Rosa Barba ‘Charge’ 16mm film
@timeasperspective
The newly commissioned work, Charge, forms the core of the installation in :The Ocean of One’s Pause at the Museum of Modern Art, New York, which examines light as a source of ecological change and scientific innovation.
Shot at Nancay Radio Observatory & Zurich ETH
Slide 1: Charge still
Slide 2: Charge exhibited within The Oceans of One’s Pause’ 35mm print, optical sound.
Slide 3: Excerpt as part of TimeSquare Midnight Moment
Camera Ruben Woodin Dechamps and Rosa Barba,
Assisted by
@sandra_felicitas , Alasdair Asmussen Doyle,
Steadicam
@gregoiremazureck ,
Gaffer Hugo Dos Santos, Nancay and Till Fischer, Zurich
Editing with Hendrik John.
Field recordings: Pablo Diserens and Fall Pesquet, Drums: Chad Taylor, Cello:Rosa Barba, Pendulum Strings: Limpe Fichs,
Sound Design with Ellison Glenn,
Sound mix and Mastering: Jane Arnison.
Colourist:
@alexgregorycolour .
Printed on Kodak, Filmlabs: Cinegrell and Transperfect Media.
Production: Franck Bordese.
Thanks to Stuart Comer, Julia Paoli, Dr. Marius Simon, Prof Dr. Puneet Ananths Murthy,
Co - commissioned by the Museum of Modern Art, New York and the Vega Foundation. Toronto.
Excerpt also screened as part of TimeSquare Midnight Moment.
Times Square’s presentation of ‘Charge’ is a special edit of Barba’s film of the same title, co-commissioned by MoMA and
@thevegafoundation in Toronto. An iteration of Charge will also be on view at MoMA until July 6 as a part of Barba’s solo exhibition ‘The Ocean of One’s Pause’.
Video documentation by Tatyana Tenebaum
