In this piece for Ceramics Now, writer Monica Monaia reflects on Andile Dyalvane’s recent solo exhibition ‘iNgqweji’ at Southern Guild Cape Town (22 November 2025 – 29 January 2026).
‘Ceramics as Living Presence: Experiencing Andile Dyalvane’s iNgqweji’ considers how Dyalvane’s work moves beyond objecthood, positioning clay as a living, relational force shaped by land, ancestry, and ritual. Through sound, collaboration, and ceremonial activation, ‘iNgqweji’ becomes an embodied experience: inviting viewers into a deeper sensory engagement with memory, spirituality, and connection.
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Image captions (L–R): Andile Dyalvane, ‘Intlak’omga’ (2025) and ‘Intsholo’ (2025). Both courtesy Lea Crafford/Southern Guild; ‘iNgqweji’ Sketch (2025). Courtesy Hlalanathi Radebe
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