/science/article/pii/S2095263525001414
ON writing without a pen, ON working with things one doesn’t know, ON composing sentences you didn’t fully think, ON trusting tools you don’t fully understand, ON connecting fragments, ON designing relations, ON citing books you haven’t read, ON curating bias, ON thinking in loops, ON building arguments out of atmospheres, ON positioning, ON shared authorship, ON the blurred and the slightly suspicious, ON architecture, ON writing in someone else’s terms ON
JPN@P4RTY — A Quantum Categorical Affair
For In-Between / Japan Pavilion at the Architecture Exhibition La Biennale di Venezia 2025
❤️ @toshikiuchi@jjjunaoki
A story written between architecture, AI, and fiction.
Narrated by a semi-fictional librarian.
Styled by neural networks.
Structured through code.
Not a text about architecture —
but architecture about text.
Inside the Japan Pavilion at the Venice Biennale 2025,
where the “in-between” becomes the main actor.
/files/data/JPN@P4RTY /[email protected]
#architecture #ai #biennale #japan
RAUMGESTALTUNG — The Shaping of Space
UIBK 2026 SS
conducted by Miro Roman
This course explores Raumgestaltung — the articulation of spaces — by playing with Gestalt psychology, chatGPT, Deleuze’s fields of forces, Koolhaas’ spatial systems, Serres’ relational worlds, Hovestadt’s digital articulation, Xenotheka…
THE SUPERMARKET OF MEANINGS
Welcome to the market.
Not a place, but a system — bright, synthetic, immaculate.
We do not invent; we rearrange.
Every belief, every desire, every promise you already own —
we simply make it visible, combinable, desirable again.
We do not design reality —
we configure its display settings.
Attention its currency.
You are already inside.
We simply showed you the shelf.
PHD symposium ABSTRACTIONS
27.11.2025 STUDIO2 FOYER @ FACULTY OF ARCHITECTURE, UIBK
hosts: MIRO ROMAN, BARBARA IMHOF, KAROLIN SCHMIDBAUR
guests:
Prof. Dr. Ludger Hovestadt (ETH Zurich)
Prof. Dr. Philippe Morel (UCL London)
10.00 - 10.30 Introduction
10.30 - 11.30 Vadim Smakhtin: Aesthetics as a Protocol
11.30 - 12.30 Simon Oberhammer: Principles of Plasticity
13.30 - 14.30 Nur Esin Karaosman: Architect as Speculative Archaeologist
14.30 - 15.30 Natalia Piorecka: Advancing Mycelium-Based Materials
16.00 - 17.00 Muchen Yan: A Data-Driven Framework for the HighValue Upcycling of Irregular Concrete Waste
17.00 - 18.00 Franklin Ugochukwu Eze: Citiness of Lagos
CAN A BUILDING MAKE YOU LAUGH?
on humor.
by Wiktoria Violetta Sadlo
When I talk about humor, I think of it as an attitude toward life. Am I being realistic, or am I being humorous? This shift in perspective, how we choose to see our environment, is what we should strive for. Like a parasite Humor nests in OneShell Plaza, lets enjoy the stages.
Arlecchino
S5 Studio Pollution | THE SYNTHETIC COMEDY
Pasolini doesn’t come to Mumbai to find collapse —
he comes to find a kind of life that still contains friction, contradiction, and sacred disorder.
He comes to Mumbai not for poverty,
but for the places where modernity hasn’t erased everything yet.
Where contradiction still lives in public.
Where beauty, punishment and survival overlap.
Inspired by Dante Alighieri’s “The (Divine) Comedy” and Pasolini’s search for sacred contradiction, this project maps Mumbai as a three-tiered system:
Inferno in the slums (longing),
Purgatorio in the temple district (ritual),
Paradiso on Malabar Hill (performance).
In the 21st century, there is no salvation. Only signal.
Antara, a sentient archive, watches —
storing dreams, distortions and social difference like data in the area around Banganga Tank, where the life of the rich stands in stark contrast to the life in the slums.
Here, inequality is not collapse.
It’s continuity.
S5 Studio Pollution | 'Crawford Marketing Inc’ is a myth-powered branding agency based in Mumbai, specialising in the revival of ancient gods through modern advertising. We transform
forgotten deities into desirable brands—where temples become timelines, rituals become campaigns, and myth becomes market strategy.
Rooted in the chaos of Crawford Market and inspired by the resilience of Indian mythology and the radical vision of Pasolini, we blend reverence with critique. Our work reimagines belief for the digital age—turning divine absence into curated presence, and sacred stories
into shareable content.
At Crawford, the gods return—not to be worshipped, but to be wanted.
Myth, monetised. Divinity, redesigned. Desire, deployed
