #generativeart

Selfie @__osinachi 🔐3️⃣3️⃣🔐 In his work titled Selfie, Osinachi delves into the modern preoccupation with self-representation in digital spaces. While specific details about this piece are limited, it can be inferred that, consistent with his oeuvre, “Selfie” employs the familiar interface of Microsoft Word to comment on themes of identity, technology, and self-perception. The piece likely invites viewers to reflect on the nuances of presenting oneself in an era dominated by digital interactions.​ Osinachi’s pioneering efforts have not only redefined the boundaries of digital art but have also paved the way for African artists to gain recognition in the burgeoning NFT landscape. His work stands as a testament to the fusion of technology and creativity, challenging traditional art paradigms and inspiring a new generation of digital artists. Prince Jacon Osinachi Igwe, professionally known as Osinachi, is a self-taught Nigerian digital artist whose innovative use of Microsoft Word as a creative medium has positioned him at the forefront of the digital art movement. Born in 1991 in Aba, Nigeria, Osinachi’s journey began with a passion for writing, which evolved into visual storytelling through the unconventional canvas of a word processor. ​ Osinachi’s choice of Microsoft Word as his primary tool is both unconventional and groundbreaking. While the software is traditionally used for text processing, he has harnessed its limited design palette to craft intricate and thought-provoking artworks. This approach challenges conventional perceptions of digital art and underscores the potential of accessible technology in creative expression. ​ His contributions have been recognized by institutions such as the Buffalo AKG Art Museum, which acquired his work, and his inclusion in the Museum of Modern Art’s (MoMA) Postcard project. Additionally, New African Magazine named him one of the 100 Most Influential Africans in 2022. ​ #art #digitalart

beach 💔 dolly in @nikitadiakur 🔐3️⃣3️⃣🔐 Simulated film set with projected waves. Part of the Ugly project. Nikita Diakur, an artist based in Germany, uses unconventional computer simulation techniques to depict everyday activities, bringing randomness and chaos into his animations. These methods result in unexpected and spontaneous outcomes, which are characteristic of his animation style. Known as the “Ugly” filmmaker, Diakur has participated in several international exhibitions and festivals, receiving awards for his films “Ugly,” “Fest,” and “backflip.” In 2021, he ventured into the crypto-art scene with his work “Sharing BBQ,” part of the “Ugly” series. Additionally, Diakur contributes to the arts community by conducting lectures and workshops. He has also been part of the Artists-in-Residence program at Q21 in Vienna and is a member of the European Film Academy. #nikitadiakur #digitalart

Proud to announce The Contemplation by Alpha Centauri Kid has joined the 33 Collection. A radiant meditation on color, silence, and the nearness of death @alphacentaurikid 🙏 #art #digitalart #alphacentaurikid #ack

pale blue death (a color study) @alphacentaurikid 🔐3️⃣3️⃣🔐 Pantone 297 C noise and colours Alpha Centauri Kid (ACK) is a multidisciplinary artist from Texas. After early experiments in painting and music, he became a celebrated figure in the web3 art community known for seamlessly blending traditional art forms with digital innovation. After bidding wars over his debut on SuperRare, he left a 14-year government job for the digital art world. #ack #art #digitalart

Ice Cream Hot Dogs @nikitadiakur 🔐3️⃣3️⃣🔐 Nikita Diakur’s exhibition presents an intriguing selection of works from several of his projects started in 2014, like “Ugly Project” and, most recently, “Studio Footage.” Diakur is looking to create artworks that challenge the prevailing norms of polished CGI videos by embracing the aesthetics of the chaotic and the malformed. Diakur’s unique approach leverages dynamic computer simulation to create a world that is deliberately rough around the edges, reflecting his intentions to comment on the unpredictability and imperfection inherent in life and digital creation. The works range from bizarre urban environments to characters that defy conventional design principles, each serving as a testament to Diakur’s innovative use of software glitches and errors to craft narratives. This method not only highlights the unpredictable nature of computer simulations but also brings an element of spontaneity and personal touch to the animation, akin to the unpredictable outcomes in real-life filmmaking. This embrace of randomness and the acceptance of the ‘ugly’ or imperfect offers a critical anthropological observation of the digital age’s obsession with perfection and control, urging viewers to find beauty and meaning in the chaos and to reconsider their relationship with digital media. Diakur’s work is a significant contribution to digital art, inviting a reevaluation of our expectations and perceptions of beauty, narrative, and the artist’s role in the age of advanced technology. His practice encourages a dialogue on the essence of creativity in digital spaces, pushing the boundaries of traditional animation and challenging viewers to embrace the unexpected.

Quine #361 @larva_labs @artblocks_io One of only 15 Perfect Quine Chrome: BX Code: Liminal Engine: Lattice Space: Non Euclidean Quine is Larva Labs’ contribution to the final Art Blocks Curated series, a project that underscores that all the works on the Art Blocks platform are generated directly from code with no artist supervision. Drawing from the computer science concept of a quine (a computer program that produces a copy of its own source code as its output), the work incorporates its own code into the visuals it creates. Rather than hiding the generative process, Quine makes code alive as both medium and subject, creating a strange loop where the artwork contains the instructions for its own existence. This is closely analogous to how biological life reproduces itself: the DNA in the living cell is a type of “program” that can produce all the mechanisms of life, one of which is making a reproduction of itself upon cell reproduction. Each Quine functions simultaneously as executable code (the DNA) and typographic composition (the cell). While some are “Perfect-Quines” that reproduce themselves exactly, others cycle through multiple generations – its “quintity”– before returning to its origin state. As opposed to creating the artwork directly, the main generator constructs a much smaller, specialized program that produces the visual output, including a layout of its own source code into the work, as well as the mechanism to reproduce itself. In this way, Quines are both program listings and artworks. #quine #larvalabs #artblocks #art #generativeart

Emotions @__osinachi 🔐3️⃣3️⃣🔐 This piece delves into the evolving language of emojis and their profound role in modern communication. It explores how these seemingly simple icons have transcended their explicit meanings to form a complex, nuanced, and often coded vocabulary across different generations. The artwork draws inspiration from the unique ways boomers, millennials, and Gen Z use emojis to express themselves. It captures the subtle yet significant differences in their digital dialects—from the straightforward use of the emoji of a monkey covering its face to depict shyness, to the layered use of a peach emoji to refer to the sexual. Created in 2024. #emotions #art #emoji #osinachi