In his latest single, "Can We Go Back (The Optimist)," the Australian musician and producer prdr presents a gut-wrenching juxtaposition of aggression versus technical fragility, the past versus the future. For aficionados of alternative metal, modern progressive rock, and emotionally unfiltered storytelling, this is a potent elixir to savor. A native of Adelaide, prdr has already built a reputation for writing songs that are like cinematic experiences, and "Can We Go Back (The Optimist)" is no different.
prdr es un artista y productor originario de Adelaide, Australia y nos presenta su nuevo EP, the malice of chance and time.
#prdr #themaliceofchanceandtime #alternativerock #progressiverock #ExpandeTusSentidos
My new ep ‘the malice of chance and time’ is out today on bandcamp and all streaming services.
These are by far the best songs I’ve ever written (subjectively) and the proudest I’ve been of any release.
Between working a (more than) full time job and being a dad to two young kids it’s a minor miracle that these songs were ever written and recorded. I have @aria_shizzle to thank for putting up with me through the process.
It’s difficult to express how I feel about writing, recording and releasing songs for public consumption. It’s fantastic and awful at the same time - the highs and satisfaction, the frustration and tedium. It’s a long and hard graft but I’m grateful for the opportunity to do it.
This wouldn’t be what it is without a bunch of really talented people helping shape it and providing excellent and in some cases foundational contributions. Here they are in full:
Drums: @rob_brens
Bass: @liamhbass
Vocals: @chadblondel
Co-production and mixing: @simongrove
Vocal writing and production: @chadblondel
Mastering: @forrestersavell
Art: @apolk17
Drum engineering and recording: Luke Walton
Video production credits: @stackhatmusic and @robertbrens (see also Rob Brens)
ALBUM REVIEW: prdr dives deep into the cosmos with The Malice of Chance and Time—a stunning prog rock odyssey packed with atmosphere, precision, and existential weight.
Listen now via GET SOME MAG DOT COM!
Words by Timmy Farmer (@timmydavidfarmer )!
#ProgRock #NewMusic2025 #GetSome #NewMusic #ProgressiveRock
Thanks for listening to ‘spaces in between (the observer)’. Here’s the final instalment of the video series and the most epic of sections off my new EP.
⚠️ CN: This video contains depictions of end-of-life choices. Lifeline – 13 11 14 Beyond Blue – 1300 22 4636
My new song ‘spaces in between (the observer)’ is now available on all streaming platforms. Part 2 of the visuals delivered by @robertbrens .
How’s the bass riff by @liamhbass
my next single ‘spaces in between (the observer)’ is dropping this weekend via @theprogspace .
this is part one of a three part video to coincide. it was shot, edited and directed by the ever talented @robertbrens , who also blasted the tubs on the tune.
please enjoy the epic bass and drum sounds courtesy of @simongrove
Here’s the FULL uncut vid for ‘waiting in the light’ by ya boi @0prdr , cause honestly it’s just too sick not to have on the grid in all its prog glory. This project was a bit of a departure from my usual run n gun shit and took months of preparation. Sweaty bus trips to Bunnings, spray painted chainmail and late night arrow making sessions (Took two days just to get the width looking right). This shit was a hands on crafternoon delight, which makes it even more satisfying seeing it all come together so harmoniously, especially given how many wild obstacles got thrown our way. BTS still en route I promise 💘
Youse already know I had a team full of legendary art behemoths by my side generously lending me their time and expertise, but one more time shoutout to da odd squad for helping us stick the landing.
@hungryjaack , @bellalouche , @emikahiart , @edenineora , @oldmatechuffy & @chainsofmetal
the first video from my new ep just premiered over on @everything.is.noise - suss the link in my bio. you can also now pre-order the EP on bandcamp.
immense gratitude to @stackhatmusic who poured so much vision and creativity into the video
“I found myself hitting repeat, wondering how does the song end so quickly. It’s easy to get lost riding the sweet and grounded groove its sporting. When it wasn’t that, it was all the lush textures stealing the spotlight, trailing behind the effortless yet driving trajectory of the vocals. It’s nice to see this kind of ambiental/post rock sensibility explored with such clarity and general tonal euphony.”
the malice of chance and time dropping 22 July
this thing wouldn’t be what it is without the amazing contributors and shapers who added their creativity, chops and flair:
drums: @rob_brens
vocals: @chadblondel
bass: @liamhbass
vocals written and produced: @chadblondel
co-produced and mixed: @simongrove
mastered: @forrestersavell
original art: @apolk17