42 stalls. One unfortunate tragedy.
Two weeks later, the grief hasn’t settled and the rebuilding hasn’t finished. The communities, businesses, and organisations hit hardest- embroiderers from Kashmir, weavers from Karnataka, craftspeople who carry their entire livelihood bazaar to bazaar are still picking up the pieces.
Dastkar has held India’s craft economy together for 44 years. Their commitment to this ecosystem is what has inspired many of us to stand and build better; for, with, and from it. And this is us standing with them.
If you can, please donate to the Dastkar Relief Fund — link in our bio, QR on the post. No amount is too small. Every rupee goes directly to affected artisan groups and becomes part of something much larger than a single donation — the collective act of making sure that India’s craft economy, and the people who hold it together, don’t have to rebuild alone.
80G eligible.
A Message for the Community
In conversation with Ashish Dhaka
Director, Fashion Revolution India
Ashish shares a gentle reminder for the community: sometimes the most meaningful reset begins with stepping away from constant digital noise.
In this conversation, we reflect on the value of digital detox and slow, mindful practices—finding what truly works for you personally. Simple craft activities like embroidery can become deeply therapeutic, offering a way to slow down, stay present, and reconnect with yourself.
His message is simple yet powerful:
find something you love, stay immersed in it, give yourself space to unwind and self-reflect—and let that process guide you toward a more balanced, happier life.
#MessageForTheCommunity #FashionRevolutionIndia #CraftAndWellbeing #SlowMaking #KulaConclave2025
Every Women’s Day, we celebrate women. We post. We hashtag. We clap.
And then we go back to a world where millions of women who build entire economies with their businesses still can’t access a loan, a market, or a policy that sees them.
Women in the handmade sector aren’t on the margins of the economy. They are the economy. They grow it, sustain it, breathe life into it — enterprise by enterprise, craft by craft, 4am by 4am.
And the systems meant to support them?
Still catching up. Still debating. Still treating their labour as a hobby, their businesses as a side hustle, their communities as a charity case.
- 200 million artisans.
- Mostly women.
- Mostly invisible to the policies and systems that could change everything.
This isn’t a gap in participation. This is a gap in recognition. In funding. In political will.
Women supporting women has always existed — in every village, every cooperative, every women-run business.
But sisterhood alone shouldn’t have to carry what systems refuse to.
So this Women’s Day — don’t just celebrate women. Demand better for them.
ASK why craft economies are excluded from serious investment.
ASK why women-led businesses have to justify their existence.
ASK who benefits from keeping care work invisible.
The women are already doing the work. It’s time the world finally did its part.
What Brought You to Kula?
In conversation with Vishesh Sharma
Marketing & Retail, Aadyam Handwoven
For Vishesh, Kula Conclave is a space to step back and think ahead.
In this conversation, we discuss how Kula serves as a platform to explore sustainability, craft, and long-term future planning within the artisan sector. From engaging with ecosystem partners to exchanging ideas around responsible growth, Kula enables conversations that go beyond products.
Vishesh also reflects on Aadyam’s curated collection of textile art—bringing together diverse craftsmanship from multiple clusters, and showcasing how collaboration, context, and thoughtful curation shape the future of handwoven textiles.
A reminder that the future of craft is built collectively—through dialogue, partnerships, and shared intent.
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#WhatBroughtYouToKula #KulaConclave2025 #AadyamHandwoven #HandwovenTextiles
Installation Spotlight | Porisoi
Founded by Jasmine Kalita in Guwahati, Porisoi—meaning Identity—is rooted in a simple but powerful commitment: creating 100% hand-woven products while building dignified livelihoods for rural women artisans in Assam.
What began in 2022 with two women artisans in a single village has grown into a collective of 70+ women artisans across the Nalbari district, each carrying forward local weaving traditions through contemporary expressions.
At Kula ’25, the installation reflected this journey of steady growth—where craft becomes a source of identity, agency, and economic independence. As part of Gulai, Porisoi’s presence highlighted how grassroots initiatives, when given the right exposure, can scale with integrity and purpose.
A reminder that when women weave, communities grow stronger—thread by thread.
#InstallationSpotlight #Kula2025 #Porisoi #WomenInCraft #HandwovenAssam
BOLD PREDICTION FOR 2030 | Craft & Creative Industries
In conversation with Meeta Mastani, Founder, Bindaas Unlimited, we explore where the craft and creative industries are headed by 2030.
Meeta shares how the sector is likely to evolve into a more sophisticated, design-driven market, where storytelling, cultural depth, and thoughtful innovation define value. As craft moves upward in aspiration, higher-end products rooted in authenticity and strong narratives will shape its future relevance and global appeal.
What’s your prediction for craft and creativity in 2030?
Join the conversation below.
(Kula Conclave, Kula Innovate, Kula Tribe, Jaipur, Trendspotting 2030)
WHAT ARE THEY WEARING AT KULA | Kula Conclave 2025
Nidhi Kamath, documentary filmmaker, breaks down her Kula Conclave look—rooted in tradition and styled with a contemporary sensibility. The outfit features an ikat blouse from Telangana and Andhra Pradesh, paired with a handwoven sari by Women Weave, an NGO based in Madhya Pradesh.
She explains how the sari is draped in a scarf-like form, transforming it from a conventional garment into a versatile styling element. A thoughtful reminder of how Indian textiles can be worn creatively while honouring the craft and communities behind them.
(Kula Conclave, Kula Innovate, Kula Tribe, Jaipur, Trendspotting 2030)
INSTALLATION SHOWCASE | Kula Conclave 2025
Dianthe Private Limited, founded by Chokone from Senapati, Manipur, presents a thoughtful exploration of sustainability through flowers. The venture focuses on preserving and extending the life of natural blooms—transforming them into long-lasting dry floral creations that offer a conscious alternative to plastic décor.
By sourcing directly from over 300 local farmers, Dianthe strengthens regional livelihoods while reducing reliance on imported fresh flowers. The installation highlights how craft, agriculture, and sustainability can intersect—giving flowers a second life while building a more resilient, community-rooted ecosystem.
(Kula Conclave, Kula Innovate, Kula Tribe, Jaipur, Trendspotting 2030)
INSTALLATION SPOTLIGHT | Kula Conclave 2025
October Pumpkin Private Limited presents an installation rooted in the rare craft traditions of Manipur. Working closely with artisans from Longpi village in Ukhrul district, the brand creates handcrafted Longpi pots using serpentine stone powder, weathered rocks, and brown clay.
Fired naturally at temperatures exceeding 1,100°C, these pots develop their signature natural sheen and are completely toxin-free—making them food-safe, oven-safe, and microwave-safe. Alongside this, the installation features plant-based scented candles made with cotton wicks and organic fragrances, crafted to complement the material honesty of the pottery.
Each piece reflects a deep respect for material, process, and place—where craft, functionality, and sustainability come together seamlessly.
(Kula Conclave, Kula Innovate, Kula Tribe, Jaipur, Trendspotting 2030)
CRAFTS AT KULA | Kula Conclave 2025
At Kula Conclave 2025, Asha Gautam showcases an innovative exploration of French Knots Wall Embroidery—reimagining the craft beyond its traditional use in fabrics, saris, and floral embellishments.
This new body of work expands French knot embroidery into large-scale wall pieces, opening up fresh possibilities for the technique within contemporary interior and spatial contexts. Rooted in meticulous handwork, the project reflects how traditional crafts can evolve while retaining their depth, skill, and cultural integrity.
A thoughtful example of how heritage techniques find new expression at Kula.
(Kula Conclave, Kula Innovate, Kula Tribe, Jaipur, Trendspotting 2030)
WHAT ARE THEY WEARING AT KULA | Kula Conclave 2025
In this conversation, we talk about a Kula Conclave 2025 outfit that carries stories across generations and geographies. The look features a Chilna Desai dress crafted by weavers in Odisha, layered with borrowed pieces from a mother-in-law’s wardrobe, Indonesian batik earrings, and handcrafted beadwork by cousin Anvi, created in collaboration with artisans in Kutch.
Each element reflects a personal connection to craft—where clothing becomes memory, inheritance, and collaboration, stitched together across cultures.
What’s the story behind what you wore to Kula?
Share it with us. ✨
(Kula Conclave, Kula Innovate, Kula Tribe, Jaipur, Trendspotting 2030)
UTILISING ₹1 CRORE IN CAPITAL
In this conversation, we explore how ₹1 crore of catalytic capital could transform the future of Bujodi and Kutch crafts on a global stage.
The focus is on preserving heritage while investing deeply in people—especially women artisans—through training in design, marketing, packaging, and branding. By building confidence, strengthening business skills, and positioning craft with the right identity, the vision is to help village enterprises scale sustainably and take their exceptional innovation to international markets.
If you had ₹1 crore to invest in craft, where would you begin?
Tell us your ideas in the comments.
(Kula Conclave, Kula Innovate, Kula Tribe, Jaipur, Trendspotting 2030)