C12 was so intense.
You brought such a strong energy that the whole night felt unreal.
Thank you for making this possible, the picture probably speak better than we could.
Tokyo left Brussels.
For now...
À bientôt
またね
📷@alexandre_moreels_studios
JUN INAGAWA IS BACK TO BRUSSELS
Manga artist, visual creator, musician and DJ.
A chaos storyteller, straight from Tokyo.
@junmindfield
See you at @c12brussels
April 24 - Tokyo Back to Brussels
Wondering about the truck on the poster?
Here’s where it comes from.
Design by @deal_eu
Tokyo back to Brussels - April 24 at @c12brussels
Tickets in bio.
"I always aim to create a party where people can feel a sense of euphoria"
We asked Somaé a few questions ahead of his return to Brussels.
April 24 - @c12brussels
Tokyo Back to Brussels
Tickets in bio.
"The Belgian dancefloor felt incredibly free and full of love."
Ahead of his return to Brussels, we asked Shunsuke Kudo a few questions.
Catch him at @c12brussels on April 24.
Tokyo Back to Brussels
Tickets in bio.
We’re very proud to announce that Tokyo Back to Brussels is officially part of the “160 Years of Friendship between Japan and Belgium” as an anniversary event promoted by the Embassy of Japan in Belgium.
@160anniv_japanbelgium
From the beginning, this project was built around creating a genuine connection between the Japanese and Belgian scenes, and seeing it acknowledged at this level is something we’re truly grateful for.
We would like to sincerely thank the Embassy of Japan in Belgium for their trust and support.
@japanembbelgium
Tokyo Back to Brussels - April 24 - C12
Lewo Chyba & Shunsuke Kudo
live on @kiosk.radio - April 22, 19:00 - 21:00
A pre-event session for Tokyo Back to Brussels at C12
What Tokyo sounds like, before it lands at @c12brussels on April 24.
What makes a dancefloor truly work?
For @lewochybamusic , it’s all about communication,
that constant back and forth between the DJ and the crowd.
We asked him a few questions ahead of Tokyo Back to Brussels.
Catch him at @c12brussels on April 24.
Tickets in bio.
